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CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:JaxLive
X-ORIGINAL-URL:https://jaxlive.com
X-WR-CALDESC:Events for JaxLive
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200623T200000
DTEND;TZID=America/New_York:20200623T235900
DTSTAMP:20200525T205808
CREATED:20200308T023916Z
LAST-MODIFIED:20200308T024109Z
UID:3681-1592942400-1592956740@jaxlive.com
SUMMARY:FAYDE
DESCRIPTION:Hailing from Northwest Indiana\, Fayde consists of Jake Steven James (Vocals/Bass)\, Quintin Danzi (Lead Guitar)\, Christos Poulos (Rhythm Guitar) and Quinn Wilson (Percussion). With hard-hitting alt-rock along the veins of Queens of the Stone Age\, Muse\, Highly Suspect\, and Badflower\, Fayde has been playing shows for years with their first EP\, “Television”\, finally being released in March of 2019. Since then they’ve played shows with various artists and entered the studio to record their awaited full-length debut album.\n~More music to come\,\n
URL:https://jaxlive.com/event/fayde/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Alternative/Indie
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2020/03/faydepic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200625T190000
DTEND;TZID=America/New_York:20200625T235900
DTSTAMP:20200525T205808
CREATED:20200326T171210Z
LAST-MODIFIED:20200326T171210Z
UID:3695-1593111600-1593129540@jaxlive.com
SUMMARY:REASON DEFINE
DESCRIPTION:Reason|Define is a hard rock/metal band based in Charlotte\, NC. \n“These ladies have proven to have the tenacity and passion for manifesting their dreams into reality and the talent to back it up.” – Patricia Jones from MCXV \nTheir sound is built upon a diverse array of musical influences\, but the underlying currents of heavy emotions\, and heavy topics ring true throughout all of their music. Over the past 7 years as a band\, these 5 women have toured extensively\, won Best Rock Band of the Year at the Carolina Music Awards (2016)\, self released 2 full length albums (2017\, 2019)\, and won Rock Female of the Year at the Queen City Awards (Sav Ruff\, 2019). \n\n\n\n
URL:https://jaxlive.com/event/reason-define/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Metal
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2020/03/BA_square.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200711T200000
DTEND;TZID=America/New_York:20200711T235900
DTSTAMP:20200525T205808
CREATED:20200221T171946Z
LAST-MODIFIED:20200222T051821Z
UID:3644-1594497600-1594511940@jaxlive.com
SUMMARY:FUX
DESCRIPTION:Fux (Fyooks) is like an Electric Storm\, combining multiple elements of sounds that flow throughout space and time to provide a performance you just can’t stop staring into. Bringing the Passion back to Rock-n-Roll but also touching multiple genres including Psychedelic rock\, Heavy rock\, Funk\, Jamtronic\, Jazz\, and Beatles pop like lyrical phrases. The name derives from composer Johann Joseph Fux\, who helped modernize Western Music and is the author of Gradus ad Parnassum\, a treatise on counterpoint. Blending their love for Umphrey’s McGee\, Phish\, Al Di Meola\, Mahavishnu Orchestra\, Steely Dan and many classic rock bands\, Sultan set out to find the final puzzle pieces to this mystical musical monster\, which lead to the discovery of Dustin Fennell\, Dylan Porper and Eric Johnson. Thus in an erotic crossfire hurricane Fux was born. \nFux decided it was time to take their knowledge and mend it with their soul to work towards getting the masses dancing\, laid\, and spreading Love. After receiving knowledge from idols Jacob Alan Cinninger\, Brendan Bayliss (Umphrey’s McGee) and Gabriel Marin (Consider the Source) they were finally ready to show the world what was brewing in their mind to create music that makes sense. \nFux combines their humorous and laid back personalities on and off stage to spread cheerfulness and positivity to the world. Don’t let their silly attitudes fool you\, these boys show up to play. With the machine like transcendental rhythmic varieties from Eric \, wondrous varieties of sounds for the imagination from Dylan\, thunderous bass love bombs from Dustin and sporadic psychedelic ignition from Sultan\, Fux will keep you dancing all night long. \n“I wish I named my band something good” – Brendan Bayliss Umphrey’s McGee \n
URL:https://jaxlive.com/event/fux/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:funk,Jam
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2020/02/FUXfbpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200723T190000
DTEND;TZID=America/New_York:20200723T235900
DTSTAMP:20200525T205808
CREATED:20200127T214323Z
LAST-MODIFIED:20200407T172727Z
UID:3594-1595530800-1595548740@jaxlive.com
SUMMARY:SWEET LIZZY PROJECT
DESCRIPTION:Sweet Lizzy Project\, one of the most culturally significant bands to emerge from Cuba in recent years\, has a distinctive sound imbued with overtones of classic American indie pop-rock suffused with an intoxicating Latino flair. Lead singer Lisset Diaz’s incomparable voice\, which has been likened to that of a long-caged sparrow finally set free\, captures listeners’ imaginations\, note by note\, leaving fans enthralled as they surrender to the group’s mesmerizing forcefield of sound. In addition to Diaz\, who also plays acoustic guitar\, the five-piece band includes: Miguel Comas\, lead guitar\, producer\, and background vocals; Wilfredo Gatell\, keyboards and background vocals; drummer Angel Luis Millet\, and bass player Alejandro Gonzalez. Sweet Lizzy’s songs\, all original and penned in English\, are reflective of the members’ wide range of ages\, from their 20´s to 40´s. SLP has attracted international attention with its high-energy\, genre-defying live performances. In 2017\, they were showcased on PBS’s “Havana Time Machine\,” alongside Grammy award-winning group\, The Mavericks. It was a fortuitous pairing\, as it gave SLP an opportunity to forge a relationship with Raul Malo\, the Mavericks congenial lead singer\, who invited them to Nashville\,TN the following year. Since arriving in the United States\, SLP has performed coast-to-coast. The group\, which was featured on PBS’s Emmy award-winning music television series\, “Bluegrass Underground\,” has been touring the nation with The Mavericks. SLP has just completed its second album\, “Technicolor\,” which was mixed by renowned sound engineer Niko Bolas and Thom Pununzio at Blackbird Studios in Nashville.\n \n
