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METHOD:PUBLISH
X-WR-CALNAME:JaxLive
X-ORIGINAL-URL:https://jaxlive.com
X-WR-CALDESC:Events for JaxLive
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211022T200000
DTEND;TZID=America/New_York:20211022T235900
DTSTAMP:20211022T094814
CREATED:20210915T193228Z
LAST-MODIFIED:20210915T193228Z
UID:4315-1634932800-1634947140@jaxlive.com
SUMMARY:GONER / LIL KAPOW
DESCRIPTION: \n
URL:https://jaxlive.com/event/goner-lil-kapow/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Hip-Hop/Rap
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/09/Gonerlilkapowart.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211023T200000
DTEND;TZID=America/New_York:20211023T235900
DTSTAMP:20211022T094814
CREATED:20211005T005954Z
LAST-MODIFIED:20211021T160836Z
UID:4347-1635019200-1635033540@jaxlive.com
SUMMARY:SCUM FL / RATCHET DOLLS
DESCRIPTION:Notorious for their bangin’ riffs\, infectious choruses\, face-melting solos\, and adrenaline packed performances – RATCHET DOLLS is a Hard Rock act based out of San Antonio\, TX. \n
URL:https://jaxlive.com/event/ratchet-dolls/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Rock n Roll
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/05/SCUMFLpicture.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211024T180000
DTEND;TZID=America/New_York:20211024T235900
DTSTAMP:20211022T094814
CREATED:20210623T140029Z
LAST-MODIFIED:20210627T042251Z
UID:4189-1635098400-1635119940@jaxlive.com
SUMMARY:THE EXPENDABLES
DESCRIPTION:The Expendables have proven anything but in their nearly 25-year career since starting out as a spirited party band in high school covering surf-rock nuggets such as Dick Dale’s “Miserloo” and “Wipe Out” for birthdays and family gatherings. A quarter-century later\, elementary school buddies Raul Bianchi\, Adam Peterson and Geoff Weers\, along with bassist Ryan DeMars\, who joined in 2000\, have forged a unique original sound born in the laid-back beach life of their Santa Cruz\, CA. hometown. \nThe Expendables’ infectious hybrid of ska\, surf-rock\, punk\, reggae and metal can be heard in their latest streaming track\, “Surfman Cometh\,” a spaghetti-western meets “Pipeline” twang that could easily form the soundtrack to the latest Quentin Tarantino film. The song is the first release from the group’s new and improved Band Room\, their longtime rehearsal space in a 1\,100 square foot warehouse and former wine cellar on Coral Street\, where Adam Patterson took charge of the mix to great effect. \n“Geoff brought that riff to the table\, and the band jammed on it\,’ explains Raul about the song’s genesis. “We recorded it live at our studio\, then laid down overdubs in our individual homes. Adam and I even went down to Pleasure Point here in town with laptops and microphones to record the crashing waves at the beginning and end.” \nIt’s all part of The Expendables’ plan to become more self-sufficient in these challenging times\, as they begin to rely on themselves after a steady regimen of touring through the years numbering 125-150 shows a year\, including such international outposts as Germany and Guam. \n“We have such a weird\, specific sound\, it makes sense to produce ourselves\,” says Weers\, the band’s front man and co-writer. “We were a lot more aggressive when we were younger\, much more punk and metal.  These days\, we lean more towards that island vibe.” \nThe band’s previous studio album of original material\, 2015’s Sand in the Sky\, was followed by The Expendables’ second release featuring acoustic reworkings of past material\, Gone Raw\, 2019’s follow-up to 2012’s Gone Soft.  The albums represent not so much acoustic versions\, but totally reimagined renditions of some of the group’s most well-known material. Songs like “Ganja Smugglin’” goes from a hard-edged metal/reggae banger to a Latin flamenco vibe\, thanks to Raul’s classical acoustic stylings\, while “Anti-Social” metamorphoses from hardcore punk to a country lament. \n“We got very creative\,” explains Raul. “Coming up with different styles and arrangements happened easily and organically\, pointing to the album’s two covers\, a lovely acoustic take on The Beatles’ “Blackbird” and a bluesy cover of Tom Waits’ “Long Way Home” by way of Norah Jones’ version. \nThe Expendables’ eclectic approach goes back to their formative years\, Raul’s influences included blue guitarists like Stevie Ray Vaughan and fret-buster Steve Vai along with heavier bands like Metallica and Pantera\, while Adam favored ska punks Less Than Jake\, Reel Big Fish and Aquabats\, who all topped bills at the local Coconut Grove. Geoff was into roots reggae icons such as Bob Marley\, Peter Tosh and Steel Pulse.  Together\, you get The Expendables\, a band perhaps inconceivable anywhere else but Santa Cruz\, where they made their mark by hosting the radio show\, Locals Only\, on local station KMBY\, in the early 2000s. \nWith signature songs like “Bowl for Two” and “Ganja Smugglin’\,” The Expendables have now expanded their brand into cannabis\, starting a boutique company ExpendaFarms and developing the strain ExpendaBerry\, which is\, as ‘Bowl for Two” puts it\, “frosty purple nugs.” The product line also includes CBD sublingual tinctures\, while all the flower farming is done organically\, without pesticides. Although Raul himself isn’t a daily user\, he does find CBD effective for a combination of stress\, insomnia and stage fright. \n“Growing up here\, the surf/skate/UC Santa Cruz culture is very supportive of cannabis. It’s viewed as part of the environment\, of who we are\, our upbringing.  We just sing about what we know. We don’t preach\, but we support legalization\,” says Raul. \nThe Expendables continue woodshedding until they can get back out on the road\, with planned future releases including a live album recorded at the Roxy in Los Angeles on November 17\, 2017\, as well as polishing off a few previously unreleased songs from their extensive back catalog.  Their 2017 Moment EP\, which debuted at #1 on the Billboard Reggae chart\, showed the band starting to move into different musical directions\, a set featuring collaborations with reggae crooner HIRIE\, rapper Tech N9ne\, Eric Rachmany and Micah Peuschel. \n“We have a pretty large backlog of musical ideas\,” says Raul. “We’re going to keep putting out new songs and reworking old tunes in different styles. When we allow them to marinate on the shelf a while\, we can really come up with a fresh approach.” \nStill wanting to improve after all these years\, The Expendables approach their 25th anniversary without looking over their shoulders\, even as Geoff contemplates the reasons behind their longevity. \n“Because we started out as friends long before we had a band\,” he says. “We keep things light\, but the fact we’re able to do this keeps us doing it. This has always been like living a dream. Every time I want to give up\, I just remember\, I get to play music that people like and pay to hear. This music represents our common experiences.” \n“We started so young\, we could barely play our instruments\,” recalls Raul. “We didn’t even know what ‘making it’ meant at the time. There’s always room for us to grow as musicians.  