BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//JaxLive - ECPv4.8.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:JaxLive
X-ORIGINAL-URL:https://jaxlive.com
X-WR-CALDESC:Events for JaxLive
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200119T190000
DTEND;TZID=America/New_York:20200119T235900
DTSTAMP:20200119T052734
CREATED:20191205T025714Z
LAST-MODIFIED:20200111T051108Z
UID:3503-1579460400-1579478340@jaxlive.com
SUMMARY:GA-20
DESCRIPTION: \nGA-20 was formed by friends Pat Faherty and Matthew Stubbs in Boston\, MA in 2018. The project was born out of their mutual love of heavy traditional Blues\, R&B\, and Rock & Roll of the late 50s and early 60s. Faherty and Stubbs bonded over legendary artists like Lazy Lester\, J.B. Lenoir\, Earl Hooker\, Buddy Guy\, Otis Rush and Junior Wells. Feeling a void in current music\, the duo have set out to write\, record and perform a modern version of this beloved art form. Joined by drummer Tim Carman in 2019\, GA-20 is a trio of 2 guitars\, vocals and drums. Raw\, passionate and honest performance\, both on stage and in the studio\, is the only goal. GA-20 released their debut album “Lonely Soul” Oct 18th 2019 on Karma Chief / Colemine Records. The album debuted at #2 on the Billboard blues charts. \nStubbs has spent the past 11 years as guitarist for Blues legend Charlie Musselwhite. During that time he has also backed up and toured with such Blues giants as John Hammond\, James Cotton\, Junior Watson and James Harman. Stubbs also leads his own original instrumental psych-rock band\, ‘The Antiguas’. \n
URL:https://jaxlive.com/event/ga-20/
LOCATION:1904 Music Hall\, 19 Ocean St\, Jacksonville\, FL\, 32202\, United States
GEO:30.3263732;-81.6564137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=1904 Music Hall 19 Ocean St Jacksonville FL 32202 United States;X-APPLE-RADIUS=500;X-TITLE=19 Ocean St:geo:-81.6564137,30.3263732
CATEGORIES:Americana,Blues,Country,Rock n Roll
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/12/Ga-20-130webpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200119T190000
DTEND;TZID=America/New_York:20200119T235900
DTSTAMP:20200119T052734
CREATED:20191206T143150Z
LAST-MODIFIED:20200105T212658Z
UID:3509-1579460400-1579478340@jaxlive.com
SUMMARY:I MET A YETI
DESCRIPTION:
URL:https://jaxlive.com/event/i-met-a-yeti/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie,Prog Rock,Punk,Rock n Roll,Soul
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/12/Imetayetifbprofilepic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200120T200000
DTEND;TZID=America/New_York:20200120T235900
DTSTAMP:20200119T052734
CREATED:20191209T060041Z
LAST-MODIFIED:20191213T051729Z
UID:3513-1579550400-1579564740@jaxlive.com
SUMMARY:ALLEN MACK MYERS MOORE
DESCRIPTION:“Hey man\, wanna go on an acoustic tour?”\nIf that sounds like a strange way to start a band\, well\, that’s because it is. And that’s exactly how Allen\, Mack\, Myers\, & Moore started. What began as an acoustic duo of Zach Myers (from Shinedown) and Chris Allen\, eventually grew to add Zack Mack and J.R. Moore (from Ingram Hill). Ranging from folk/country to southern rock ‘n roll\, AMMM has become notorious for great songwriting and passionate performances. \nA review from a recent AMMM tour stop gives us about as accurate of a description as possible. “True to their word\, the show went late into the night\, as the audience was not willing to let them stop. They ended up playing for two and a half hours without even taking a break. They never left the stage nor did they do an encore. They stayed on that stage for 150 minutes and played their hearts out! ” \n“There is no script\, nor setlist. And the shows are spontaneous\, fun\, and full of music and many laughs and stories.” \nAMMM is currently working their third album\, following the successful release of Just South Of Moonlight in 2015. While technically side projects for the members of the band\, the commitment to fun shows and great music is sure to make Allen\, Mack\, Myers\, & Moore a mainstay for many years to come. \n
URL:https://jaxlive.com/event/allen-mack-myers-moore/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Americana
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/12/Allenmackmyersmoorefbprofilepic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200122T200000
DTEND;TZID=America/New_York:20200122T235900
DTSTAMP:20200119T052734
CREATED:20191028T140019Z
LAST-MODIFIED:20191204T141724Z
UID:3412-1579723200-1579737540@jaxlive.com
SUMMARY:BLACK LIPS
DESCRIPTION: \nThe story of the Black Lips began in Dunwoody\, Georgia\, a quiet\, conservative suburb of Atlanta\, in the year 1999. Born of a mutual love of Link Wray\, The Stooges\, and The Ramones\, and sealed through a shared dedication to defiance\, the band formed after childhood friends Jared Swilley and Cole Alexander were kicked out of Dunwoody High for separate\, yet equally bad\, behavior. The former classmates took their love of music and restless energy and channeled it into their newly found free time\, and joined by friends Ben Eberbaugh and Joe Bradley\, the Black Lips started playing shows around Atlanta\, at house parties and bars. They spent this time honing their sound – garage rock infused with blues\, psychedelia\, and punk\, plus a healthy dose of reckless abandon – and released their first 7-inch\, “Ain’t Coming Back\,” in 2002 on Die Slaughterhouse records (named in homage to the flophouse den they called home). Shortly before the band was set to head out on their first ever national tour\, Eberbaugh was tragically killed by a drunk driver. Devastated but determined to carry on in Eberbaugh’s honor\, the Black Lips hit the road as a trio just a few days later. \nIt’s been 15 years\, but that passionate dedication to touring has never left the band. The Black Lips have released eight full-length albums since that first tour\, and have traveled the country and the world extensively\, making a name for themselves as an electrifying\, must-see live act. It helps that the same mischievous spirit that helped speed up their exit from the educational system is still very much alive\, thriving in its new environment on stage\, resplendent with punk rock theatrics and miscellaneous bodily fluids\, amongst other things. The band’s energy and unique “flower punk” sound helped them build a rabid fan base\, and after releasing their first two albums through Bomp!\, they put out the critically celebrated Let It Bloom on In The Red records. This record garnered the Black Lips features in Spin and Rolling Stone\, and they were soon signed to Vice Records\, subsequently releasing Los Valientos Del Mundo Nuevo\, an ambitious album recorded live at a bar in Tijuana\, Mexico\, in February of 2007. \nIn their decade-long tenure with Vice\, the Black Lips have evolved from wildly crooning over fuzzy\, raucous music at house shows full of kids to wildly crooning over fuzzy\, raucous music at international festivals in front of thousands of fans. They have toured consistently\, with their zeal for travel taking them all over the world\, and not without some international adventure: In 2009 the Black Lips went on their first (and last) tour of India\, playing shows in Bangalore and Mumbai before chaos struck in Chennai after the band ditched their toned-down presence in favor of classic Black Lips capers\, including some not so well received Lips-locking. After the same sex smooching and also Alexander baring his butt to the rowdy crowd\, the tour’s sponsors pulled out and the band was nearly jailed\, their passports confiscated by the disgruntled promoters. According to Swilley: “The first few shows\, we were being really reserved because we didn’t want to offend anyone\, but they kept telling us to do what we wanted…I guess “do whatever you want” didn’t include kissing each other\, and I think Cole mooned the crowd\, which is a huge no-no. We had to physically wrestle our passports back from the promoters. It was the scariest 15 hours of my life\, but we got out of there.” The band ended up taking a 200 mile cab ride to the next province and hopped a flight to Berlin\, narrowly escaping Indian prison. \nUndeterred\, the band jumped at the chance to become the first Western punk band to tour another notoriously conservative continent\, the Middle East\, just a few years later. Why? “It was important for a number of reasons\,” Swilley says of the tour. “We’ve always wanted to push boundaries of where we go. Plus\, a lot of people told us we couldn’t do it\, and anytime someone tells us we can’t do something\, then we kind of have to. We have O.D.D\, oppositional defiance disorder.” This time\, their shows went off without a hitch\, and Black Lips played shows for crowds in Jordan\, Cyprus\, Egypt\, Lebanon\, Iraqi Kurdistan\, and the United Arab Emirates in 2011 in support of that year’s release of their record Arabia Mountain\, produced by Mark Ronson. The title was actually a reference to a mountain in Georgia\, but that didn’t stop the Lips from playing the record all over the Middle East\, to enthused fans and without causing any further international incidents. “Everyone was really nervous about us going there\, but it really went off without a hitch\,” adds Swilley. The band also hasn’t abandoned plans to become the first rock band to play on all seven continents\, hoping to hit their last remaining one\, Antarctica in the near future\, and disregarding Metallica’s claim of this achievement: “Just when we were securing the funding\, Metallica sniped us. They took