URL:https://jaxlive.com/event/sweet-lizzy-project/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Pop
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2020/01/SweetLizzyprojectfbprofilepic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200725T200000
DTEND;TZID=America/New_York:20200725T235900
DTSTAMP:20200525T205808
CREATED:20200422T140443Z
LAST-MODIFIED:20200521T201414Z
UID:3709-1595707200-1595721540@jaxlive.com
SUMMARY:EMILIO ROJAS POSTPONED NEW DATE TBA
DESCRIPTION:Emilio Rojas is the only half Venezuelan\, half American hiphop artist in the game – PERIOD. He is a voice for an otherwise underrepresented and marginalized group of people. His blend of uptempo and infectious hooks\, photo-real lyricism\, and his fearlessness have earned him numerous co-signs and critical acclaim. He “carries the torch for today’s cadre of U.S.-Latino rappers” (Marjua Estevez\, Billboard Magazine). \n
URL:https://jaxlive.com/event/emilio-rojas/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Hip-Hop/Rap
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2020/04/emiliorojasfbpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200813T200000
DTEND;TZID=America/New_York:20200813T235900
DTSTAMP:20200525T205808
CREATED:20200229T193211Z
LAST-MODIFIED:20200302T143159Z
UID:3662-1597348800-1597363140@jaxlive.com
SUMMARY:SAMUEL HERB
DESCRIPTION:Samuel Herb is a singer/songwriter originally from Jacksonville\, FL. After placing second in American Songwriter Magazine’s Lyric Contest\, Herb decided to make the move to Nashville in 2016 where he quickly fell in love with Americana music. After wrestling with the idea of becoming an artist as well as a writer he released his debut single\, “Dirty.” which wound-up in the Top 10 on the iTunes Singer/Songwriter chart. “Dirty.” has since been streamed nearly 40\,000 on all platforms in over 50 different countries around the world. Herb’s love of storytelling brings audiences into his mind\, while his in your face sound shows off his personality. His love of country music\, combined with the sounds of Motown and even Disney music are apparent when listening to his stories.\nIn October of 2018\, Herb released his second single\, “Someone Else’s Dream” which again debuted in the Top 10 on the iTunes Singer/Songwriter chart and quickly grew to a crowd favorite for live shows. It was after writing that song with his producer\, Mark Caldwell\, that Herb quit his job to pursue music full time.\nIn Spring of 2019\, Herb’s self-titled\, debut EP was released featuring 6-songs\, all of which are completely different in story and sound. The EP also made it to #10 on the iTunes Singer/Songwriter chart when it debuted.\nSince making the move to artist in 2018\, Samuel has shared the stage with Rodney Atkins\, Jamie Lin Wilson\, Son Little\, Pokey LaFarge\, Amythyst Kiah\, Hush Kids\, Tyler Hilton\, Erin Rae\, Shawn James and so many more. In such a short time\, Herb has played in over 23 states\, tallying up hundreds of shows in the past two years.\n
URL:https://jaxlive.com/event/samuel-herb/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Country
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2020/02/samuelherbfbpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200821T200000
DTEND;TZID=America/New_York:20200821T235900
DTSTAMP:20200525T205809
CREATED:20200226T145805Z
LAST-MODIFIED:20200327T172405Z
UID:3656-1598040000-1598054340@jaxlive.com
SUMMARY:JUSTIN TOWNES EARLE
DESCRIPTION:Justin Townes Earle has done a lot of living in his 37 years. For starters\, there’s the quick-hit bullet points about his childhood that seem to get dredged up in every interview\, article or review about the singer-songwriter and guitarist: Born the son of Steve Earle\, who was largely absent during Justin’s childhood; struggles from a young age with addiction and numerous stints in rehab; long stretches of itinerancy and general juvenile delinquency; a youth he once said he was “lucky to have gotten out of alive.”  \nThat’s before we get to the years spent honing his craft in Nashville bars and on club stages all over the world; the various bands\, record labels and industry types that have been drawn toward and\, at times\, pushed away by him; and\, finally\, the celebrated and rather formidable body of work he has amassed since releasing his critically-acclaimed 2007 debut EP\, Yuma.  \nIt’s a seemingly bottomless well of material for a singer-songwriter to mine out of just three decades or so of life. And Earle at times has—most recently on his 2017 album\, Kids in the Street\, which the artist calls “one of the more personal records I’ve ever made.”  \nBut when it came to his newest effort\, The Saint of Lost Causes\, Earle\, these days sober\, married and father to a baby girl\, chose to focus his gaze outward. “Maybe having a kid has made me look at the world around me more\,” he says.  \nAs for how he felt after doing that?  \n“Frankly\, I was horrified\,” he says bluntly. Although\, he adds\, “I already sorta was\, anyway.”  \nMake no mistake: there’s nary a party\, PBR or pickup truck to be found in any of the 12 tracks on The Saint of Lost Causes. Rather\, Earle is focused on a different America—the disenfranchised and the downtrodden\, the oppressed and the oppressors\, the hopeful and the hopeless. There’s the drugstore-cowboy-turned-cop-killer praying for forgiveness (“Appalachian Nightmare”) and the common Michiganders persevering through economic and industrial devastation (“Flint City Shake It”); the stuck mother dreaming of a better life on the right side of the California tracks (“Over Alameda”) and the Cuban man in New York City weighed down by a world of regret (“Ahi Esta Mi Nina”); the “used up” soul desperate to get to New Orleans (“Ain’t Got No Money”) and the “sons of bitches” in West Virginia poisoning the land and sea (“Don’t Drink the Water”).  \nThese are individuals and communities in every corner of the country\, struggling through the ordinary—and sometimes extraordinary—circumstances of everyday life.  \n“I was trying to look through the eyes of America\,” Earle says. “Because I believe in the idea of America—that everybody’s welcome here and has the right to be here.”  \nEarle tells these American stories in detail and without judgement. But he also lays out his point of view right from the start. The Saint of Lost Causes kicks off in stark fashion with the title track\, on which JTE\, over a desolate soundscape of acoustic guitar\, deliberate snare hits and moaning pedal steel\, presents a harsh vision of the world in plainspoken\, almost biblical terms: “Got your sheep / got your shepherds / got your wolves amongst men\,” he intones\, before asking\, “Throughout time / between the wolf and the shepherd / who do you think has killed more sheep?”  \n“That’s kind of like the spooky leftist conspiracy theorist in me\,” Earle says with a slight laugh\, before turning serious. “But the fact is\, if you look around\, we live in a time where one of the number-one threats to an inner-city black youth is a police officer. It’s just bizarre. So I think sometimes how we forget how animal we are. We look at ourselves as this sort of higher-functioning being\, but we miss the mark quite often at being civilized and such.”  \nHe points to another track\, the slide-guitar-and-harmonica assisted “Don’t Drink the Water” (“Folks gettin’ sick\, talkin’ women and children / ask the man on the stand what he thinks killed ‘em”)\, as a further example of man’s disregard for his fellow man. “Several years ago one of [coal CEO and former Republican primary candidate for Senate] Don Blankenship’s companies leaked a bunch of chemicals into the river outside of Charleston\, West Virginia\, and there’s still areas where if people take a bath they’ll get lesions on their skin\,” he explains of the song’s subject matter. “We live in the richest per-capita country in the world\, and we have people who can’t bathe in the fucking water. Much less drink it.”  \nWhile that song and others like “Flint City Shake It”—where\, over a boogie-woogie rhythm\, Earle chronicles the decline of the city’s once vibrant auto manufacturing industry (“Then trouble come in ’86 / this son of a bitch named Roger Smith / cut our throat with the stroke of a fountain pen”)—cite historical events\, other tracks present fictionalized narratives that are no less harrowing or true-to-life.  \nTake the haunting “Appalachian Nightmare\,” on which Earle spins a first-person account of how a landscape of little opportunity combined with a few bad decisions can quickly lead to a premature\, and literal\, dead end. “It’s a fictional story\, but it’s a story we’ve heard a million times growing up in the South\,” he says. “I remember back in the late Nineties we had what they called the ‘Oxycontin Wars\,’ which was\, like\, hillbillies armed to the teeth robbing the shit out of drug stores. People went buck wild and it destroyed a lot of lives.”  \nBut Saint of Lost Causes is not all doom and gloom. There are also moments of calm\, both musically and lyrically\, where Earle pulls back to admire the beauty of the world around him. On the languid “Mornings in Memphis” (“one of my favorite songs on the record”)\, he watches the sun rise\, takes a stroll down Beale Street to the banks of the Mississippi\, and\, finally\, stands alone under a sky full of stars where all he can do is “try not to think / just listen to my heart.”  \nHe offers a similar\, if more jocular ode to his surroundings on “Pacific Northwestern Blues\,” where the Nashville-bred Earle\, now relocated a few thousand miles west\, laments only being able to drive 20 miles an hour due to the region’s notoriously rainy conditions. “We’re moving so slow / I’m about to lose my mind\,” he complains over a loping Western swing accompaniment. Says Earle with a laugh\, “I’ve been living in the Pacific Northwest for a while\, and I’ve realized that\, you know\, the weather really does suck up here!”  \nEarle may call the Pacific Northwest his home these days\, but when it came time to record The Saint of Lost Causes he headed back to Music City. “I always say\, ‘If you want whores and gambling\, you go to Vegas. If you want to make records\, you go to Nashville\,’ ” he reasons. Earle co-produced The Saint of Lost Causes with his longtime engineer Adam Bednarik\, and likewise brought in musicians that that he’s known for years\, among them guitarist Joe McMahan\, pedal steel player Paul Niehaus\, drummer Jon Radford and Old Crow Medicine Show keyboardist Cory Younts. “I’m realizing that as I’m getting older and grumpier and set in my ways\, I just much more enjoy making a record on my own terms and with people I know well\,” he says.  \nTo that end\, Earle also worked at a studio he knew well\, even if he had never actually recorded there before. Sound Emporium is a facility steeped in music history—it was opened by Cowboy Jack Clement in 1969 and has hosted country luminaries like Johnny Cash and Kenny Rogers over the years—and also Earle’s own childhood. “I grew up in that neighborhood\, and as a kid I used to ride my bike through the Sound Emporium parking lot\,” he says. “It was always an active place in the neighborhood. So it was great to finally be able to record there.”  \nAs for where Earle’s sound\, which on The Saint of Lost Causes spans everything from traditional country\, blues and folk to western swing\, roots-rock and boogie-woogie\, fits into the larger country music picture beyond Nashville?  \n“I see it the same way that Gram Parsons did\,” he says. “There’s this idea of moving forward and playing with newer sounds and different modes\, but at the same time making sure you keep one foot firmly planted in the past as you feel out the future. I think it’s really important to leave a trail\, you know? Put down some breadcrumbs behind you.”  \nHe’s similarly resolute when it comes to his lyrics. Ask Earle whether he is at all concerned that the bold stance he takes on The Saint of Lost Causes might raise the country-music establishment’s hackles\, and he can only laugh in response.  \n“I’ve never been opposed to pissing off all the right people\,” he says matter-of-factly. “But I see it two ways: If you don’t like what I have to say politically or anything like that\, just don’t read my interviews. But you’re never going to go to my shows and hear political spiel from me. We’re going to play songs and have a good time\, because that’s what the show is all about.  \n“But you know\,” he continues\, “I’m a disciple of the Woody Guthrie school of thinking about music. I figure it’s always better to just go ahead and tell people the truth.”  \nOn The Saint of Lost Causes\, Earle proves himself a songwriter and artist who is unflinching and unequivocal in his truth.  \n  \n  \n
URL:https://jaxlive.com/event/justin-townes-earle/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Americana
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2020/02/JTE-Approved-Photo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200904T200000
DTEND;TZID=America/New_York:20200904T235900
DTSTAMP:20200525T205809
CREATED:20191218T150055Z
LAST-MODIFIED:20200404T121937Z
UID:3527-1599249600-1599263940@jaxlive.com
SUMMARY:JOYWAVE
DESCRIPTION: \n \nJoywave has spent much of the past decade holding an aural mirror to society\, concocting a distinctively modern approach towards pop music that is both organic and synthetic\, much like our own day-to-day lives. The Rochester\, NY-based band is now wrapping up work on their hugely anticipated third album\, POSSESSION\, due via Cultco Music/Hollywood Records in early 2020. Produced at Joywave’s own studio in Rochester by founder Daniel Armbruster\, arranged by Armbruster and his fellow band members Joseph Morinelli\, Paul Brenner\, and Benjamin Bailey\, and then mixed by Dan Grech-Marguerat (The Killers\, Liam Gallagher\, Lana Del Rey)\, advance tracks from the LP offer a clear display of the band’s evolution from the basement to the big stage\, to their current role of full-fledged pop provocateurs\, fearlessly assimilating genres\, motifs\, and big ideas into its own one-of-a-kind identity. Songs such as the unprecedented first single\, “Like A Kennedy” or the haunting “Blank Slate” provide both commentary and catharsis by bridging the political with the personal\, as Armbruster’s finely etched social commentaries ultimately give way to frank introspection. \n“The album really focuses on control\,” says Armbruster. “It examines it on a broader societal level but also on a very personal level\, like\, how do I gain control over my own life and experiences? We turn on the news now and it’s like\, what is happening? How am I supposed to go to the grocery store or think about paying my bills or whatever mundane thing I need to do?” \nJoywave first came together in 2010 to put live flesh on the bones of songwriter-multi-instrumentalist Armbruster’s original home recordings. A series of visionary mixtapes and EPs followed\, as did Big Data’s RIAA gold certified 2013 single\, “Dangerous (Feat. Joywave)\,” a #1 hit at Alternative radio as well as a top 10 multi-format smash. 2014’s HOW DO YOU FEEL? EP was fast followed by the band’s full-length debut album\, HOW DO YOU FEEL NOW? The album spawned a string of multi-format hits and 2016’s innovative remix collection\, SWISH. The following year saw CONTENT make a top 10 debut on Billboard’s “Heatseekers” chart upon its arrival\, powered by the Alternative radio favorites\, “It’s A Trip” and “Doubt.” \nJoywave has proved just as prolific and popular on the road\, performing countless headline dates\, show-stealing sets at international festivals spanning Lollapalooza\, Coachella\, Bumbershoot\, and the UK’s Reading/Leeds\, and support runs with such artists as The Killers\, Young the Giant\, Foals\, Walk the Moon\, Bleachers\, Metric\, Thirty Seconds To Mars\, Silversun Pickups and more. Indeed\, the increased focus on live activity in turn fueled the POSSESSION sessions\, the band’s increasingly complex interplay taking a bigger spotlight in the studio than ever before. \n“I think this album reflects our live show a lot more than the first two records did\,” Armbruster says. “I still wrote all the songs but the process has become a lot more inclusive. The first record was really something that I wrote in my parents’ basement. The second record was also pretty closed\, but now\, with this new one\, I got all the songs to a point and then really opened things up to the rest of the band. It’s kind of a big step for me actually\, to say\, Okay\, I don’t have to micro-micromanage everything. Now I only have to micromanage. I’ve gone from nano-managing to micromanaging.” \nThough not quite finished\, it is already abundantly clear POSSESSION will prove a milestone for Joywave\, evinced by such extraordinary new tracks as the aforementioned “Like A Kennedy\,” the band’s first-ever ballad and perhaps most startlingly original moment thus far. Wedding a strikingly transgressive lyric to a simple melody and tender vocals\, the song looks back into history to confront our current polarization\, desensitization\, and information overload\, culminating with a symphonic guitar solo seemingly pulled out of some lost FM broadcast