We haven’t hit our ceiling yet.” \nBALLYHOO: \nA rock band with punk energy and pop\, reggae grooves\, Baltimore’s BALLYHOO! are a fun\, fan-loving powerhouse. These road dogs have tirelessly toured coast-to-coast taking their music to the people. Between the road and the studio\, BALLYHOO! have crafted a sound distinctly their own; fresh\, fun\, and embodied by the soul of the party lifestyle. Lead singer and guitarist\, Howi Spangler\, has a reputation for mixing slick lyrics with his smooth but powerful voice. Drummer Donald ‘Big D’ Spangler lays out the hard-hitting beats\, which are underlined by JR Gregory’s funky and witty bass lines. Scott Vandrey (aka DJ Blaze) rounds it out on the turntables and keys. \nBALLYHOO!’s unique sound\, hardcore devotion to the road and their fans has been the key to their grassroots growth. The band has performed with a myriad of national touring acts; 311\, Slightly Stoopid\, SOJA\, The Dirty Heads\, Matisyahu\, and more. In 2011\, after concluding the Last Calls and Liabilities tour with respected contemporaries\, Pepper\, they were honored with being included on the ever-popular Hollister Holiday Playlist. They were listed on MTV’s Top 100 Bands to Watch and even featured two downloadable songs on the popular video game ROCK BAND. Tour highlights include the 2011 311 Pow Wow Festival\, the 2012 311 Caribbean Cruise\, Bamboozle 2012 and the entire 2012 Vans Warped Tour. \nIn 2011 BALLYHOO! signed with LAW Records\, an independent label owned by the band Pepper\, the guys headed to Sound Lounge Studios in Orlando\, FL to record their 4th album ‘DAYDREAMS’. It was released on Sept 6th\, 2011 and quickly broke the Top 10 Billboard Heat Seekers Chart. The band calls it their ‘heaviest album’ so far. ‘There were only a handful of songs at first. We locked ourselves down for 3 weeks and started jamming. We quickly realized that we were rocking out more than we had before’\, says front man Howi Spangler. \n‘We named it DAYDREAMS because the songs made us feel good inside’\, Howi explains\, ‘It’s saying that music can take you to a better place\, no matter what you’re going through.’ ‘Evil Penguin’ opens the album with a beautiful piano intro and then bursts into a chaotic ska/punk frenzy. ‘Last Night’ tells the story of a guy who’s tired of the bar scene and looking for the right woman. Followed up by the lover’s rock sound of ‘Diamonds’\, a song about that girl that’s been there the whole time and you finally open your eyes and see her in front of you. The album ends on with a piano-driven ballad\, ‘Ricochet’\, a song about keeping your head up in dark times. ‘There are a lot of emotions throughout the record\, but I think the overall theme is that we all go through the same things and one day we’ll get what we’ve been working for so long’\, says Howi. \nThe band’s latest single ‘Last Night’ is currently in rotation at various alternative radio stations including WHFS Baltimore\, WRFF Philadelphia\, KUKQ Phoenix\, Star 101.9 Honolulu\, and SiriusXM/Faction\, as well as various specialty shows around the country. Yesod Williams\, owner of the band’s label LAW Records says of his newest addition\, ‘Having BALLYHOO! join the LAW family is a perfect fit. They are an incredibly talented band with a really catchy style’. \n
URL:https://jaxlive.com/event/the-expendables-2/
LOCATION:Saint Augustine Amphitheatre Backyard Stage
CATEGORIES:reggae
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/06/The-ExpendaHoo-Tour-SQ_general-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211024T190000
DTEND;TZID=America/New_York:20211024T235900
DTSTAMP:20211022T094814
CREATED:20210929T150056Z
LAST-MODIFIED:20210929T150056Z
UID:4340-1635102000-1635119940@jaxlive.com
SUMMARY:HOTEL FICTION
DESCRIPTION:Two years ago\, Jade Long and Jessica Thompson had a simple goal: to amass 1\,000 streams on their first song\, “Astronaut Kids.” In today’s streaming economy\, where listens are dished out as readily as $1 drinks\, 1\,000 listens is a meager target for any musical act. \nHotel Fiction is not just any musical act—they’re the most intimate\, finely tuned and marketable band to come out of Athens in over a decade. And now\, two years later\, they have surpassed their goal by over one million streams\, are releasing their debut album\, Soft Focus\, on Aug. 27 and are embarking on a two-month-long tour this fall. \nIt started in the winter of 2018. Long and Thompson were sophomores at UGA; each meandering within the structured monotony cast upon college students; each possessed with a desire to make music. A friend set them up\, and their natural chemistry was apparent from their first time meeting. Their breakthrough\, “Astronaut Kids\,” was conceived only a few months after their relationship formed. “I was at a show on the Georgia Theatre rooftop\,” Long explains\, “and this one girl played a song about her childhood and her parents’ divorce\, and it made me cry on the rooftop. It was so beautiful. Then\, walking home alone\, I started singing the first words: ‘When I grow up / I wanna be a star.’” \nShortly after they performed “Astronaut Kids” for the first time\, they were approached by Athens rock torchbearer Tommy Trautwein\, who offered to record it in his home studio. His veteran touch and stupendous ear catapulted them from being a talented yet flimsy college band to an elegantly composed radio-ready ensemble. “Tommy has a huge creative hand in our music. He helps from vocals to guitar and bass\, to drums… he is literally a one-man band\,” notes Thompson. \nSonically\, “Astronaut Kids” is sweet and smooth. Thompson lushly kneads guitar riffs through Long’s translucent vocal delivery. Trautwein litters the track with flashy crescendos\, emotive harmonies and an essential element of dreaminess by way of airy synths. Lyrically\, the song is a forsaken eulogy to childhood dreams\, a vat of desperation placidly offered at the toes of the “real world.” Long sounds defeated—as if she has no other choice but to obtain a practical degree and fall into the meek everydayness of civil society. She is trying to force herself to come to terms with her future\, yet\, she just can’t stop herself from dreaming. Thank goodness she didn’t give up. \nHotel Fiction has now tasted a spoonful of success\, causing Long to view the song as a living\, breathing slice of life: “That song and ‘Ghost Train’ both feel like manifestations. I was at a place that I didn’t wanna be at\, and now things have changed as I wanted them to in the songs. Everyone says that ‘art imitates life\,’ but my mom always said that ‘life imitates art.’” \nAfter the release of “Astronaut Kids\,” Hotel Fiction garnered a significant buzz around Athens by playing shows\, and they continued to build on their internet following by releasing singles. Originally\, they planned on releasing their debut album on Halloween of 2020. But due to the omnipresent coronavirus\, they reeled back and waited. A virtuous decision it seems: Since then\, their online following has increased significantly and they’ve built a team of professionals who are helping to take them to the next level. \n-Flagpole \n