a boat\, probably a gold plated Versace boat\, down there. But they actually didn’t play on land\, and they didn’t play with amps\, so technically they haven’t played Antarctica. Metallica hasn’t beat us yet.” \nFor their ninth studio album\, the Black Lips have teamed up with Sean Lennon\, who got on board to produce Satan’s graffiti or god’s art? in 2016. The Black Lips had formerly worked with Lennon on Arabia Mountain\, where Lennon played theramin on several tracks. The band moved up to Lennon’s studio compound on a remote farm in upstate New York\, and spent several months living and breathing the new record. This removal from the outside world\, plus the return of beloved early guitarist Jack Hines and the exciting addition of new members Oakley Munson on drums and Zumi Rosow (the first female Black Lip) on saxophone\, infused the project with a focused\, intoxicating liveliness\, similar to the spirit that had brought the Black Lips to life in the first place\, way back in 1999. Only this time\, the band is drawing from nearly two decades of experience and musicianship\, and the newness is tethered by familiarity: Munson is a longtime friend of the band\, and Rosow has been playing live with the Black Lips for several years now. There’s even a dash of kismet: unbeknownst to the band\, after being off the grid for some time\, Munson had just recently moved to a cabin a short distance away from Lennon’s compound\, and the first time his phone ever rang after he plugged into the wall\, Alexander was on the other end\, asking him to play. \nAll of this excitement and immersion created the perfect storm for the Black Lips’ most musically evolved album to date. “It was a really beautiful experience. We were very far from civilization\, and we were all living at the studio. We weren’t going home to our own beds every night; that was our whole world\, 100% of the time\,” says Swilley of the experience. “Making this record was the most wonderful few months of my life. It was by far my favorite time recording an album so far…It was just magic.” The Black Lips were joined by Saul Adamczewski of Fat White Family\, who helped co-produce the record with Lennon\, plus another rather magical guest: Yoko Ono. “She’s very cosmic\,” Swilley says of the celebrated artist and musician\, who makes an appearance on a few of the tracks. The final product is urgent and thoughtful\, reflecting the growth the Black Lips have experienced since bursting onto the scene (once or twice quite literally on fire)\, but it’s also true to their original blistering\, careening take on rock n’ roll: fuzzy\, dirty\, and rife with three and four part harmonies. Satan’s graffiti or god’s art? proves that while they may have grown up a bit and changed a few things around\, the Black Lips are still as creatively unhinged and exhilarating as ever. Satan’s graffiti or god’s art? is out now on Vice Records. \n
URL:https://jaxlive.com/event/black-lips/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/10/BlackLipssmpic.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200123T200000
DTEND;TZID=America/New_York:20200123T235900
DTSTAMP:20200119T052734
CREATED:20190903T120020Z
LAST-MODIFIED:20190917T152617Z
UID:3248-1579809600-1579823940@jaxlive.com
SUMMARY:SOUTHERN CULTURE ON THE SKIDS
DESCRIPTION:Southern Culture On The Skids has been spreading the rock and roll gospel since since they formed in Chapel Hill\, NC in1983. Guitarist/singer Rick Miller\, drummer Dave Hartman and bassist/singer/heartbreaker Mary Huff\, play a greasy mix of surf\, rockabilly\, R&B and country-fried garage with a side of psych\, all the while driving fans into ecstatic\, sweat-drenched paroxysms of joy. It’s a musical gumbo Miller calls\, “Americana from the wrong side of the tracks.” The band has been prolific and ubiquitous for over thirty years\, touring everywhere from the North Carolina Prison System to Mt. Fuji\, Japan and delivering what Rolling Stone calls “a hell raising rock and roll party.” \nIn 2014 the band was honored by the Southern Folk Life Collection at the University of North Carolina Chapel Hill with an exhibition featuring their music and cultural contributions. The flame-adorned La-Z-Boy from the cover of their Plastic Seat Sweat LP now resides at UNC-CH! \n
URL:https://jaxlive.com/event/southern-culture-on-the-skids-3/
LOCATION:1904 Music Hall\, 19 Ocean St\, Jacksonville\, FL\, 32202\, United States
GEO:30.3263732;-81.6564137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=1904 Music Hall 19 Ocean St Jacksonville FL 32202 United States;X-APPLE-RADIUS=500;X-TITLE=19 Ocean St:geo:-81.6564137,30.3263732
CATEGORIES:Alternative/Indie,Americana,Country
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2016/12/scotspress2piccolor.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200124T200000
DTEND;TZID=America/New_York:20200124T235900
DTSTAMP:20200119T052734
CREATED:20200105T150035Z
LAST-MODIFIED:20200112T060659Z
UID:3555-1579896000-1579910340@jaxlive.com
SUMMARY:RIVER CITY SOUND SYSTEM / PRIDELESS
DESCRIPTION:
URL:https://jaxlive.com/event/prideless-3/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie,reggae,Rock n Roll,Soul
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/10/Rivercitysoundsystemfbcoverpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200125T200000
DTEND;TZID=America/New_York:20200125T235900
DTSTAMP:20200119T052734
CREATED:20191112T180046Z
LAST-MODIFIED:20191218T082405Z
UID:3455-1579982400-1579996740@jaxlive.com
SUMMARY:SPAFFORD
DESCRIPTION:On New Year’s Eve in 2009\, guitarist Brian Moss and bassist Jordan Fairless joined up to play a show in their home state of Arizona and ring in a new decade. Moss and Fairless had been playing the same open mic nights and after their first successful joint effort decided to team up and officially form a band: Spafford. After playing shows in their home state\, the pair found themselves on the hunt for a new partner to help them round out their group. They found keyboard player Andrew “Red” Johnson and asked him to voyage out to Las Vegas in the run up to their 2011 New Year’s show in Prescott. Johnson agreed\, and has been with the band ever since. Now\, with drummer Nick Tkachyk\, the band brings their vibrant\, dynamic music to the world at large and pushes the boundaries of what a jam band can be. \nSpafford is known for their astonishing improvisational ability\, which they’ll use to play live off the cuff extended jams. Each song is a blank canvas\, and Spafford paints a picture in real time each night with a musical palette known only to each other. It’s a private language comprised of their talent as musicians\, and of their formidable catalog of influences – ranging from Steely Dan\, electronic acts like The Crystal Method\, to 90’s alt rock radio hits. Every show is a sonic pilgrimage – the journey of a team of musicians so in tune with each other that a single note communicates intent and purpose. \nEven though the band thrives off the electric pulse of live shows\, the same energy also translates into their studio efforts. Their 2018 release “For Amusement Only” hits to the heart of Spafford – tight\, inventive\, and dexterous musicianship coupled with clever retro-pop inspired songwriting. Songs like “Leave The Light On” highlight their influences – from the melodic styles of Alanis Morissette to the rhythmic bounce of Bob Marley. Other tracks like “Ain’t That Wrong” and “Slip and Squander” are rich with other signature Spafford signs: vibrant vocal harmonies\, complex and catchy arrangements\, and sparkling\, powerful performances. \nSince forming\, Spafford has achieved what some groups only dream of. The group is in high demand at music festivals like Bonnaroo and Firefly and consistently play sold out shows across the United States. After the successful release of “For Amusement Only” in 2018\, they are eager to play new songs and evolve their sound on the road. \n
URL:https://jaxlive.com/event/spafford-3/
LOCATION:1904 Music Hall\, 19 Ocean St\, Jacksonville\, FL\, 32202\, United States
GEO:30.3263732;-81.6564137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=1904 Music Hall 19 Ocean St Jacksonville FL 32202 United States;X-APPLE-RADIUS=500;X-TITLE=19 Ocean St:geo:-81.6564137,30.3263732
CATEGORIES:Jam
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/11/Spafford-Press-Photo-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200125T200000
DTEND;TZID=America/New_York:20200125T235900
DTSTAMP:20200119T052734
CREATED:20191119T150006Z
LAST-MODIFIED:20191211T225132Z
UID:3461-1579982400-1579996740@jaxlive.com
SUMMARY:DIRTY HONEY
DESCRIPTION:\n\n\n \nLos Angeles’ rock band Dirty Honey is geared up for an ambitious 2019. Led by frontman Marc Labelle\, guitarist John Notto\, bassist Justin Smolian\, and drummer Corey Coverstone\, the band recently released their debut \nEP. Produced by Nick DiDia (Pearl Jam\, Rage Against the Machine)\, the self-titled release is available now\, accompanied by a non-stop touring schedule. \nDirty Honey is set to perform at more than a dozen festivals this summer including Sonic Temple\, Welcome To Rockville\, Rocklahoma\, Louder Than Life\, Exit 111 Festival\, Heavy MTL\, and Epicenter among others. With support slots for The Who\, Guns N Roses and a return invitation to join Slash on tour this summer\, expect Dirty Honey’s talent and relentless drive to earn them a key role in de ning today’s rock movement. \n\n\n\n
URL:https://jaxlive.com/event/dirty-honey/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Rock n Roll