from 1976. \n“It’s a media burnout song\,” Armbruster says. “It’s anti-chaos. It’s encouraging people to zoom out. Unfortunately I think that everyone will fit it to a political narrative because that’s where society is at right now. It’s not really taking a stand – it’s more like\, just stop all the crazy shit. We’re constantly told\, this is what’s happening\, what do you think about it? But I don’t know. I just want to be fat\, old\, and happy.” \n“Basically the violence just happens over and over and over again\,” Armbruster says about the video for “Like A Kennedy.” “There are four or five assassinations throughout the video and each time that I’m shot nobody reacts. It’s like putting the Zapruder film into 2019\, where nobody is surprised by the violence and no action is taken each time that it occurs. The violence is allowed to just continue and continue and continue. Obviously that is very relevant to where we’re at now. Every time there’s another mass shooting\, all these people die\, and you know\, thoughts and prayers. And nothing changes. It’s amazing to me that we had a president be the victim of gun violence and still the legislative bodies refused to make any type of meaningful change.” \n“Obsession” looks to be another highlight of POSSESSION\, its irresistible dance-pop expertly  “encapsulating the history of Joywave into one track\,” says Armbruster. “I think that this new record is – hopefully – going to elevate the band and introduce us to a new audience so I thought it was important to catch people up in one song as to what the band has done up till now. It’s like the Cliff’s Notes version of where the band has been. I think it sums us up very well.” \nEven at this early stage\, it is impossible to view POSSESSION as anything other than a giant leap forward for Joywave\, a boldly ambitious work that pushes an already visionary band across ever level\, from songcraft and band interaction to freedom of influence\, and most of all\, perspective. \n“One of the ideas on the record is being able to zoom out and have people back out of corners and back out of talking points\,” says Daniel Armbruster. “I’m making a three dimensional line where people are able to zoom out enough to see what’s happening and be able to use rational thought. I’m not trying to go left or right – I’m trying to move forward. I’m trying to go up.” \n \n
URL:https://jaxlive.com/event/joywave/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Alternative/Indie
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/12/joywave-20190812pic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200924T200000
DTEND;TZID=America/New_York:20200924T235900
DTSTAMP:20200525T205809
CREATED:20200224T172803Z
LAST-MODIFIED:20200319T204658Z
UID:3648-1600977600-1600991940@jaxlive.com
SUMMARY:ARISE ROOTS
DESCRIPTION:The passion to create a unique\, roots reggae band is what brought the members of Arise Roots together. Hailing out of Los Angeles\, California\, Arise Roots was formed in 2010\, however\, it seemed as though these brothers were eventually destined to cross paths. Each member had been performing in various reggae bands throughout Southern California and backing various reggae legends coming into town. However\, drummer Ron Montoya decided to form what he considered to be the next powerhouse reggae band. \nAfter searching for several years and filtering through numerous musicians\, Arise Roots was finally formed. Teaming up with heavy bassist Rudy Covarubias and keyboard/vocals specialist Todd Johnson\, a tight rhythm section served as the driving foundation. Soon after\, lead vocalist Karim Isreal was added providing his soulful\, organic\, and powerful voice. Finally\, guitarist Robert Sotelo joined the group adding the finesse and authenticity needed for this original sound. \nThe goal: to create a fresh reggae sound with a modern feel that appeals to all ages and races\, but one that doesn’t compromise the true feel of roots reggae. Anybody who has had the opportunity to witness an Arise Roots show understands the powerful sound and positive vibration that they produce. Always paying homage to past reggae legends\, Arise Roots’ sound is influenced by such artists as The Heptones\, Israel Vibration\, The Wailing Souls\, Black Uhuru\, Dennis Brown\, Gregory Isaacs\, Mighty Diamonds\, Alton Ellis\, Barrington Levy\, Burning Spear\, Bob Marley and The Wailers\, The Skatalites\, Alton Ellis\, Sizzla\, and Midnite. In addition\, Arise Roots has had the opportunity to share the stage with such artists as Barrington Levy\, Michael Rose\, Sister Carol\, Big Youth\, Midnite\, The Meditations\, Kymani Marley\, Gramps Morgan\, Dennis Al Capone\, Pappa Michigan\, Mad Lion\, Gondwana and even hip hop heavy weights Public Enemy. \n
URL:https://jaxlive.com/event/arise-roots/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:reggae
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2020/02/ariserootsfbpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200927T190000
DTEND;TZID=America/New_York:20200927T235900
DTSTAMP:20200525T205809
CREATED:20200218T175500Z
LAST-MODIFIED:20200410T235930Z
UID:3640-1601233200-1601251140@jaxlive.com
SUMMARY:THE ODDEVEN
DESCRIPTION:
URL:https://jaxlive.com/event/the-oddeven-2/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Metal,Rock n Roll
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2020/02/TheOddEvenfbcoverpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201001T180000
DTEND;TZID=America/New_York:20201001T235900
DTSTAMP:20200525T205809
CREATED:20200403T134315Z
LAST-MODIFIED:20200520T230024Z
UID:3703-1601575200-1601596740@jaxlive.com
SUMMARY:THE EXPENDABLES