URL:https://jaxlive.com/event/hotel-fiction/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/09/HotelFictionfbpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211027T200000
DTEND;TZID=America/New_York:20211027T235900
DTSTAMP:20211022T094814
CREATED:20200128T170006Z
LAST-MODIFIED:20210924T152001Z
UID:3587-1635364800-1635379140@jaxlive.com
SUMMARY:MURDER BY DEATH
DESCRIPTION: \nMurder By Death’s eighth full-length album The Other Shore is a space-western about a ravaged Earth\, its fleeing populace\, and a relationship in jeopardy. It’s an epic journey rocketing toward the unknown—in the universe\, within the characters represented through 11 songs\, and through the band’s evolving sound. But basically\, the quest poses the ultimatum: Stick with what you have\, or risk it all to find something new. \nRecorded at La La Land in Louisville by Kevin Ratterman (My Morning Jacket\, White Reaper\, Ray LaMontagne\, Basia Bulat) and Anne Gauthier\, The Other Shore sonically captures the mood of two lovers choosing separate paths\, one who stays on Earth and one who leaves it. \nAs trailblazers of the early 2000s indie-Americana style\, the Louisville\, KY-based quintet finds a way of taking tried & true rock-and-roll and knocking it slightly off axis\, into tottering revolutions of something eerie\, emotional\, immediate\, lush\, and uniquely theirs. As the album and voyage progress\, the atmosphere transitions from earthy to cosmic\, sober to festive—from folksy Midwestern indie rock (“Stone”) and piano-laden devil-on-one-shoulder/angel-on-the-other Leonard Cohen-style balladry (“Only Time”)\, to buoyant new wave recalling The Cure (“Bloom”) and celebratory jangly singalongs (“I Have Arrived”). \nIn between departure and arrival\, there is a brooding\, swirling complexity. In some moments\, The Other Shore is loaded with intimate and visceral detail\, like reading a manic stranger’s daily journal; and in others it’s more cinematic and visual\, as if one were listening to a movie. “Alas” uncovers the pastoral air and morose gloom of a decaying land\, captured by multi-instrumentalist David Fountain’s droning accordion\, swelling classical cello lines from Sarah Balliet\, and the echoey acoustic guitar strums and the baritone call of guitarist/singer Adam Turla. The complicated tension between diverging lovers is wretched forth as Turla resigns\, “I need to stay/ But alas I must go.” Later in “True Dark\,” you can hear a rattling craft soar through the cosmos\, as a bounding triplet rhythm on drums and electric bass accelerate through spooky black holes\, bright star twinkles\, and meteoric dust. \nAs fear and doubt loom\, hope of escape and potential flicker on the horizon. “Stone” is classic MBD built around the group’s signature gothic punk spirit and redemptive\, dark horse attitude; Dagan Thogerson’s driving rhythmic pulse; a Morricone-meets-Calexico trumpet-cello duet; and Turla‘s Everyman aphorism\, “Ain’t ya s’posed to bend/ ain’t ya s’posed to flex like a willow in the wind/ ain’t it easier to bend.” Eventually “Bloom\,” “I Have Arrived\,” and “New Old City” signal the rebirth into something new and foreign\, an embryonic marriage of ‘90s indie-punk structure\, the way-outedness of Ziggy Stardust\, the grandeur of synth pop\, and hints of dusty roots shuffle. \nThe Other Shore pits quantifiable reality against incalculable newness. The duality of big and broad vs. microscopic and narrow is ever-present\, especially as the group explores untapped genres\, dynamic and emotional touches\, intersecting and introspective storylines\, and remote edges of the galaxy. Welcome: After nearly 20 years\, thousands of performances around the world\, and eight albums—you’ve landed on your new Murder By Death. \nThe band has also taken their evocative sound to other evocative spaces\, being the first group in recent history to play shows at the Historic Stanley Hotel in Estes Park\, CO (the inspiration for Stephen King’s The Shining)\, which has culminated into an annual residency of sold-out performances after five years. \n  \n
URL:https://jaxlive.com/event/murder-by-death/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie,Americana
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2020/01/Murderbydeathapprovedpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211028T190000
DTEND;TZID=America/New_York:20211028T235900
DTSTAMP:20211022T094814
CREATED:20210727T140011Z
LAST-MODIFIED:20211018T142038Z
UID:4254-1635447600-1635465540@jaxlive.com
SUMMARY:MOCK ORANGE / THE SH-BOOMS
DESCRIPTION: \nMock Orange was founded in Southern Indiana back in\n1994. Their 1998 album “Nines and Sixes” was met with\ncritical acclaim. It placed the group on national college\nradio charts and established a loyal fanbase. The band\nhas since worked with such producers as Mark Trombino\n(Jimmy Eat World/Blink 182)\, J. Robbins (Jawbox/Jets to\nBrazil/Clutch)\, and Grammy Award winner Jeremy\nFerguson (Cage The Elephant/Lambchop). The next 10\nsubsequent records solidified their standing as an\ninnovative\, genre blurring band. Currently\, Mock Orange\ncontinues to release albums and EP’s\, tour the U.S.\,\nEurope and Japan\, and amass a consistently growing cult\nfollowing. \n
URL:https://jaxlive.com/event/mock-orangepic/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/07/image0-7-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211030T200000
DTEND;TZID=America/New_York:20211030T235900
DTSTAMP:20211022T094814
CREATED:20210604T155027Z
LAST-MODIFIED:20210924T150841Z
UID:4136-1635624000-1635638340@jaxlive.com
SUMMARY:THE BACKSEAT LOVERS
DESCRIPTION:\n \nThe Backseat Lovers is a rock band from Salt Lake City\, UT. The band formed when lead vocalist Joshua Harmon\, having heard of local drummer Juice Welch\, introduced himself and asked if he wanted to start a band. They immediately started working on arrangements for some of Josh’s songs. Later Josh met lead guitarist and vocalist Jonas Swanson while waiting in line for an open mic at the Velour in Provo city. Neither of them got on the list to play that night\, so they sat on a park bench outside the venue and played their songs to each other until they ran out of stuff to play. Josh invited Jonas to come down and play with he and Juice. It was that night that Out of Tune\, a song Josh had been holding onto since he was 16\, came to life when they arranged it as a group. 