ATTACH;FMTTYPE=image/png:https://jaxlive.com/wp-content/uploads/2019/11/DIRTY-HONEY-img293-UPDATED-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200128T190000
DTEND;TZID=America/New_York:20200128T235900
DTSTAMP:20200119T052734
CREATED:20191125T060013Z
LAST-MODIFIED:20191219T154556Z
UID:3484-1580238000-1580255940@jaxlive.com
SUMMARY:Hed PE
DESCRIPTION:Originally based in Huntington Beach\, CA\, (Hed) p.e. was founded in 1994 by frontman Jahred\, whose goal was to fuse the region’s long-standing punk rock heritage with G-funk-inflected hip-hop. He was shortly joined by bassist Mark who has remained alongside the band until present day. The line up is currently rounded out by guitarist Jaxon and drummer Trauma. \n(Hed)p.e was snatched up by Jive Records early in its career\, but it wasn’t until the year 2000 when they released the album “broke” that they received mainstream success. It was this album that solidified them as a mainstay in the rock and metal community. \n(Hed)p.e. released its third album “Blackout” in 2003 which continues to be their most successful album to date. The group is infamous for changing the image and style of the band and music from release to release. Infusing moments of punk\, metal\, rap\, reggae\, and rock into their very eclectic yet precise sound. \nMany have asked what the name (Hed) p.e. means and stands for. According to vocalist Jahred\, “The name (Hed) p.e. is a name I came up with which basically means our consciousness is connected to the planet and the planet is evolving\, therefore\, we as her children\, evolve with her. The “p.e.” originally was defined as PLANETARY EVOLUTION\, and sometimes morphs to PLANET EARTH and back\, but both carry the same message\, the (Hed) is the symbol for consciousness. WE ARE ON THE MOTHERSHIP!” \nDespite many bands and peers from their genre\, (Hed)p.e. has never taken a break from releasing albums and touring\, which has enabled them to survive and meet with very strong independent success over the years. As a member that has been with the band from inception\, bassist Mark attributes this to a passion for music and for playing in (Hed)p.e. for over 2 decades. “I moved from NewCastle England to pursue music in the United States and have never looked back.” says Mark. “Our goal is to be a band that can connect with fans for decades to come\, much like bands like the Rolling Stones have been able to do for over four generations of music.” \nStaying true to the (Hed)p.e. standard of change and growth both personally and musically\, the new album “Evolution” takes the band back to their metal and underground roots they grew up on as kids. With tracks like “One More Body” and “No Tomorrow” holding down the metal and aggressive front\, to the Led Zeppelin infused track “2 Many Games”\, this album delivers every style imaginable and even rounds the album out with three reggae inspired/infused album closers. \nIn a time when so many bands are playing it safe and going through the motions\, whether it be out of fear of failure or lack of new ideas\, (Hed)p.e. embraces change and “Evolves” with their greatest work to date. \n
URL:https://jaxlive.com/event/hed-pe/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:funk,Hip-Hop/Rap,Metal,Punk,Rock n Roll,Soul
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/11/hed-pe-pic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200129T190000
DTEND;TZID=America/New_York:20200129T235900
DTSTAMP:20200119T052734
CREATED:20191202T170618Z
LAST-MODIFIED:20191217T022336Z
UID:3498-1580324400-1580342340@jaxlive.com
SUMMARY:BLACKFOOT GYPSIES
DESCRIPTION: \nThe Blackfoot Gypsies have unleashed a set of original roadhouse rockin’ tunes with To the Top\, on Plowboy Records. The Nashville\, Tennessee based powerhouse quartet demonstrate raucous energy and soul on this collection delivering their take on white-knuckled rock’n’roll. \nAcross the 15 tracks of To the Top\, the Blackfoot Gypsies fuse their influences — swamp blues cool\, downhome hillbilly funk and homegrown punk panache — into a lean\, mean machine invoking such classic musical malcontents as the Rolling Stones\, the Faces and Mott the Hoople\, while sparking and spitting 21st-century fire. It’s the type of record that could only come from a band that learned to rock the old-fashioned way — one sweaty\, full-throttle live performance at a time. \nThe band’s brew of rock\, hillbilly and blues began in 2010 when Oregon native\, guitarist and singer Matthew Paige moved to Nashville and hooked up with drummer and Music City native Zach Murphy. The pair wanted to form a full band\, but the urge to rock could not wait. \n“We were doing just what we wanted to do\,” Paige says\, “but making enough noise to fill out the sound was a challenge. I started playing through two amps to make the most sound.” \nThe pair spent the next two years building a reputation through raucous live performances and two self-released EPs\, Blackfoot Gypsies (2010) and Dandee Cheeseball (2011)\, and their first LP\, On the Loose (2012). Hard touring followed the album’s release as the duo bashed across the US through hard-won club dates. After three years\, they were ready to expand their sound. \n“There’s really only so much you can do with a two-piece\,” Murphy says. “You have to do everything in extreme. I think we were too much for some people — just a violent onslaught of noise.” \nThey soon completed their expanded line-up when bass player Dylan Whitlow and harmonica master extraordinaire Ollie Dogg arrived within weeks of each other. Whitlow\, a Gettysburg\, Pennsylvania native and a veteran of several Nashville rock bands\, had crossed paths with Paige and Murphy before\, but Nashville native Ollie Dogg was new to the rock ‘n’ roll scene. He was a longtime veteran of Nashville’s blues community and a regular at many blues jams\, but joining a band full time was a new experience. \n“My cousin told me about the band\,” Ollie Dogg says. “I met them a couple of weeks later\, and played with them. They just told me to be loose. That’s how I like to play\, loose — just take it and make it work. I’ve been playing with them ever since.” \nWith the line-up complete\, they entered the studio and laid down ten tracks of butt-shakin’ country-blues rock. Released in April 2015 by Plowboy Records\, Handle It delivered a mix of juke joint blues\, front porch pickin’ and snotty-nosed rock ‘n’ roll\, positioning the group as inheritors of a fine pedigree\, from Bo Diddley to the Black Crowes. Long nights tearing up the road followed as the band shared bills with the Alabama Shakes\, Drivin’ N’ Cryin’\, the Carolina Chocolate Drops\, Trampled by Turtles and many others. They toured throughout the US and wowed European audiences on their first international tour. \nAfter sharpening their sound through hundreds of live performances\, the band headed for Electric Kite Studio in Madison\, Tennessee. Working with engineer Matt Stager and armed with 15 original tunes\, the Blackfoot Gypsies self- produced their new album\, To the Top. They also recruited some notable musical assistance from some of Nashville’s finest musicians\, including backup vocals from red-hot country queen Margo Price\, Spencer Cullum\, Jr. (Steelism) on steel guitar\, Micah Hulscher on piano\, Alexis Saski on background vocals\, Taylor Powell and Shannon Pollard assisting on drums\, and Paul Thacker\, Diego Vasquez and Joe Hunter supplying horn section support. The album was mixed by Joe Funderburk at Creative Workshop. \nTo the Top wastes no time making it perfectly clear that the Blackfoot Gypsies are locked and loaded to rock. The album opens with a powerful statement of purpose in a trio of pedal-to-the-metal rockers. “I’m So Blue\,” “Everybody’s Watching” and “Promise to Keep” all roar with an explosive energy worthy of the early ‘ 70s Rolling Stones or the Faces\, while demonstrating that the Blackfoot Gypsies wear their inspirations on their sleeves without falling into the trap of pointless imitation. \nThe band slows things down a bit with “Potatoes and Whiskey\,” a rough — cut slice of honky-tonk featuring Margo Price on backing vocals. Next they hop on a sanctified express train for the balling-the-jack anthem “I Had a Vision\,” followed by the Big Easy groove of “Back to New Orleans\,” a song perfect for second-line dancing anytime or anyplace. \nHitting their stride midway through the record\, the Blackfoot Gypsies alternate rockers (“Lying Through Your Teeth\,” “I Wanna Be Famous\,” “She Was Mine” and “Warning”) with songs demonstrating the band’s versatility\, with the hillbilly swing of “Velvet Low Down Blues\,” the Dylan-esque country ruckus of “Woman Woman” and the sublime juke joint jam of “I Got the Blues.” \nWrapping up with the primal kick and Bo Diddley beat of “Gypsy Queen” and the lightly glam-seasoned back-to-basics haymaker “Why Should I Cry\,” the disc is a complex and masterful blend of rock\, blues and hillbilly stomp sure to please the most discriminating palate and send the most reluctant feet to the dance floor. \n
URL:https://jaxlive.com/event/blackfoot-gypsies/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Blues,Rock n Roll,Soul
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/12/Blackfootgypsiespic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200130T200000
DTEND;TZID=America/New_York:20200130T235900
DTSTAMP:20200119T052734
CREATED:20191101T140223Z
LAST-MODIFIED:20200116T125101Z
UID:3443-1580414400-1580428740@jaxlive.com
SUMMARY:ARROWS IN ACTION
DESCRIPTION:
URL:https://jaxlive.com/event/arrows-in-action/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/11/Arrowsinactionfbpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200131T200000
DTEND;TZID=America/New_York:20200131T235900
DTSTAMP:20200119T052734
CREATED:20191125T181658Z
LAST-MODIFIED:20191230T184557Z
UID:3495-1580500800-1580515140@jaxlive.com
SUMMARY:RASPBERRY PIE / SCR
DESCRIPTION:With the combined sounds of early 70s pop rock\, and late 70s funk and disco\, Raspberry Pie have been packing dance floors throughout Florida. Composed of guitarist/vocalist Douglas Horne\, keyboardist Ryan Goodwin\, sax man Nick L’Heureux\, bassist Zac “The Champagne of Beers” Howard\, and their robot drummer CLYDE\, Raspberry Pie are all about feel good songs with tasty grooves and sing along choruses. Their first single\, “Loveseat” from 2016’s “People\, Places\, and Things” stands as a perfect example of this; an ear worm melody with tongue in cheek lyrics over classic 70s production.\nSince their first show in 2015\, they have made a name for themselves as the premier dance band in Orlando\, turning every major venue in town into Studio 54. They’ve also played headlining shows at Tampa Bay Comic Con\, Atlanta Con\, Wisconsin Comic Con\, and Indiana Comic Con to rave reception. They released their new EP\, “Funk All Night” on August 24th\, 2019.\n
URL:https://jaxlive.com/event/scr/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/11/Raspberrypiefbpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200201T200000
DTEND;TZID=America/New_York:20200201T235900
DTSTAMP:20200119T052734
CREATED:20191229T155043Z
LAST-MODIFIED:20191229T155043Z
UID:3548-1580587200-1580601540@jaxlive.com
SUMMARY:PURELY RED
DESCRIPTION:\n\n\nPurely Red is a hard hitting three piece Hard Rock/Alternative Metal band in the Gainesville Florida area who plays a mix of original material and covers.\n\n\n\n
URL:https://jaxlive.com/event/purely-red/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Rock n Roll
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/12/Purelyredart.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200204T190000
DTEND;TZID=America/New_York:20200204T235900
DTSTAMP:20200119T052734
CREATED:20191231T011804Z
LAST-MODIFIED:20191231T011804Z
UID:3551-1580842800-1580860740@jaxlive.com
SUMMARY:MAD COWFORD IMPROV NIGHT
DESCRIPTION:
URL:https://jaxlive.com/event/mad-cowford-improv-night-13/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Comedy
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/12/madcowfordnewart.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200205T190000
DTEND;TZID=America/New_York:20200205T235900
DTSTAMP:20200119T052734
CREATED:20191031T135531Z
LAST-MODIFIED:20191228T160845Z
UID:3434-1580929200-1580947140@jaxlive.com
SUMMARY:BRITISH LION
DESCRIPTION: \nEvery ticket for this show includes a digital download of British Lion’s forthcoming album. You will receive an email with more details about this offer approximately 7 days after your purchase. Offer not valid on resale tickets.  \n
URL:https://jaxlive.com/event/british-lion-featuring-steve-harris-of-iron-maiden/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Metal
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/10/BritishLionpicwithouttext.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200206T200000
DTEND;TZID=America/New_York:20200206T235900
DTSTAMP:20200119T052734
CREATED:20191207T005137Z
LAST-MODIFIED:20191217T020802Z
UID:3512-1581019200-1581033540@jaxlive.com
SUMMARY:UNKNOWN HINSON
DESCRIPTION:Looking somewhat like Dracula’s nasty little brother who spent some hard years drinking and working as a carnival barker for a second-rate freak show\, Unknown Hinson translates that vibe to his style of country and western-tinged psychobilly. The band is now touring nationwide\, wowing audiences with outrageous and campy\, white-trash persona and freewheeling\, sleazy tone. \nHinson’s most recent CD release\, “Live and Undead”\, melds weepy twang\, searing guitar riffs and lyrics that speak of love-gone-bad. Recorded at a sold-out show\, an enthusiastic honky tonk crowd sings along with the King on every song. \nRaucous\, theatrical and over-the-top\, Unknown Hinson isn’t just for the trailer park set anymore! \nUnknown is gaining notoriety in the 18-34 demographic as the voice of lead character “Early Cuyler” in the popular show from Cartoon Network – “The Squidbillies”. The first four seasons were so well-received that an immediate green light was given to future seasons. Check website for dates and time slots.\nhttp://www.adultswim.com/shows/squidbillies/ \nUnknown Hinson is a winner in Independent Music Awards for his entry alternative Country track “Torture Town” from the album “Target Practice”.\nhttp://www.musiciansatlas.com \nUnknown Hinson is a featured artist for Reverend Guitars\, representing them in many Guitar Player Magazine features. A signature Unknown Hinson guitar is currently part of Reverend’s celebrity instrument lineup. www.reverendguitars.com \nRockabilly Magazine named Unknown Hinson as their “Find of the Year” www.rockabillymagazine.com \nCheck out YouTube for thousands of videos from various sources featuring the King of Country Western Troubadours. www.youtube.com/unknownhinson \nLive interviews with Unknown Hinson along with his music are broadcast nationally on XM Radio’s National Lampoon channel. (XM 154 along with FM radio partners). http://www.nationallampoonradio.com/ \nSirius XM – Outlaw Radio has Hinson’s tunes in regular rotation. \nHe’s toured with Hank3\, Rev. Horton Heat\, the Boxmasters and Willie Nelson. Appearances on Jimmy Kimmel Live and other syndicated programming round out the list. \nHinson seems to collect quite a few celebrity fans. Billy Bob Thornton names Unknown as “one of my favorite songwriters and a genius picker”. Matt Groening (creator of The Simpsons) labels Unknown as a “guitar maniac (and funny as hell to boot!)” Hank3 has Unknown’s face tattooed on his bicep! Unknown was asked to join The Rolling Stones for sound check at their last show in Charlotte\, NC. You must witness the encounter with Ed King (Lynyrd Skynyrd) in Nashville (www.youtube.com/Unknown Hinson\, Ed King). You’ll find Unknown Hinson’s music everywhere from Snoop Dogg’s movie “LA Spectacular” to the newest version of the action-adventure open world video game “Saints Row 3”. \n
URL:https://jaxlive.com/event/unknown-hinson-5/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie,Americana,Blues,Comedy,Country
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2017/11/Unknownhinsonfbpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200207T193000
DTEND;TZID=America/New_York:20200207T235900
DTSTAMP:20200119T052734
CREATED:20191028T160013Z
LAST-MODIFIED:20191028T104631Z
UID:3424-1581103800-1581119940@jaxlive.com
SUMMARY:G. LOVE & SPECIAL SAUCE
DESCRIPTION: \n“I’ve been in the game a long time\, but I’ve always considered myself a student\,” says G. Love. “Finishing this album with Keb Mo’ felt like graduation.” \n  \nRecorded in Nashville with a slew of special guests including Robert Randolph\, Marcus King\, and Roosevelt Collier\, ‘The Juice’ is indeed diploma-worthy. Co-produced and co-written with GRAMMY-winning icon Keb Mo’\, it’s an electrifying collection\, one that tips its cap to more than a century of blues greats even as it offers its own distinctly modern pop spin on the genre\, mixing programmed beats and hip-hop grooves with blistering guitar and sacred steel. G. Love’s lyrics are both personal and political here\, artfully balancing his appreciation for the simple joys in life with his obligation to speak out for justice and equality\, and his performances are suitably riotous and rousing to match\, with infectious call-and-response hooks and funky sing-along choruses at every turn. Easy as it is to succumb to cynicism these days\, the songs on ‘The Juice’ refuse\, insisting instead on hope and determination in the face of doubt and despair. \n  \n“I’ve always tried to make music that’s a force for positivity\,” G. Love explains. “It was important to me that this album be something that could empower the folks who are out there fighting the good fight every day. I wanted to make a rallying cry for empathy and unity.” \n  \nBorn Garrett Dutton in Philadelphia\, PA\, G. Love grew up equally enthralled with folk\, blues\, and rap\, devouring everything from Lead Belly and Run D.M.C. to John Hammond and the Beastie Boys. After migrating to Boston\, he and his band\, Special Sauce\, broke out in 1994 with their Gold-selling self-titled debut\, which earned widespread critical acclaim for its bold vision and adventurous production. Over the next twenty-five years\, G. Love would go on to release seven more similarly lauded studio studios albums with Special Sauce (plus four solo albums on his own)\, solidifying his place in music history as a genre-bending pioneer with a sound The New York Timesdescribed as “a new and urgent hybrid” andNPRcalled a “musical melting pot.”G. Love’s magnetic stage presence\, meanwhile\, made him a fixture on festival lineups from Bonnaroo to Lollapalooza\, and his relentless appetite for tour and collaboration landed him on the road and in the studio with artists as diverse as Lucinda Williams\, Dave Matthews\, The Avett Brothers\, Jack Johnson\, and DJ Logic. \n  \nWhile G. Love has covered considerable sonic ground during his prolific career\, he’s always found himself drawn back to the blues\, and to one bluesman in particular. \n  \n“Keb Mo’ and I got signed to the same label at the same time back when I first