DESCRIPTION:The Expendables have rescheduled their original Thursday\, March 19\, 2020 performance to Thursday\, October 1\, 2020. The original date was postponed in accordance with the CDC\, state and local public health guidelines surrounding the Coronavirus (COVID-19). \nTickets for the original date will be honored for the new date; no new ticket purchase is needed. For those that cannot attend the rescheduled date\, and wish to request a refund\, the Ponte Vedra Concert Hall has approved refunds for this event and refunds will be available at the point of purchase. Please be patient during this time as the St. Augustine Amphitheatre and Ponte Vedra Concert Hall Box Offices are closed until further notice by state mandate. For patrons that purchased tickets online via Ticketmaster.com\, please see Ticketmaster’s COVID-19 Refund Guidelines available at https://blog.ticketmaster.com/guidelines-canceled-postponed-events and please note that Ticketmaster is experiencing longer than normal refund processing times. \nThe Expendables enjoyed a laid-back lifestyle growing up in Santa Cruz\, CA; surfing\, skating\, partying\, and playing music were commonplace. Since 1997\, The Expendables have staked their claim in the California surf/rock genre by headlining venues from coast to coast. Blending Reggae\, Punk Rock\, and 80s style dueling guitar solos\, The Expendables have made heads turn and floors shake for years. \nThe band consists of four longtime friends: Geoff Weers (Guitar and Vocals)\, Adam Patterson (Drums and Vocals)\, Raul Bianchi (Lead Guitar) and Ryan DeMars (Bass). The first seven years of their career was fueled with three full-length\, completely independent releases. No Time To Worry (2000)\, Open Container (2001)\, and Gettin’ Filthy (2004)\, would bring in a combined total of over 40\,000 units sold with no physical distribution and no record label. \nWhile touring and supporting their album\, Gettin’ Filthy\, The Expendables would share the stage with Slightly Stoopid and catch the attention of founders and front men Kyle McDonald and Miles Doughty. In 2007 Slightly Stoopid formed their own independent label\, Stoopid Records\, and signed The Expendables for the label’s first non-Stoopid release\, which was The Expendables self-titled. Released in September 2007\, the album would be accepted as an instant classic by fans and received rave reviews from critics. \nThe band continued supporting the album with hundreds of shows over the next two years\, gaining fans around the world\, and respect from the bands that influenced them. Early 2009 The Expendables toured relentlessly. Within a few short months\, they hit the road with NOFX\, Less Than Jake\, Pennywise\, and Pepper. In case that was not enough\, The Expendables were honored to join 311 on their Summer Unity amphitheater tour\, rocking huge stages\, and opening new doors for the band. \nThe boys decided idle time was not an option after the conclusion of their tour with 311\, so they went straight in to the studio to begin recording their next album\, Prove It. Paul Leary (producer of Sublime\, Slightly Stoopid\, Pepper\, Supersuckers\, as well as guitar player for Butthole Surfers) and El Hefe (guitar player of NoFX) would split producing duties at Big Fish studios in Encinitas\, California. \nProve It was released May 11th 2010 debuting at #158 on the Billboard Top 200\, #30 on Billboard’s Independent charts\, and #4 on Billboard’s Heatseekers! The album also pushed to #15 on iTunes Top 200 and #5 on iTunes Alternative Charts\, jumping The Expendables to a new level in their career. The band’s new release would include guest performances by C-Money\, OG\, and Dela of Slightly Stoopid throughout the album. Jumping into the mix as well would be long time friend G. Love on the ballad “Wells”. \nTo support the release of Prove It\, The Expendables continued their tenacious touring schedule with their popular yearly Winter Blackout Tour\, a headlining Spring Tour\, a slot supporting Slightly Stoopid and Steel Pulse on this summers\, Cauzin’ Vapors tour and will be in Europe with The Mad Caddies during the fall. The band will close out the year with a national headlining run that will be sure to keep The Expendables strong hype building. \nThirteen years later\, five albums down and countless miles covered The Expendables show no signs of slowing down. \n
URL:https://jaxlive.com/event/the-expendables-2/
LOCATION:Ponte Vedra Concert Hall\, 1050 A1A North\, Ponte Vedra Beach\, FL\, 32082\, United States
GEO:30.2300738;-81.3854257
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ponte Vedra Concert Hall 1050 A1A North Ponte Vedra Beach FL 32082 United States;X-APPLE-RADIUS=500;X-TITLE=1050 A1A North:geo:-81.3854257,30.2300738
CATEGORIES:reggae
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/12/expendablesnewpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201017T200000
DTEND;TZID=America/New_York:20201017T235900
DTSTAMP:20200525T205809
CREATED:20200128T170006Z
LAST-MODIFIED:20200403T050136Z
UID:3587-1602964800-1602979140@jaxlive.com
SUMMARY:MURDER BY DEATH
DESCRIPTION: \nMurder By Death’s eighth full-length album The Other Shore is a space-western about a ravaged Earth\, its fleeing populace\, and a relationship in jeopardy. It’s an epic journey rocketing toward the unknown—in the universe\, within the characters represented through 11 songs\, and through the band’s evolving sound. But basically\, the quest poses the ultimatum: Stick with what you have\, or risk it all to find something new. \nRecorded at La La Land in Louisville by Kevin Ratterman (My Morning Jacket\, White Reaper\, Ray LaMontagne\, Basia Bulat) and Anne Gauthier\, The Other Shore sonically captures the mood of two lovers choosing separate paths\, one who stays on Earth and one who leaves it. \nAs trailblazers of the early 2000s indie-Americana style\, the Louisville\, KY-based quintet finds a way of taking tried & true rock-and-roll and knocking it slightly off axis\, into tottering revolutions of something eerie\, emotional\, immediate\, lush\, and uniquely theirs. As the album and voyage progress\, the atmosphere transitions from earthy to cosmic\, sober