 In spring of 2018 the band began recording together. They released their self produced EP Elevator Days on June 3\, 2018 and played their first show a few short weeks after. 
They released their first full length LP\, When We Were Friendson January 27th\, 2019 which features the single “Kilby Girl” with over 35 million streams globally. The band released their newest song “Heavy” in July of 2020. The group is currently writing new material that they say is a product of the co-writing chemistry that has grown between Jonas & Joshua since the band started. \n\n
URL:https://jaxlive.com/event/the-backseat-lovers/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/05/The-Backseat-Lovers-Approved-Photo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211105T190000
DTEND;TZID=America/New_York:20211105T235900
DTSTAMP:20211022T094814
CREATED:20210709T010023Z
LAST-MODIFIED:20210924T152214Z
UID:4219-1636138800-1636156740@jaxlive.com
SUMMARY:STEVE HOFSTETTER
DESCRIPTION:Author\, columnist\, and comedian Steve Hofstetter is often called the hardest working man in show-business. With all due respect to the late James Brown. \nHofstetter’s national TV debut came on ESPN’s Quite Frankly\, where Stephen A. Smith yelled at him for three minutes. Hofstetter has also appeared on CBS’ “Late Late Show With Craig Ferguson”\, Showtime’s “White Boyz in the Hood”\, VH1’s “Countdown”\, Sundance’s “On the Road in America”\, and ABC’s “Barbara Walter’s Special”\, where he thankfully did not cry. He is the host and executive producer of “Laughs” on Fox networks\, where he only cries occasionally. \nOne of the top booked acts on the college circuit\, the original writer for collegehumor.com has also released six albums. Hofstetter has written humor columns for the New York Times\, SportsIllustrated.com\, and NHL.com\, where he publicly admitted to being a Ranger fan. \nAfter hosting Four Quotas on Sirius Satellite Radio for two seasons\, Hofstetter moved to broadcast radio\, and his Sports Minute (Or So) was syndicated on over 170 stations and in over 30 newspapers. Hofstetter’s second live comedy album (“Cure For the Cable Guy”) reached #20 on Billboard’s comedy charts. His third album (“Dark Side of the Room”) was the first ever pay-what-you-want” comedy album\, since people were going to steal it anyway. His fourth album consisted of an hour of 100% ad-libbed material\, which is\, frankly\, nuts. And his fifth album hit #1 on iTunes’ comedy charts\, which is also a bit nuts. \nHofstetter’s brutal tour schedule consists of over 100 colleges and dozens of clubs every year\, and is fueled by an immense online popularity\, tons of press\, and a Prius with great gas mileage. He reached 200\,000 friends on Facebook (still the world record)\, 400\,000 more on MySpace\, and high shelves in grocery stores. \nWhile Hofstetter’s live shows are routinely sold out\, he is best known for his writing\, first published at age 15\, mainly to impress girls. At 18\, he co-founded “Sports Jerk of the Week”\, an irreverent website featured by press like USA Today’s Baseball Weekly\, Sports Illustrated and CNN. And at 20\, Hofstetter took a year off of school to head up web content for the New York Yankees. The Yankees won the World Series that year\, which would have been wonderful if they hadn’t beaten Hofstetter’s Mets. Yes\, he’s also a Mets fan. Poor kid. \nWhile an undergraduate at Columbia University\, Hofstetter was a well-read columnist for the Columbia Daily Spectator and a voice of the Lions. After a summer writing for Maxim\, ESPN\, and Sports Illustrated for Kids\, Hofstetter syndicated his column in several newspapers. \nWithout his glasses\, Hofstetter also looks a great deal like Michael Rappaport. \n
URL:https://jaxlive.com/event/steve-hofstetter-4/
LOCATION:UNDERBELLY
CATEGORIES:Comedy
ATTACH;FMTTYPE=image/png:https://jaxlive.com/wp-content/uploads/2019/08/STEVE-HOFSTETTER-solo.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211105T200000
DTEND;TZID=America/New_York:20211105T235900
DTSTAMP:20211022T094814
CREATED:20211006T173424Z
LAST-MODIFIED:20211016T211909Z
UID:4350-1636142400-1636156740@jaxlive.com
SUMMARY:KYLE McCRONE
DESCRIPTION:
URL:https://jaxlive.com/event/kyle-mccrone/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Hip-Hop/Rap
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/10/image_6483441-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211106T200000
DTEND;TZID=America/New_York:20211106T235900
DTSTAMP:20211022T094814
CREATED:20211006T174544Z
LAST-MODIFIED:20211006T174544Z
UID:4351-1636228800-1636243140@jaxlive.com
SUMMARY:DON UGLY
DESCRIPTION:DON UGLY is singer/songwriter Kash Erickson from Jacksonville\, FL. His music is a representation of the Ebb and flow of life lyrically portrayed in a subliminal and satirical fashion. \n
URL:https://jaxlive.com/event/don-ugly/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie,Americana,Rock n Roll
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/10/DonUglyfbprofilepic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211110T190000
DTEND;TZID=America/New_York:20211110T235900
DTSTAMP:20211022T094814
CREATED:20210917T150539Z
LAST-MODIFIED:20211020T182300Z
UID:4318-1636570800-1636588740@jaxlive.com
SUMMARY:LILAC KINGS
DESCRIPTION:
URL:https://jaxlive.com/event/lilac-kings/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie
ATTACH;FMTTYPE=image/png:https://jaxlive.com/wp-content/uploads/2021/09/Photo-Sep-04-4-45-18-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211112T200000
DTEND;TZID=America/New_York:20211112T235900
DTSTAMP:20211022T094814
CREATED:20211021T164714Z
LAST-MODIFIED:20211021T164927Z
UID:4372-1636747200-1636761540@jaxlive.com
SUMMARY:JUNIPER IV
DESCRIPTION:
URL:https://jaxlive.com/event/juniper-iv/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie,Rock n Roll
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/01/Juniperivnewpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211113T200000
DTEND;TZID=America/New_York:20211113T235900
DTSTAMP:20211022T094814
CREATED:20210921T150007Z
LAST-MODIFIED:20210923T134422Z
UID:4324-1636833600-1636847940@jaxlive.com
SUMMARY:ILLITERATE LIGHT