started out\, and we toured together early on in my career\,” G. Love remembers. “He used to introduce me onstage as ‘a true American original\,’ and I could tell that he got a kick out of what I did. We didn’t see each other for a while after that\, but a few years ago we reconnected and did a co-headline tour\, which was really special for me.” \n  \nTwo decades after they’d first hit the road together\, the unlikely duo picked up right where they left off\, and after a couple late-night jam sessions\, G. Love pitched Keb Mo’ on producing his next album. The pair decided to test the waters with a writing session first\, teaming up with GRAMMY-winner Gary Nicholson (famed for his work with B.B. King\, Buddy Guy\, Willie Nelson\, and Ringo Starr among others) for a week in Nashville\, where they penned a handful of tunes based on phrases G. Love had saved in his phone or rough demos he’d recorded at home on Cape Cod. Those tracks quickly became fan favorites on the road\, and G. Love knew he was on to something special. \n  \n“I got wrapped up in touring and in my Jamtown project with Donovan Frankenreiter and Cicso Adler after that first session\, and even though I really enjoyed working with Keb Mo’ and Gary\, it was a year-and-a-half before I was able to get back down to Nashville to finish writing the album with them.” \n  \nWhen it came time to record\, Keb Mo’ was meticulous\, working closely with G. Love in the studio on nearly every aspect of his performances. While G. Love was used to creating raw\, loose albums by the seat of his pants\, Keb Mo’ worked in a much more deliberate\, methodical fashion\, building songs up like a hip-hop producer. He’d create a beat on his keyboard\, lay down a bass line\, and then coach G. Love through the tracks sometimes line-by-line. \n  \n“He was always impressing on me where to place the emphasis and how to phrase my lyrics and guitar playing in relation to the beat\,” G. Love explains. “He’d tell me to sing like I had a shovel in my hands and I was digging on the one.” \n  \nThe resulting mix of G. Love’s idiosyncratic style and Keb Mo’s old-school influence proves intoxicating on ‘The Juice\,’ which opens with the shuffling\, anthemic title track. “We got the juice / We got the love / We got the dreams / We had enough\,” G. Love sings\, setting the stage for an album all about recognizing your power to impact the world around you in ways both big and small. The infectious “Birmingham\,” for instance\, is an ode to perseverance when \, while the funky “Go Crazy” cuts loose in the face of our maddening 24-hour news cycle\, and the relentless “Shake Your Hair” rattles off a head-spinning list of modern ills before declaring “donate\, don’t wait\, spread love don’t hate.” \n  \n“I’ve never been the kind of guy who thinks he’s going to change the world with his guitar\,” reflects G. Love. “But maybe I can write the kind of songs that give strength and encouragement to the people who are out there doing the work to make this planet a better place. Those are the people I want to lift up with my music.” \n  \nWhen G. Love sings about making the world a better place\, he’s not just singing about politics\, though\, and ‘The Juice’ serves as a beautiful exploration of the ways we can brighten our own little worlds and the worlds of those we care about on a daily basis. The gritty “SoulBQue” is a celebration of community and friendship\, while the rootsy “She’s The Rock” pays tribute to all the little ways lovers can lift each other up\, and the breezy “Diggin’ Roots” spins cultivating a garden into a metaphor for the importance of tending to your home and family and neighbors. \n  \n“I was going through a tough time in my life when I met my fiancé\, but my whole world seemed to turn around after that\,” says G. Love. “I started meditating\, we had a son\, and we moved out to the Cape. That’s when I stopped writing breakup songs and started writing love songs and family songs and friendship songs.” \n  \nLife is good for G. Love these days\, and he’s not taking a moment of it for granted. In fact\, in just the past few years alone he’s launched his own beer collaboration with Oregon’s Good Life Brewery (The Juice IPA)\, started his own festival in Massachusetts (The Cape Cod Roots & Blues Festival)\, and founded his own record label\, Philadelphonic\, which he aims to use as an outlet for curating both music and visual art (the cover of ‘The Juice’ features a brand new work G. Love commissioned from renowned painter Greg Haberny). \n  \n“I’m more inspired right now than I’ve ever been before\,” G. Love reflects. “I feel more thoughtful\, seasoned\, marinated\, confident. I’m making the records I’ve always wanted to make.” \n  \nCue “Pomp and Circumstance.” \n \n
URL:https://jaxlive.com/event/g-love-special-sauce-4/
LOCATION:1904 Music Hall\, 19 Ocean St\, Jacksonville\, FL\, 32202\, United States
GEO:30.3263732;-81.6564137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=1904 Music Hall 19 Ocean St Jacksonville FL 32202 United States;X-APPLE-RADIUS=500;X-TITLE=19 Ocean St:geo:-81.6564137,30.3263732
CATEGORIES:Alternative/Indie,Americana,Blues,funk,Hip-Hop/Rap,Jam,Jazz,Pop,reggae,Soul
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/10/GLoveSpecialSauce2020_1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200207T200000
DTEND;TZID=America/New_York:20200207T235900
DTSTAMP:20200119T052734
CREATED:20191203T172645Z
LAST-MODIFIED:20191228T005519Z
UID:3500-1581105600-1581119940@jaxlive.com
SUMMARY:WEDNESDAY NIGHT TITANS
DESCRIPTION: \nDrummer Zach Danziger and bassist Kevin Scott are two of the baddest and busiest musicians on the global music scene. Wednesday Night Titans is their baby\, a Championship Wrestling-fueled extravaganza that’s one-part NASA-like brain challenge (Google “Zach Danziger TED Talk”)\, two parts video shock treatment\, and three parts future-music language lesson. \nUsing the theatrical in-the-ring taunts of such 1980s-era wrestling icons as Hulk Hogan\, Ric Flair\, Dusty Rhodes\, and Randy “Macho Man” Savage as their video-projected inspirations\, Wednesday Night Titans create a proto-cosmic\, fusion-fueled soundtrack accompaniment to the combatants’ chest-pounding declarations\, manipulating their speech and images to further derange the proceedings. It’s an over-the-top mind-gasm of roid-warrior madness and instrumental profundity. \nBreaking ground is nothing new for Zach Danziger. As a fifteen-year-old at New York City’s Drummers’ Collective\, the boy wonder could be heard jamming with Dave Weckl and Dennis Chambers\, leaving the older drummers dumbfounded. At age seventeen\, Danziger joined Latin pianist Michel Camilo’s groundbreaking trio before stoking guitarist Wayne Krantz’s blitzkrieg band in a four pioneering albums. Danziger currently mans the drum chair with saxophonist Donny McCaslin’s (of David Bowie’s Darkstar fame) genre-busting band. Danziger has scored many soundtracks (and recorded David Holmes’ long-running Oceans . . . series)\, and co-designed Zildjian cymbals Re-Mix\, Kerope\, and Avedis lines. \nAlabama native bassist / producer Kevin Scott has an equally impressive resume\, including longtime collaborations with Colonel Bruce Hampton\, Bernard Purdie\, Jimmy Herring\, John McLaughlin\, and Wayne Krantz; the mighty Matador Soul Sounds and FORQcurrently benefit from Scott’s dynamic bass and extreme presence. \nStaking visionary turf in today’s decentralized music business is tough. The trials are enormous\, the gamble real\, the obstacles daunting. Like Jake “the Snake” Roberts says in one massive WNTs’ reel\, “Some people are imitators and some people are innovators and I am an innovator!” Join Wednesday Night Titans as they step into the ring and drive their innovative sounds deep into your brain. \n
URL:https://jaxlive.com/event/wednesday-night-titans/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie,Comedy,Jam,Metal,Prog Rock,Rock n Roll,Soul
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/12/Wednighttitanslivepic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200208T200000
DTEND;TZID=America/New_York:20200208T235900
DTSTAMP:20200119T052735
CREATED:20191022T110053Z
LAST-MODIFIED:20191025T224135Z
UID:3383-1581192000-1581206340@jaxlive.com
SUMMARY:DURAND JONES AND THE INDICATIONS
DESCRIPTION:\nDurand Jones & the Indications aren’t looking backwards. Helmed by foil vocalists in Durand Jones and drummer Aaron Frazer\, the Indications conjure the dynamism of Jackie Wilson\, Curtis Mayfield\, AND the Impressions. Even with an aesthetic steeped in the golden\, strings-infused dreaminess of early ‘70s soul\, the Indications’ sophomore LP\, American Love Call\, is planted firmly in the present\, with the urgency of this moment in time.\nThe Indications’ 2016 self-titled debut was the product of friends who met as students at Indiana University in Bloomington\, In.\, recorded for $452.11\, including a case of beer. American Love Call\, the band’s sophomore LP is instead the record the Indications dreamed of making\, fleshed out with strings\, backing vocals\, and a newfound confidence in songwriting.\nBlending a slew of influences from years spent crate-digging\, guitarist Blake Rhein says the Indications approach songs in the same way hip-hop producers do\, as likely to pull inspiration from ‘70s folk-rock or classic R&B as they are Nas’ Illmatic.\n“Did I expect to do this shit once I got out of college? Hell no\,” Jones relays\, laughing. “Totally not. But this is what God is telling me to do – move and groove. So I’m gonna stay in my lane.”\n