to festive—from folksy Midwestern indie rock (“Stone”) and piano-laden devil-on-one-shoulder/angel-on-the-other Leonard Cohen-style balladry (“Only Time”)\, to buoyant new wave recalling The Cure (“Bloom”) and celebratory jangly singalongs (“I Have Arrived”). \nIn between departure and arrival\, there is a brooding\, swirling complexity. In some moments\, The Other Shore is loaded with intimate and visceral detail\, like reading a manic stranger’s daily journal; and in others it’s more cinematic and visual\, as if one were listening to a movie. “Alas” uncovers the pastoral air and morose gloom of a decaying land\, captured by multi-instrumentalist David Fountain’s droning accordion\, swelling classical cello lines from Sarah Balliet\, and the echoey acoustic guitar strums and the baritone call of guitarist/singer Adam Turla. The complicated tension between diverging lovers is wretched forth as Turla resigns\, “I need to stay/ But alas I must go.” Later in “True Dark\,” you can hear a rattling craft soar through the cosmos\, as a bounding triplet rhythm on drums and electric bass accelerate through spooky black holes\, bright star twinkles\, and meteoric dust. \nAs fear and doubt loom\, hope of escape and potential flicker on the horizon. “Stone” is classic MBD built around the group’s signature gothic punk spirit and redemptive\, dark horse attitude; Dagan Thogerson’s driving rhythmic pulse; a Morricone-meets-Calexico trumpet-cello duet; and Turla‘s Everyman aphorism\, “Ain’t ya s’posed to bend/ ain’t ya s’posed to flex like a willow in the wind/ ain’t it easier to bend.” Eventually “Bloom\,” “I Have Arrived\,” and “New Old City” signal the rebirth into something new and foreign\, an embryonic marriage of ‘90s indie-punk structure\, the way-outedness of Ziggy Stardust\, the grandeur of synth pop\, and hints of dusty roots shuffle. \nThe Other Shore pits quantifiable reality against incalculable newness. The duality of big and broad vs. microscopic and narrow is ever-present\, especially as the group explores untapped genres\, dynamic and emotional touches\, intersecting and introspective storylines\, and remote edges of the galaxy. Welcome: After nearly 20 years\, thousands of performances around the world\, and eight albums—you’ve landed on your new Murder By Death. \nThe band has also taken their evocative sound to other evocative spaces\, being the first group in recent history to play shows at the Historic Stanley Hotel in Estes Park\, CO (the inspiration for Stephen King’s The Shining)\, which has culminated into an annual residency of sold-out performances after five years. \n  \n
URL:https://jaxlive.com/event/murder-by-death/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Alternative/Indie,Americana
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2020/01/Murderbydeathapprovedpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201022T200000
DTEND;TZID=America/New_York:20201022T235900
DTSTAMP:20200525T205809
CREATED:20200422T024421Z
LAST-MODIFIED:20200422T024421Z
UID:3708-1603396800-1603411140@jaxlive.com
SUMMARY:PEELANDER-Z
DESCRIPTION:Peelander-Z is the Japanese Action Comic Punk Band based in Austin\, TX. The band formed in 1998 in New York City and has been releasing happy party music to make everyone smile. They have toured extensively in North America\, Japan and Europe. Peelander-Z has appeared at major music festivals including Bonnaroo and the Vans Warped Tour and has also been featured on TV programs such as Comedy Central’s “Upright Citizens Brigade” and ABC’s “Gong Show” among others. The band has also been covered by SPIN\, Rolling Stone\, Village Voice and NPR among many others. Their song “E-I-E-I-O” has been featured in a TV commercial in 2016. Also\, a feature documentary about Peelander-Z entitled “Mad Tiger” screened in the world in 2016. At its live shows\, Peelander–Z guarantees intense audience participation and a chance to exercise. You’ll see the band in colorful costumes\, though they describe their outfits as their skin. You’ll also see human bowling and all around insanity. A Peelander–Z performance is a rare occasion for the entire family to rock out and have a great time. \n
URL:https://jaxlive.com/event/peelander-z-3/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Punk
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2020/02/peelander-z-5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210203T190000
DTEND;TZID=America/New_York:20210203T235900
DTSTAMP:20200525T205809
CREATED:20200429T052324Z
LAST-MODIFIED:20200429T052939Z
UID:3713-1612378800-1612396740@jaxlive.com
SUMMARY:LEGENDARY SHACK SHAKERS and SLIM CESSNA'S AUTO CLUB
DESCRIPTION:The Legendary Shack Shakers’ hell-for-leather roadshow has earned quite a name for itself with its unique brand of Southern Gothic and swampy “hillbilly blues” that is all-at-once irreverent\, lyrical\, dangerous\, and fun. Led by their charismatic\, rail-thin frontman and blues-harpist JD Wilkes\, the Shack Shakers are a four-man wrecking crew from the South whose explosive interpretations of swamp blues\, rock n’ roll and hillbilly music have made fans\, critics and legions of potential converts into true believers. \nBetween intermittent hiatuses to work on other projects (including JD’s sideshow banner-style artwork for acts like The Squirrel Nut Zippers and Marty Stuart…plus his two published books The Vine That Ate the South and Barn Dances & Jamborees Across Kentucky)\, the band is constantly re-mobilizing\, much to the excitement of many a Shack Shakers fanatic. Despite Wilkes’ extracurricular projects\, the band’s reputation for intense entertainment has stuck with them. \nOn stage\, JD has been compared to the likes of Iggy Pop\, David Byrne\, and Jerry Lee Lewis. The Nashville Scene named Wilkes “the best frontman in Nashville”\, while former Dead Kennedys frontman Jello Biafra has called JD “the last great Rock and Roll frontman.” Guitar