DESCRIPTION:Illiterate Light is a versatile Virginia-based duo with a vagabond spirit and a resolute D.I.Y. work ethic. Emerging in the late 2010s\, the group draws from a wide array of styles\, from raw\, guitar-driven indie rock and kaleidoscopic neo-psychedelia to harmony-laden folk. The project originated in the Shenandoah Valley in 2010\, when multi-instrumentalists Jeff Gorman and Jake Cochran began playing music together while working on an organic farm. They eventually took over the farm themselves\, where they combined their love of art and agriculture into a rich community\, touring by bicycle and building a loyal local following. In 2015 the duo decided to leave their farm and focus exclusively on music\, adopting the moniker Illiterate Light\, with Gorman on guitar and foot-pedal synth bass and Cochran operating a minimalist standup drum kit. \n \n
URL:https://jaxlive.com/event/illiterate-light/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/09/Illiteratelightfbpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211114T190000
DTEND;TZID=America/New_York:20211114T235900
DTSTAMP:20211022T094814
CREATED:20211021T175340Z
LAST-MODIFIED:20211021T175340Z
UID:4373-1636916400-1636934340@jaxlive.com
SUMMARY:SILENT OF FIFTH STREET / WoR
DESCRIPTION: \n \n \n
URL:https://jaxlive.com/event/silent-of-fifth-street-wor/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Metal
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/10/silentworboatour2021_blank-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211119T200000
DTEND;TZID=America/New_York:20211119T235900
DTSTAMP:20211022T094814
CREATED:20210920T194928Z
LAST-MODIFIED:20210924T191302Z
UID:4326-1637352000-1637366340@jaxlive.com
SUMMARY:THE 502's
DESCRIPTION:\nLed by earnest banjo-strumming songwriter Ed Isola\, The 502s are a band of brothers whose sound has received critical acclaim as celebratory\, wholesome\, and utterly life affirming. \n\nFor their sophomore full length they’ve expanded their sonic range with a veritable Folk orchestra\, comprising a colorful menagerie of instruments from strings and xylophones to brass\, melodicas\, whistles and bells\, all wrapped in neighborhood-block-party-sized singalongs with vaulted vocal harmonies worthy of any great concert hall\n
URL:https://jaxlive.com/event/the-502s/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie,Americana,Folk
ATTACH;FMTTYPE=image/png:https://jaxlive.com/wp-content/uploads/2021/09/502sartworkfb.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211120T200000
DTEND;TZID=America/New_York:20211120T235900
DTSTAMP:20211022T094814
CREATED:20211004T024855Z
LAST-MODIFIED:20211007T035645Z
UID:4345-1637438400-1637452740@jaxlive.com
SUMMARY:MUDTOWN / DANNY ATTACK & THE REVENANT HEARTS
DESCRIPTION:
URL:https://jaxlive.com/event/mudtown-danny-attack-the-revenant-hearts/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie,Americana
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/10/Dannyattackbdayart.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211128T190000
DTEND;TZID=America/New_York:20211128T235900
DTSTAMP:20211022T094814
CREATED:20210720T140059Z
LAST-MODIFIED:20210924T152451Z
UID:4239-1638126000-1638143940@jaxlive.com
SUMMARY:AMERICAN AQUARIUM
DESCRIPTION:\n \n“Country music was the voice of the people. It wasn’t always the prettiest voice\, but it was an honest voice\,” says American Aquarium founder and frontman BJ Barham. “I think that’s where country music has lost its way.” He pauses\, then adds\, North Carolina accent thick and voice steady: “I operate in the dark shadows of what we don’t want to talk about in the South.” \n\n\n\n\n\nThese days\, those shadows are tall and wide\, making it hard to recognize a neighbor\, family––even yourself. On American Aquarium’s new album Lamentations\, Barham shines light on dark American corners with heartbreaking conversations\, long looks in the mirror\, and empathetic questions\, all through songwriting that is clear without sacrificing its poetry\, and direct without losing its humanity. “As a songwriter\, my number one job is to observe and then translate what I observe into a song\, a story\, a lesson\,” Barham says. “I’d be doing myself and the listener a huge disservice if I didn’t talk about the things I see\, which is a country\, divided.” \n\n\n\n\n\nAs much as Barham appreciates an indignant protest song or one-sided anthem\, he isn’t writing them. Instead\, on Lamentationshe’s making the political personal\, reaching out to humanize folks with opposing viewpoints\, and offering dignity instead of demonizing. The result is the strongest writing of Barham’s already stout career. “I’m still very much standing up for what I believe in––I don’t think anyone can question what side of the aisle I stand on\,” he says. “But hopefully people listen and at least try to understand why their Sunday School teacher wears a Trump hat.” \n\n\n\n\n\nBarham has built a fiercely devoted fanbase hundreds of thousands strong\, fortified with 15 years of sold-out American Aquarium shows across the country and Europe. The band’s 2018 release Things Changestrode confidently into that distinct territory where rock-and-roll and politics meet\, prompting Rolling Stoneto announce Barham “earns every bit of his Southern Springsteen cred.” In 2019\, the American Aquarium lineup also shifted again: Shane Boeker remains on guitar\, and bassist Alden Hedges\, keys player Rhett Huffman\, pedal steel ace Neil Jones\, and drummer Ryan Van Fleet joined the group. \n\n\n\n\n\nA beloved live band known for consistently playing at least 200-250 dates a year\, American Aquarium chose to be more selective in 2019\, winnowing the schedule to 92 shows. For Barham\, sober for sixyears now\, is a dad to a toddler and still happily married\, the adjustment was a must. “We’re learning how to balance being in our mid-30s and being rock-and-rollers\,” he says. “Being home was the most rewarding experience. It allowed me to be creative and write about things that really matter.” \n\n\n\n\n\nLamentationsreflects that elevated focus. Barham\, who is no longer religious but was raised Southern Baptist\, wrote down the word “lamentations” in 2018\, and knew it’d be his next album title before he’d written a single song for the record. He felt an anchoring connection to the word itself––defined as “the passionate expression of grief or sorrow”––but also to the Old Testament book in the Bible. “Lamentations is one of the few books in the Bible where there’s this doubt of God––this guy\, crying out to the heavens\, like\, Why? If you love us so much\, why did you let Jerusalem fall to Babylon?” Barham says. “I saw a direct correlation between that and a Southern man today who voted for Trump. I wanted to write about a broken America and all the things that lead a human being to doubting something. Every song on this record touches on something a little