URL:https://jaxlive.com/event/durand-jones-and-the-indications/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Soul
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/10/DJI-Promo-Picture.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200209T190000
DTEND;TZID=America/New_York:20200209T235900
DTSTAMP:20200119T052735
CREATED:20191120T054030Z
LAST-MODIFIED:20200117T194018Z
UID:3479-1581274800-1581292740@jaxlive.com
SUMMARY:THE WAILERS (featuring Aston "Family Man" Barrett)
DESCRIPTION:The legendary Wailers continue their quest to bring reggae to the forefront of the world’s stage. Led by renowned bassist and founder Aston “Familyman” Barrett\, and joined by original Wailers guitarist Donald Kinsey as well as saxophonist Glen DaCosta\, The Wailers give audiences around the globe the opportunity to experience their unique and innovative sound. From 1972 to 1980\, Bob Marley & The Wailers recorded\, toured\, and performed before countless millions worldwide. Since 1981\, Familyman has carried on the mission to “keep The Wailers together” – just as Bob requested.\nIn tribute to the late co-founder and drummer Carlton “Carly” Barrett\, The Wailers present Familyman’s multi-talented son\, Aston Barrett Jr. It’s startling to witness how the young powerhouse delivers with his uncle’s inspiring landmark “one drop” drumming style. Also on stage is polished background singer Shema McGregor\, daughter of I Three singer Judy Mowatt and Reggae pioneer Freddie McGregor.\nAccompanying the legends and children-of-legends on stage are many other talented musicians: bass guitarist Owen “Dreadie” Reid\, a former student of Familyman who also plays bass with Julian Marley’s Uprising band; front man Joshua David Barrett\, Rastaman by lifestyle and culture\, who delivers Bob’s powerful message of Jah love and unity through his performance and interaction with the audience; Andres Lopez on keyboards\, who has performed with artists such as Alborosie\, Lutan Fyah\, and Anthony B.; and Anne-Marie Thompson\, an experienced gospel singer. FOH/Sound engineer is Christian Cowlin\, a Wailers Band veteran who has traveled the world with The Wailers for more than 20 years and who is responsible for the band’s live sound.\nSince Bob Marley’s untimely passing in 1981\, Familyman vowed to keep a promise he made to his leader and friend – that he would hold the band together and maintain the music’s quality\, to “keep me [Bob Marley] alive through music.” The message is still Burnin’\, the Exodus of Jah people continues\, Uprising and Survival remain the call to fans. The incomparable Wailers are coming to Babylon by Bus\, to rock the stage\, to bring the magic and message of Roots Rasta Reggae. It’s a Rastaman Vibration: a slice of music history you must not miss. Legend.\n
URL:https://jaxlive.com/event/the-wailers-featuring-aston-family-man-barrett/
LOCATION:1904 Music Hall\, 19 Ocean St\, Jacksonville\, FL\, 32202\, United States
GEO:30.3263732;-81.6564137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=1904 Music Hall 19 Ocean St Jacksonville FL 32202 United States;X-APPLE-RADIUS=500;X-TITLE=19 Ocean St:geo:-81.6564137,30.3263732
CATEGORIES:reggae
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/11/Wailersfbcoverpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200210T180000
DTEND;TZID=America/New_York:20200210T235900
DTSTAMP:20200119T052735
CREATED:20190910T203734Z
LAST-MODIFIED:20191106T223914Z
UID:3293-1581357600-1581379140@jaxlive.com
SUMMARY:COLD WAR KIDS
DESCRIPTION: \nOn their sixth album LA Divine\, Cold War Kids pay tribute to Los Angeles and all its strange glory. The follow-up to 2014’s Hold My Home — featuring the gold-certified single “First” – the band’s latest is slightly tongue-in-cheek in its title. “In many ways LA is the least divine city\, the most hedonistic and irreverent and disconnected from history\,” says Cold War Kids singer/guitarist/pianist Nathan Willett. Still\, LA Divine embodies the Long Beach-bred band’s endless fascination with their adopted hometown. \nA feeling of infinite discovery instills much of LA Divine\, the band’s most expansive and ambitious effort so far. With Cold War Kids having recently marked the 10-year anniversary of their acclaimed debut Robbers & Cowards (a 2006 release that spawned their breakthrough single “Hang Me Up to Dry”)\, the album channels the kinetic energy of a newly revitalized band. “The excitement I have about this new album — it feels so much like the way I felt back when our first record came out\,” notes Maust. \nFor Cold War Kids – whose lineup also includes drummer Joe Plummer\, multi-instrumentalist Matthew Schwartz\, and guitarist David Quon – that rejuvenation follows a creative rebirth of sorts. As Willett explains\, the band took a more pop-informed and decidedly inventive approach to the making of LA Divine. “From the start of the band\, our tastes have always been very backward-looking in terms of the tones and sounds and instrumentation we’re working with\,” he says. “On this album we wanted to embrace something more modern\, because in many ways the most creative sounds happening right now are coming from the world of pop and out of that influence we’ve ironically created what sounds like our most rock record yet.” \nWith its sonic palette inspired by everything from Frank Ocean’s Blonde to Florence & The Machine to Alabama Shakes\, LA Divine merges that artful\, hook-minded production with Cold War Kids’ classic post-punk grit. And in his lyrics\, Willett offers both raw vulnerability and layered complexity\, bringing his heart-on-sleeve sensibilities to songs exploring long-lasting love. \nBased in LA for more than a decade\, Cold War Kids formed in 2004\, soon after Willett and Maust met in college and bonded over their obsession with the Blur album 13. After making their way through their homegrown Southern California scene\, the band released Robbers & Cowards to major critical praise. The notably darker Loyalty To Loyalty followed two years later\, while 2011’s Mine Is Yours introduced a more anthemic element to the Cold War Kids catalog. With 2013’s Dear Miss Lonelyhearts\, the band returned to their fierce live sound and offered up their hit single “Miracle Mile.” In addition to yielding the smash hit “First” (a track that shot to No. 1 on Billboard’s Alternative Songs chart\, where it spent six weeks in the top spot)\, Hold My Home debuted at No. 8 on Billboard’s Top Alternative Albums chart and reached the top 20 of the Top Rock Albums chart. \n
URL:https://jaxlive.com/event/cold-war-kids/
LOCATION:Ponte Vedra Concert Hall\, 1050 A1A North\, Ponte Vedra Beach\, FL\, 32082\, United States
GEO:30.2300738;-81.3854257
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ponte Vedra Concert Hall 1050 A1A North Ponte Vedra Beach FL 32082 United States;X-APPLE-RADIUS=500;X-TITLE=1050 A1A North:geo:-81.3854257,30.2300738
CATEGORIES:Alternative/Indie
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/09/cold-war-kids.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200213T190000
DTEND;TZID=America/New_York:20200213T235900
DTSTAMP:20200119T052735
CREATED:20200113T182627Z
LAST-MODIFIED:20200113T182645Z
UID:3565-1581620400-1581638340@jaxlive.com
SUMMARY:AFTON MUSIC SHOWCASE
DESCRIPTION:
URL:https://jaxlive.com/event/afton-music-showcase-4/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie,Hip-Hop/Rap
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2020/01/JackRabbitsLive-Feb13.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200214T193000
DTEND;TZID=America/New_York:20200214T235900
DTSTAMP:20200119T052735
CREATED:20190930T184848Z
LAST-MODIFIED:20191002T175908Z
UID:3319-1581708600-1581724740@jaxlive.com
SUMMARY:THEO KATZMAN
DESCRIPTION:“Modern Johnny is a feeling\,” says acclaimed singer-songwriter/multi-instrumentalist Theo Katzman in regards to his forthcoming self-release Modern Johnny Sings: Songs in the Age of Vibe\, due out in early 2020. “It’s closer to Vonnegut’s Kilgore Trout than Bowie’s Ziggy Stardust—Modern Johnny represents the journey\, the quest\, the plight of the singer-songwriter trying to make it in today’s music world.” \nKnown for his rock-and-roll inspired solo albums\, as well as his contributions to internet funk sensation Vulfpeck\, Katzman has had this feeling bubbling in the recesses of his mind for some time now\, weaving its way through his songwriting process and onto his recordings. The feeling itself is multi-dimensional: it’s a subtle sarcasm\, but not at the expense of sincerity; criticism\, but not at the expense of joy; character\, but not at the expense of vulnerability. \nModern Johnny is not an alter-ego per se\, but he and Katzman do have some striking similarities. Both were born in the mid-‘80s\, forming their musical identities from the rubble of ‘90s rock radio\, the remains of their parents’ record collections\, a handful of ‘Greatest Hits’ compilations on Compact Disc\, and several hard drives’ worth of miscredited MP3s from Napster. Both arrived in Los Angeles in the mid 2010’s with a “songs-can-change-the-world” attitude\, fully expecting to join the Eagles. Both find themselves stumbling through the free market in the age of social\, the age of streaming…the Age of Vibe. \nThe year is 2020. Billy Joel hasn’t released an album in over two and a half decades\, Stevie Wonder is ranked 230th on Spotify\, and The Beatles are best known for their appearance in the XBOX video game “Rock Band.” It’s hard to know what to make of all of this… and Modern Johnny isn’t necessarily what the kids are asking for. He’s too heart to be hip\, too hip to be pop\, too pop to be rock\, and too rock to be art. \nTOUGH SITCH. \nBut no matter the zeitgeist\, both Theo Katzman and Modern Johnny forge ahead the only way they know how: in pursuit of messy\, honest\, exuberant human emotion through popular song. The result is Modern Johnny Sings: Songs in the Age of Vibe. \n
