THE HAUNT

The Haunt is an invitation to the outsider, a blissful surrender to enchantment, melancholy, and disaffected beauty. It’s the soundtrack to the dark romanticism of otherworldly sentimentality. This is lush, theatrical, all-enveloping music outstretching its cold embrace to the overlooked.

A swirl of Indie-Pop and Post-Punk with a devilish alchemy that summons both Blues and Beats, The Haunt wouldn’t be out of place at Vivienne Westwood’s late seventies London boutique; a new wave countdown on MTV’s “120 Minutes”; baking in the sun at Vans Warped Tour; or a dystopian dance club in space.

The juxtaposition of Anastasia’s quiet offstage shyness with her commanding vocal preeminence is one of many artistic clarion calls beckoning an increasing number of likeminded devotees into the Haunt’s world.