different.” \n\n\nAlbum opener “Me and Mine (Lamentations)” is brooding and stormy\, plaintive acoustic guitar undergirding Barham’s weathered vocals. Searching\, frustrated\, and sad\, the song was written from the perspective of a conservative Southern voter who feels unseen\, unheard\, and short on hope. The broader message is immersive and immediate: Settle in and listen closely. Times are hard\, and this record is going to talk about it. Barham\, who doesn’t agree with the song’s protagonist politically\, imbues him with respect and sympathetic fatigue. “There are so many people who come out nowadays and say\, If you voted this way\, you’re a racist. You’re a misogynist. You’re a nationalist\,” he says. “But that was my teacher\, my librarian\, my uncle. I know they aren’t bigots. So instead of saying\, You’re a bad person because you did this\, I want to know why you did this. I want to talk to you about this.” \n\n\n\n\n\nUpbeat guitar rocker “Dogwood” follows\, with a tragic story wrapped up in singalong lines. Barham points to the song and “Luckier You Get\,” with its Springsteen vibes and an ear-worm chorus\, as two of the album’s more lighthearted moments. “Bright Leaf” is another musical moment ready for a crowd\, offering a clear-eyed look at the tobacco farms and industry of Barham’s home through sharp lyrics that thousands will shout-sing right back at him. \n\n\n\n\n\nFeaturing wry pedal steel and a shuffling back beat\, “Better South” is an alternative anthem\, written and sung by a native Southerner who believes in change. Line after line\, “Starts with You” shows off Barham’s self-deprecating wit: “They say you’re only as sick as your secrets / If that’s the truth then\, friend\, I’m dying / Spent a lifetime salvaging shipwrecks\, / Falling so long I thought I was flying.” \n\n\n\n\n\nThroughout the record\, the only victim of Barham’s harsh tongue is himself. Heartbreaking “How Wicked I Was” pleads for narrative omissions when it comes to explaining the past to his little girl. Album highlight “Learned to Lie” cuts just as deep: Barham delivers a gut-wrenching confession over lonely piano. Raw and intimate\, its look at how we hurt the ones we love evokes the unblinking candor of 60s and 70s Loretta Lynn––that extreme honesty Barham first valued in country music\, and now misses. “That was one of the first songs I played for the boys in the band\, and they were like\, ‘Are you sure you want to record that?’” Barham says. “It’s a hard song to talk about. It’s a heavy song. For better or worse\, I’m going to be real with you live. I’m probably going to make you uncomfortable. And that I think that’s a beautiful part of rock-and-roll.” \n\n\n\n\n\n“Six Years Come September” is another heartbreaker\, masquerading at first as a familiar story before a sobering plot twist. “As a songwriter\, that’s the best feeling in the world––ruining someone with lyrics and a well-executed story\,” Barham says. He points to album closer “Long Haul” as a frontrunner for his own favorite track. Perhaps the closest the record comes to jubilation\, “Long Haul” rolls through three steadfast commitments Barham holds true and dear. \n\n\n\n\n\nUltimately\, Lamentationsis a thrilling portrait of an artist and his band reaching new levels of skill\, consciousness\, and potential after 20 years in the trenches. Unruly and sincere\, Barham emerges as an important American voice––and an unlikely peacemaker. “I’ve had to work really hard to carry water as a songwriter\,” he says. “It feels really good to be in my mid-30s\, writing songs that I think matter. I think when you listen to this record\, something is going to change in you. You’re going to feel something. That’s the most important part of songwriting: making someone feel. \n \n \n\n
URL:https://jaxlive.com/event/american-aquarium-4/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Americana,Country,Rock n Roll,Soul
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2020/02/Americanaquariumnewpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211130T190000
DTEND;TZID=America/New_York:20211130T235900
DTSTAMP:20211022T094814
CREATED:20210511T135510Z
LAST-MODIFIED:20210924T152522Z
UID:4078-1638298800-1638316740@jaxlive.com
SUMMARY:THE BRUMMIES
DESCRIPTION: \nIndependent artists\, The Brummies\, made up of vocalists and multi-instrumentalists John Davidson and Jacob Bryant\, and drummer Trevor Davis\, have been playing together in various incarnations since high school\, growing up together outside of Birmingham\, AL. The members count the Beatles\, Elton John\, ELO\, Blitzen Trapper and My Morning Jacket among their influences\, but also have an affinity for sweeping film soundtracks. Their trademark sound evokes the psych-rock vibe of the Sixties and the soft indie-folk of the Nineties\, yet possesses a timeless quality all its own. \nPrevious album Eternal Reach was recorded at Battle Tapes Recording in Nashville with Grammy award-winning engineer Jeremy Ferguson (Cage The Elephant) and co-producer David Hopkins. The album which Billboard magazine states as “gorgeous\,” “lush\,” and “…an album to be listened to from start to finish\,” includes single “Drive Away” featuring Grammy-winner Kacey Musgraves. \nThe threesome recently completed their second studio album\, Automatic World\, co-producing this next body of work with Austin Jenkins (Leon Bridges) and Jarrad K (Ruston Kelly). You will find a natural evolution and maturity with this new music\, written or co-written entirely by the band. There are rhythmic guitar riffs straight out the Seventies\, hypnotic Moog passages that evoke the electronica of Giorgio Moroder\, & even the bright tones of soul music. It exists in those atmospheric notes that soundtrack our subconscious. Automatic World was recently released on November 13\, 2020. \nThe band has toured domestically and internationally playing with St. Paul & the Broken Bones\, Kacey Musgraves\, the Wild Feathers\, NEEDTOBREATHE\, and BANNERS among others. They have played festivals such as Electric Picnic\, Bonnaroo\, Sloss\, MOTM\, and Hangout and to date have logged over 18 million streams organically as independent artists. \n
URL:https://jaxlive.com/event/the-brummiesnewpic/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Americana,Country,Folk,Pop,Soul
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/05/The-Brummies-Approved-Photo-Please-USE-.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211201T200000
DTEND;TZID=America/New_York:20211201T235900