URL:https://jaxlive.com/event/theo-katzman2/
LOCATION:1904 Music Hall\, 19 Ocean St\, Jacksonville\, FL\, 32202\, United States
GEO:30.3263732;-81.6564137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=1904 Music Hall 19 Ocean St Jacksonville FL 32202 United States;X-APPLE-RADIUS=500;X-TITLE=19 Ocean St:geo:-81.6564137,30.3263732
CATEGORIES:Jam
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/09/Theofbprofilepic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200214T200000
DTEND;TZID=America/New_York:20200214T235900
DTSTAMP:20200119T052735
CREATED:20191209T060056Z
LAST-MODIFIED:20191206T145319Z
UID:3511-1581710400-1581724740@jaxlive.com
SUMMARY:LEE SCRATCH PERRY
DESCRIPTION:“I’m an artist\, a musician\, a magician\, a writer\, a singer; I’m everything. My name is Lee from the African jungle\, originally from West Africa. I’m a man from somewhere else\, but my origin is from Africa\, straight to Jamaica through reincarnation; reborn in Jamaica…” .. .. Lee “Scratch” Perry (born Rainford Hugh Perry\, on March 20\, 1936\, in Kendal\, Jamaica) is a Grammy award-winning reggae and dub artist\, who has been highly influential in the development and acceptance of reggae and dub music in Jamaica and overseas. He employs numerous pseudonyms\, such as “Pipecock Jaxxon” and “The Upsetter”. Arguably the first creatively driven\, “artist-producer” in modern recorded music\, Lee “Scratch” Perry occupies the highest level of music making – standing comfortably next to pioneers like George Martin\, Phil Spector\, and Brian Wilson. .. .. Perry’s musical career began in the late 1950s as a record seller for Clement Coxsone Dodd’s sound system. As his sometimes turbulent relationship with Dodd developed\, he found himself performing a variety of important tasks at Dodd’s Studio One hit factory\, going on to record nearly 30 songs for the label. Disagreements between the pair due to personality and financial conflicts\, a recurring theme throughout Perry’s career\, led him to leave the studio and seek new musical outlets. He soon found a new home at Joe Gibbs’s Wirl records. .. .. Working with Joe Gibbs\, Perry continued his recording career\, but once again\, financial problems caused conflict. Perry broke ranks with Gibbs and formed his own label\, Upsetter\, in 1968. His first single “People Funny Boy”\, which was an insult directed at Gibbs\, sold very well. It is notable for its innovative use of a sample (a crying baby) as well as a fast\, chugging beat that would soon become identifiable as “reggae” (the new sound did not really have a name at this time). From 1968 until 1972 he worked with his studio band The Upsetters. During the 1970s\, Perry released numerous recordings on a variety of record labels that he controlled\, and many of his songs were popular in both Jamaica and the UK. He soon became known for his innovative production techniques as well as his eccentric character. .. .. In the early 1970s\, Perry was one of the producers whose mixing board experiments resulted in the creation of dub. In 1973\, Perry built a studio in his back yard\, The Black Ark\, to have more control over his productions and continued to produce notable musicians such as Bob Marley & the Wailers\, Junior Byles\, The Heptones\, and Max Romeo. With his own studio at his disposal\, Perry’s productions became more lavish\, as the energetic producer was able to spend as much time as he wanted on the music he produced. It is important to note that virtually everything Perry recorded in The Black Ark was done using rather basic recording equipment; through sonic sleight-of-hand\, Perry made it sound completely unique. Perry remained behind the mixing desk for many years\, producing songs and albums that stand out as a high point in reggae history. .. .. By 1978\, stress and unwanted outside influences began to take their toll: both Perry and The Black Ark quickly fell into a state of disrepair. Eventually\, the studio burned to the ground. Perry has constantly insisted that he burned the Black Ark himself in a fit of rage\, but it has also been said that fire could have been an accident due to faulty wiring. After the demise of the Black Ark in the early 1980s\, Perry spent time in England and the United States\, performing live and making records with a variety of collaborators. It was not until the late 1980s\, when he began working with British producers Adrian Sherwood and Neil Fraser (who is better known as Mad Professor)\, that Perry’s career began to get back on solid ground again. Perry also has attributed the recent resurgence of his creative muse to his deciding to quit drinking alcohol and smoking cannabis. Perry stated in an interview that he wanted to see if “it was the smoke making the music or Lee Perry making the music. I found out it was me and that I don’t need to smoke.” .. .. Perry now lives in Switzerland with his wife Mireille and two children. Although he celebrated his 70th birthday in 2006\, he continues recording and performing to enthusiastic audiences in Europe and North America. His modern music is a far cry from his reggae days in Jamaica; many now see Perry as more of a performance artist in several respects. In 2003\, Perry won a Grammy for Best Reggae Album with the album Jamaican E.T.. In 2004\, Rolling Stone Magazine ranked Perry 100 on their list of the 100 Greatest Artists of All Time. More recently\, he teamed up with a group of Swiss musicians and performed under the name Lee Perry and the White Belly Rats\, and made a brief visit to the United States using the New York City based group Dub Is A Weapon as his backing band. Currently there are two feature length movies made about his life and work: Volker Schaner’s “Vision Of Paradise” and “The Upsetter” by filmmakers Ethan Higbee and Adam Bhala Lough. .. .. In 2007\, Perry surprised the music world again when he invited “king of party music” and television personality\, Andrew W.K.\, to produce his new full-length album\, “Repentance”. In 2008\, Mr. Perry teamed up again with Adrian Sherwood for the release of “The Mighty Upsetter.” .. .. For more information about Lee Scratch Perry\, read the excellent authorized biography\, . \n
URL:https://jaxlive.com/event/lee-scratch-perry-3/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Jam,Jazz,reggae,Soul
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2017/12/lee-scratch-perry-by-volker-schaner.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200215T200000
DTEND;TZID=America/New_York:20200215T235900
DTSTAMP:20200119T052735
CREATED:20191111T150012Z
LAST-MODIFIED:20191111T072939Z
UID:3457-1581796800-1581811140@jaxlive.com
SUMMARY:flor
DESCRIPTION:Confidence comes from inside. We internally design our own foundations for self-assurance. On their second full-length album ley lines[Fueled By Ramen]\, flor draw fearlessness from the strength of their union as friends and bandmates\, a D.I.Y. journey\, and shared willingness to bring bold pop ambition to alternative music. With hundreds of millions of streams\, sold out shows around the world\, and critical praise to their name by 2019\, the Oregon-bred and Los Angeles-based quartet—Zach Grace [vocals\, guitar]\, Dylan Bauld [bass\, production]\, McKinley Kitts [guitar]\, and Kyle Hill [drums]—anchor twelve undeniable anthems inside of a newfound confidence. \n“It was a natural progression for us\,” states Dylan. “We initially made a vulnerable introduction in terms of the songs and sound. We really built on that by giving everyone our story now in a bigger sound.” \n“The melody and the story are really important\,” agrees Zach. “A lot of the songs are about believing in yourself. Figure out who you are\, hold onto it\, and place faith in it wholeheartedly. It’s really what we went through over the past couple of years.” \nThe group certainly came a long way in that time… \nOriginally hailing from Hood River\, OR [“an outdoor sports town”of 7\,167\, according to the last census]\, flor relocated to Los Angeles in 2016 to write and record their debut album\, come out. you’re hiding\, in producer Dylan’s bedroom studio. Within a year\, it quietly caught fire as the band jumped in a van and went on to log shows alongside everyone from Paramore and Hayley Kiyoko to Walk The Moon and Andrew McMahon and The Wilderness. Along the way\, numerous songs deepened the band’s connection to fans by speaking directly to identifiable human emotions. “Hold On” documents the excitement of young love as “Back Again” details the moment of saying goodbye and “Warm Blood” discusses infatuation and the awe incited by a significant other. Acclaim came from the likes of Ones To Watch\, Earmilk\, Alternative Press\, and more as they also claimed real estate on coveted playlists such as Spotify’s “New Music Friday\,” Apple Music’s “Today In Music\,” and Amazon Music’s “Brand New Music.” \nIn early 2018\, the boys began kicking around initial ideas for what would eventually become ley lines. Working out of Dylan’s North Hollywood home studio\, the four musicians played face-to-face. With Zach and Dylan co-producing\, the group leveraged the next year to allow the songs to grow and develop without time