virtuoso\, Gary Siperko (Pere Ubu\, Whiskey Daredevils) intones a variety of strains\, from garage blues to gypsy jazz\, while the rhythm section rounds out with Preston Corn (The Dirt Daubers) on percussion and Fuller Condon (Two Man Gentlemen Band) thumping the upright bass. \nAlthough not necessarily “legendary” upon being named\, the band has grown into its reputation the last several years due to their heavy tour schedule\, seven critically acclaimed studio albums\, and songs that have been featured on television shows such as HBO’s True Blood and Swamp Loggers. Past tour mates and fans include Reverend Horton Heat\, Rancid\, The Black Keys\, Slim Cessna’s Auto Club\, and Hank Williams III. Robert Plant is also a noted Legendary Shack Shakers fan\, and picked the band to open for him on his 2005 tour of Europe. Plant named the band’s third album Believe as one of his favorite records of 2005. The list of esteemed admirers goes on to include horror novelist Stephen King\, who listed “CB Song” as among his iPod’s Top Five in a 2008 Entertainment Weekly article. Such a wealth of devoted\, cult like fans over the years has only added to the mystique that the Legendary Shack Shakers possess\, carrying them down the road toward new creative pursuits and riotous tunes. \n
URL:https://jaxlive.com/event/legendary-shack-shakers-and-slim-cessnas-auto-club/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Rockabilly
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2017/06/LSSROD.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210916T180000
DTEND;TZID=America/New_York:20210916T235900
DTSTAMP:20200525T205809
CREATED:20191216T180012Z
LAST-MODIFIED:20200520T230141Z
UID:3536-1631815200-1631836740@jaxlive.com
SUMMARY:REBELUTION
DESCRIPTION:Rebelution has rescheduled their original Sunday\, June 21\, 2020 performance to Thursday\, September 16\, 2021. The original date was postponed in accordance with the CDC\, state and local public health guidelines surrounding the Coronavirus (COVID-19). \nTickets for the original date will be honored for the new date; no new ticket purchase is needed. For those that cannot attend the rescheduled date\, and wish to request a refund\, the Amphitheatre has approved refunds for this event and refunds will be available at the point of purchase. Please be patient during this time as the St. Augustine Amphitheatre and Ponte Vedra Concert Hall Box Offices are closed until further notice by state mandate. For patrons that purchased tickets online via Ticketmaster.com\, please see Ticketmaster’s COVID-19 Refund Guidelines available at https://blog.ticketmaster.com/guidelines-canceled-postponed-events and please note that Ticketmaster is experiencing longer than normal refund processing times. \nA MESSAGE FROM THE ARTIST: \n“Unfortunately\, due to the COVID-19 pandemic\, the Good Vibes Summer Tour has been rescheduled to summer 2021. All previously purchased tickets will be honored for the rescheduled dates listed below. If you are unable to attend the new date\, please reach out to your point of purchase for information on refunds and any questions regarding ticketing. \nThank you for your incredible support\, patience\, and understanding! While we’re heartbroken that we won’t be able to tour this summer\, we can’t wait for the day when we’re all reunited! \nWe hope everyone is staying safe and healthy!” – Rebelution \nFifteen years into an effervescent career\, California reggae band and touring juggernaut Rebelution remains abundantly creative. Its members (singer/guitarist/lyricist Eric Rachmany\, keyboardist Rory Carey\, drummer Wesley Finley\, and bassist Marley D. Williams) are as focused and committed as they are easygoing and laid-back. Free Rein\, their sixth studio album\, while still rooted in the Jamaican inspiration that Rebelution’s songs and sounds have always paid homage to\, takes experimental leaps and new adventures too\, welcoming old fans and new audiences alike. Ever expanding\, the Rebelution phenomenon continues to spread good vibes on tour\, and in the studio. \nBearing witness to the accelerating negativity of global affairs\, UK reggae legends\, Steel Pulse\, emerge with musical vengeance to halt the disarray of humanity. The recent album\, Mass Manipulation (Rootfire Cooperative / Wiseman Doctrine) reflects four decades of bettering mankind through music. The debut single “Stop You Coming And Come” features ancient melodies paired with catchy lyrics\, transporting the mind to a period of time where secrets of an African dynasty are unmasked. As reggae revolutionaries\, Steel Pulse is revered by the younger generation of artists and remains a powerhouse on stages around the globe. Through the example of Mass Manipulation\, Steel Pulse demonstrates the endless possibilities that come from breaking down the walls of systemic greed\, and nurturing the fellowship of mankind. \nSince forming on O’ahu\, Hawai’i\, in 2009\, The Green has become one of the most successful and beloved bands in the reggae genre. During their relatively short career\, the band has been awarded a Best Reggae Album nod from iTunes (2010\, for their self-titled debut)\, four coveted Na Hoku Hanohano awards in their native Hawai’i (2011 and 2014\, including Group of the Year\, two different Reggae Albums of the Year and Entertainer of the Year)\, and two #1 Billboard Reggae chart debuts\, along with charting on the Billboard Top 200. \n
URL:https://jaxlive.com/event/rebelution-6/
LOCATION:St. Augustine Amphitheatre\, 1340C A1A South\, Saint Augustine\, FL\, 32080\, United States
GEO:29.8757306;-81.2829424
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=St. Augustine Amphitheatre 1340C A1A South Saint Augustine FL 32080 United States;X-APPLE-RADIUS=500;X-TITLE=1340C A1A South:geo:-81.2829424,29.8757306
CATEGORIES:reggae
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/02/Rebelution-720x720-1.jpg
END:VEVENT
END:VCALENDAR