DTSTAMP:20211022T094814
CREATED:20210615T140044Z
LAST-MODIFIED:20210618T153529Z
UID:4164-1638388800-1638403140@jaxlive.com
SUMMARY:PERPETUAL GROOVE
DESCRIPTION: \nPerpetual Groove caught everyone by surprise in 2015 when they returned to the stage after a two-year hiatus. The band performed eight weekends that year\, over multi-night runs\, to sold-out shows in some of their favorite cities across the country\, thus ringing in a new chapter for Perpetual Groove. The band resolved to make a big change by taking the time to craft\, and bring to focus\, music that stays true to their creative vision. \nThat change is here on their new self-titled album. The band recruited producers Jason Kingsland and Tim Friesen to help them accomplish the most engaging and sonically-gratifying Perpetual Groove album to date. While recording at The Fidelitorium in Kernersville\, NC and Studio MG in Roswell\, GA\, the band and producers engineered an album that will define Perpetual Groove for years to come. Seven new songs were written by the band specifically for this album representing all that life brings—loss\, redemption\, and hope. \nPerpetual Groove continues to create a cultivated\, unique experience for each live show. This new chapter for Perpetual Groove showcases the continuing evolution of their music and performances. This is a band that is fully realized and ready to bring their new sound\, storytelling\, and live experience to the masses. \n
URL:https://jaxlive.com/event/perpetual-groove-5/
LOCATION:1904 Music Hall\, 19 Ocean St\, Jacksonville\, FL\, 32202\, United States
GEO:30.3263732;-81.6564137
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=1904 Music Hall 19 Ocean St Jacksonville FL 32202 United States;X-APPLE-RADIUS=500;X-TITLE=19 Ocean St:geo:-81.6564137,30.3263732
CATEGORIES:Jam
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/06/pgrooveliveshot.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211203T190000
DTEND;TZID=America/New_York:20211203T235900
DTSTAMP:20211022T094814
CREATED:20210507T163743Z
LAST-MODIFIED:20210507T163743Z
UID:4086-1638558000-1638575940@jaxlive.com
SUMMARY:LUNA IN SANGUINEM / CORRUPTED SAINT
DESCRIPTION:Consisting of 4 Musicians with a resume worthy of calling this a Super Group Death Thrash Line up.\nLuna In Sanguinem formed in 2018 with founding members Patt Maxwell (Miners and Ex- Wrath) Behind the drums and Michael Eisenhauer on Guitar ( Evil Incarnate and Ex- Num Skull). It wasn’t long until Rod Valdez Joined on Bass( Ex- Dementox) and the Children of The Blood Moon set out doing its first local Concerts with Michael Handling Vocal Duties until another Metal Legend could be Acquired.\nEnter the bands current Vocalist Skip Mcgullam (Ex- Num Skull and Original founding member of Wrath). With Skip now handling the Vocals Luna In Sanguinem knew nothing could stop them now with much greater Musical freedom and a ever growing Stage Presence.\nWith the New Line up complete and several Successful Local and out of state shows under their belts they release the long awaited 5 song E.P. Luna in Sanguinem “Global Bloodbath.” Recorded at The legendary Mercenary Digital Studios with Scott Creakmore helping them in their goal of setting a New Metal Musical Standard. Expect nothing short of a Relentless Touring schedule as the band is on the Hunt to secure a Record label and Contract Capable of taking the band to The Top Levels of The Metal World\n
URL:https://jaxlive.com/event/luna-in-sanguinem-corrupted-saint/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Metal
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/05/Lunainsanguinemfbprofilepic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211204T200000
DTEND;TZID=America/New_York:20211204T235900
DTSTAMP:20211022T094814
CREATED:20211012T211604Z
LAST-MODIFIED:20211012T211604Z
UID:4362-1638648000-1638662340@jaxlive.com
SUMMARY:LOST CLUB
DESCRIPTION:Lost Club is the indie pop project from multi-instrumentalist Nick Garcia.  Much like the current crop of indie rock standouts such as Hplly’s The War on Drugs\, Garcia has tapped into some of the best parts of the expertly produced fare made by ‘80s soft rockers like Dire Straits and Don Henley\, while not embracing the excessive ornamentation (and cheese) that landed the music of that era on grocery store soundtracks across the nation. \n
URL:https://jaxlive.com/event/lost-club/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/10/LostClubfbEPpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211208T190000
DTEND;TZID=America/New_York:20211208T235900
DTSTAMP:20211022T094814
CREATED:20210920T203809Z
LAST-MODIFIED:20210924T135549Z
UID:4328-1638990000-1639007940@jaxlive.com
SUMMARY:POSSESSED BY PAUL JAMES
DESCRIPTION:Konrad Wert is a man of many voices. As a Special Education teacher\, he is articulate and intentional. As an advocate for justice in education he is passionate. But as an artist and musician\, better known by his stage name\, Possessed By Paul James\, his voice is expressive\, holding rest and action in tandem.  \nAfter gaining recognition from NPR\, The New York Times\, CMT\, and MTV for his celebrated live performances and 2013 Billboard-charting breakout release\, There Will Be Nights When I’m Lonely\, the Golden Applewinning educator took some time to reflect and reorient and under went two vocal surgeries. “The nature of being a school teacher\, a public speaker\, and a musician\, you know\, any ear nose & throat specialist will tell you that’s like a hat trick for getting a vocal surgery. So there was some time where I needed to really learn how to sing fluidly and in a healthy way while preserving the opportunity to continue as a teacher and articulate\, speak\, without duress. \nAfter a few years away from music\, Wert is returning with a new album\, As We Go Wandering \, (due January 31\, 2020)\, bringing a rejuvenated voice to Possessed By Paul James . Where There Will Be Nights was crying out on behalf of the dilemmas faced by families\, students\, and teachers nationwide\, As We Go Wandering brings a sense of peace. But as the title suggests\, in Possessed By Paul James ’ estimation\, perhaps counterintuitively\, peace\, rest\, and movement dance hand in hand.  \n“ As We Go Wandering is about the question of where we go from here. How do we move forward\,” says Konrad Wert . \nSo what about the name\, Possessed By Paul James ? “It’s partly just because of the way we play\, maybe it’s due to anxiousness or anxiety\, I don’t know\, but just close the eyeballs and get it out\,” says Wert. “But also\, Paul was my grandfather\, James is my dad’s middle name – so it’s a reference to something bigger than me\, that there is something greater than ourselves\, something that we’re in together. It’s important for us to acknowledge and be honest about that – the good\, the bad\, and the ugly. We are more than just ourselves.” \n \n