constraints. They also collectively decided to keep everything in-house. Rather than invite outside collaborators or decamp to a famous studio\, they retained the formula that drove come out. you’re hiding\, trusting themselves and their process. \n“The last album was written\, and then we learned how to play it live\,” McKinley explains. “This time\, we took what flor was\, incorporated input from everyone\, and really opened things up.” \n“After years of touring\, we recognize a certain chemistry between the four of us that we didn’t fully explore on the debut\,” recalls Kyle. “It was important for us to bring those live elements into the studio for ley lines.” \nAs the music took shape\, the concept also came into focus. Falling down a rabbit hole of YouTube comments in January 2018\, Zach pondered his own self-worth. Partially inspired by a concept in the Patrick Rothfuss fantasy series The Name of the Wind\, he recognized the significance of ley lines. \n“There’s a theory that important places of power like Stonehenge or the Pyramids of Giza are connected by invisible lines\,” the frontman elaborates. “As a parallel\, I needed to find my own anchor points for belief and purpose. I realized you can build those roads yourself. Friends\, family\, and the band are my anchors. The music comes out of the ley lines.” \nflor heralded the album by uncovering the gliding “slow motion” and ebullient “dancing around”—millions of streams in a few months’ time—before unveiling “ley lines.”  Originally conceived during a tour soundcheck\, the title track hinges on a steady beat and fluid bass groove punctuated by sweeping acoustic guitar and lush analog synthesizers. \nAbove these layers\, Zach’s dynamic delivery stretches from delicate verses into an empowering and encouraging hook\, “Like ley lines\, find meaning to take hold. It all goes this way. On empty. We will what we make whole.” \nThe follow-up single “money” swings from a keyboard groan into an emotionally charged echoing chant over dissonant guitar. \n“Every time I open Twitter\, it seems like there’s another tragedy\,” sighs Zach. “‘money’ is about the horrible cycle of violence and despair fueled by greed. So many people are pulling disgusting shit in the name of money.” \nMeanwhile\, “aiming low” pairs vital falsetto to sparse percussion and a skittering riff. Lyrically\, it addresses a central theme. \n“Lots of opinions will just aim low without ever really giving something a chance\,” Zach continues. “Thinking of that\, I built up these scenarios in my head\, facing insecurity. The song’s really honest and sort of cathartic.” \nIn the end\, ley linesemanate a strength meant to be shared by flor. \n“It’d be great to give listeners comfort and maybe a little confidence\,” concludes McKinley. “We might not have all of the solutions\, but the record can perhaps be a pit stop on where you need to end up.” \n
URL:https://jaxlive.com/event/flor/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/11/Florsmallpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200217T200000
DTEND;TZID=America/New_York:20200217T235900
DTSTAMP:20200119T052735
CREATED:20200113T191657Z
LAST-MODIFIED:20200113T191657Z
UID:3567-1581969600-1581983940@jaxlive.com
SUMMARY:COAST2COAST ARTIST MUSIC SHOWCASE
DESCRIPTION:
URL:https://jaxlive.com/event/coast2coast-artist-music-showcase/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie,Hip-Hop/Rap
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200218T190000
DTEND;TZID=America/New_York:20200218T235900
DTSTAMP:20200119T052735
CREATED:20191202T150035Z
LAST-MODIFIED:20191125T143700Z
UID:3491-1582052400-1582070340@jaxlive.com
SUMMARY:RUSTON KELLY
DESCRIPTION:\n\n\nNashville-based singer/songwriter Ruston Kelly is in the midst of a landmark year following the release of his full- length debut album\, Dying Star\, last fall via Rounder Records. With a storytelling sensibility that constantly shifts from candid to poetic\, Kelly details his experience with addiction\, which included time in rehab and an overdose in early 2016. Rooted in a delicately sculpted sound that shows every nuance of his vocal delivery\, Dying Star captures all the chaos and heartbreak on the way to finding redemption. The album landed on several “Best of 2018″ lists\nincluding Rolling Stone\, Paste\, UPROXX\, American Songwriter and NPR Music\, who praises\, “Kelly digs down deep on Dying Star to fearlessly put forth a set of songs steeped in emotional twists\, turns and complications…This here is powerful stuff.” Additionally\, Kelly released his new project Dirt Emo Vol. 1\, earlier this fall to widespread critical acclaim. The eight-song release consists of Kelly’s favorite emo songs including a rendition of Dashboard Confessional’s “Screaming Infidelities” featuring the band’s lead singer Chris Carrabba\, a live cover of Wheatus’ “Teenage Dirtbag” and new versions of The Carter Family’s “Weeping Willow” and Taylor Swift’s “All Too Well.” In celebration of his breakthrough year\, Kelly will make his headline debut at Nashville’s historic Ryman Auditorium this March. \n\n\n\n
URL:https://jaxlive.com/event/ruston-kelly/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Americana,Country,Rock n Roll,singer/songwriter
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/11/Rustonkellypic-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200221T200000
DTEND;TZID=America/New_York:20200221T235900
DTSTAMP:20200119T052735
CREATED:20191211T150056Z
LAST-MODIFIED:20200103T163950Z
UID:3515-1582315200-1582329540@jaxlive.com
SUMMARY:MICHIGAN RATTLERS
DESCRIPTION:Lifelong friends and deep-north natives\, Michigan Rattlers play heavy-hearted folk-rock with an aching dose of Midwestern nice. Graham Young (guitar)\, Adam Reed (upright bass)\, and Christian Wilder (piano) began writing music and performing together in their Northern Michigan high school.\n“Petoskey is a small place. Beautiful\, but secluded. It’s hard to start a musical career in a place where there are more deer than people.”\nStill\, they regularly played every bar\, cafe\, and stage in town\, developing a musical chemistry informed by the likes of AC/DC\, Creedence Clearwater Revival\, Bob Seger\, and more.\nAfter a few years apart\, Reed and Young settled down in Los Angeles\, recorded a short demo\, and began playing locally. The demo found its way into the hands of super-producer Johnny K (Plain White T’s\, 3 Doors Down)\, and they cut the bulk of their first EP at NRG Studios in just one day.\n“My favorite music is recorded that way\,” continues Reed. “You get in a room\, plug in\, and cut songs live. The energy of the recording comes directly from the physical performance\, and it puts the listener into that specific time and place.”\nThis self-titled Michigan Rattlers EP attracted glowing reviews from No Depression\, Bluegrass Situation\, B3 Science\, and Rolling Stone\, who named the band one of their “Ten New Country Artists You Need To Know” in 2016. They spent the rest of that year and much of the next touring in support of this release.\nIn September 2017\, Pianist Christian Wilder was added to the band’s lineup. Now a trio\, the group headed into the studio to record their newest EP\, Wasting the Meaning. Comprised of three cover songs\, the project was conceived as a way to explore deeper into the recording process and pay homage to some of their favorite songwriters.\n
URL:https://jaxlive.com/event/michigan-rattlers/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Americana,Bluegrass,Country
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/12/MR-Full-Band-Color-Photo-2019.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200222T200000
DTEND;TZID=America/New_York:20200222T235900
DTSTAMP:20200119T052735
CREATED:20200117T151110Z
LAST-MODIFIED:20200117T151110Z
UID:3570-1582401600-1582415940@jaxlive.com
SUMMARY:CARMEN
DESCRIPTION:After five years as bassist with The Dog Apollo\, Villaroel was struggling to reconcile with his work life\, band life and a crumbling personal life. Unwilling to impede the progress of his bandmates\, he stepped away from the project. It also coincided with the end of a long-term relationship that left him reeling. \n“The album we had written and produced was ready to be released\, and they were ready to start touring. I just knew career-wise that wasn’t something that was feasible for me. I didn’t want to leave them hanging\, so I kind of bowed out in enough time for them to find somebody else to play bass and just take a break. I was a little burned out\, so I definitely needed the break.” \n“Pause/Again” represents the trajectory\, from burning out and breaking up to playing the first few notes alone in his bedroom to the musical catharsis that followed. The record was produced with Josh Cobb at Rockbot Studios in Riverside. It took over a year for him to write and produce the five tracks. \n \n
URL:https://jaxlive.com/event/carmen/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2020/01/carmenfbcoverpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200223T200000
DTEND;TZID=America/New_York:20200223T235900
DTSTAMP:20200119T052735
CREATED:20200107T050006Z
LAST-MODIFIED:20200107T050021Z
UID:3558-1582488000-1582502340@jaxlive.com
SUMMARY:RICKSHAW BILLIE'S BURGER PATROL
DESCRIPTION:
URL:https://jaxlive.com/event/rickshaw-billies-burger-patrol/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie,Blues,Dance/Punk,Garage Rock,Punk,Rock n Roll,Soul
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2020/01/Rickshawbilliesburgerpatrolfbcoverpic.jpg
END:VEVENT
END:VCALENDAR