URL:https://jaxlive.com/event/possessed-by-paul-james-2/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie,Americana,Bluegrass,Blues,Celtic,Country,Folk,Punk,Rockabilly,Soul
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/09/possessedbypauljamesprofilepic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211209T190000
DTEND;TZID=America/New_York:20211209T235900
DTSTAMP:20211022T094814
CREATED:20210811T200002Z
LAST-MODIFIED:20210924T152601Z
UID:4274-1639076400-1639094340@jaxlive.com
SUMMARY:SPENCER CRANDALL
DESCRIPTION:
URL:https://jaxlive.com/event/spencer-crandall/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Americana,Country
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/08/A11A7723-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211211T200000
DTEND;TZID=America/New_York:20211211T235900
DTSTAMP:20211022T094814
CREATED:20211021T200518Z
LAST-MODIFIED:20211021T200518Z
UID:4379-1639252800-1639267140@jaxlive.com
SUMMARY:ROCCOUT ROCCI\,
DESCRIPTION:
URL:https://jaxlive.com/event/roccout-rocci/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Hip-Hop/Rap
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/10/roccoutroccifbpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211213T190000
DTEND;TZID=America/New_York:20211213T235900
DTSTAMP:20211022T094814
CREATED:20210817T173928Z
LAST-MODIFIED:20210920T191228Z
UID:4285-1639422000-1639439940@jaxlive.com
SUMMARY:DOMINIC DELANEY AND THE DEAD LANGUAGE
DESCRIPTION:From South Florida\, Dominic DeLaney has been performing\, writing\, and recording his own music live since being a teenager. Playing in various Punk bands\, Industrial bands\, and a brief stint DJing\, Dominic now has returned to his Acoustic Punk Rock roots\, starting with the self released “Chubby EP” in August 2019. \nDominic is a vivid live performer\, playing with acts such as Nathan Gray (of BOYSETSFIRE) and Jack O’Shea (of Bayside) on their joint acoustic tour. \nIn 2018 Dominic embarked on his first DIY tour which went from Florida to Chicago and back\, hitting various states. Dominic continued playing over south Florida and various one off shows out of state. \n \n\n\n\n\nThe Shake\n\n\n\n\n\n\n\n\nBased in South Florida this Reggae Rock (and many other genres) power trio burst onto the scene with a reckless abandon. Each memeber hails from many differnt sides of the genre spectrum and each song is carefully crafted to hone in on each of these influences. From hard hitting drums to mellow soulfull basslines and rounded out with thought provoking lyrics and vocal melodies. \nThe trio is dedicated to the refusal of contouring their sound to anyone but themselves. The songs are not everyone but every song can be for somone and the band prides themselves on running gambit of emotions in their music. \n \n\n\n\n\n
URL:https://jaxlive.com/event/dominic-delaney-and-the-dead-language/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:reggae,ska/punk
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/08/dominicdelaneyandthedeadlanguagefbpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211215T190000
DTEND;TZID=America/New_York:20211215T235900
DTSTAMP:20211022T094814
CREATED:20210830T190043Z
LAST-MODIFIED:20210831T190643Z
UID:4303-1639594800-1639612740@jaxlive.com
SUMMARY:CIRCLE JERKS
DESCRIPTION:Circle Jerks emerged from the punk underbelly of LA’s South Bay in 1979. First conceptualized at “The Church” of Hermosa Beach\, the once infamous hangout of scene forefathers Black Flag\, Descendents\, Redd Kross\, and The Last\, the band quickly became the innovators of a movement simply referred to today as HARDCORE PUNK ROCK. \nAfter serving as a co-founder and lead vocalist of Black Flag during the recording of its essential Nervous Breakdown EP\, Keith Morris joined forces with former Redd Kross guitarist Greg Hetson to form what would become Circle Jerks\, a reference uncovered from artist Raymond Pettibon’s slang dictionary. Having written material for their former bands respectively\, Morris and Hetson\, along with bassist Roger Rogerson and jazz drummer Lucky Lehrer\, fine-tuned previously unfinished material to conceive the troupe’s now-renowned sound – thoughtfully steadfast\, yet relentless and ferocious in nature. Unlike much of the unapologetic hardcore that seeped through the cracks of American suburbia\, the music of the Circle Jerks was dynamic\, deliberate\, and most importantly\, a force to be reckoned with. Bringing together a potent\, articulate rhythm section with earnest yet oftentimes derisive lyrics and themes\, the band was thereafter heralded as a leader of the pack\, but with no real plan in sight. \nThe social climate of Los Angeles in the early eighties was marked by unsettled fluidity\, with the expansion of hardcore punk that infiltrated the public eye. The “pogo” of a former generation became the “slam dance” of another – a moniker consecrated in the iconic Circle Jerks “Skanking Kid” logo designed by graphic designer Shawn Kerri. Songs got shorter\, shows wilder\, and the police – led by embattled police chief Daryl Gates – shut it all down. This earmark of punk lineage was epitomized in the groundbreaking documentary by Penelope Spheeris\, The Decline of Western Civilization\, in which Circle Jerks most notably performed to a pit of chaos. Today\, the film is recognized and preserved by the National Film Registry at the Library of Congress as being “culturally\, historically\, or aesthetically significant.” \nIn October 1980\, Circle Jerks released their debut studio album Group Sex on Los Angeles label Frontier Records. Clocking in at fourteen songs in just sixteen minutes\, the record remains a milestone of the punk genre and equally as symbolic nearly forty years later. Plowing forward with a relentless\, tooth- cutting work ethic and a rousing stage presence\, the band would soon find itself headlining shows at LA’s 5\,000-capacity Olympic Auditorium and emblazoned in cult video classics like Repo Man\, New Wave Theatre\, and The Slog Movie. Over the decades\, Circle Jerks would release six studio albums\, including the acclaimed Wild in the Streets (1982)\, Golden Shower of Hits (1983)\, Wonderful (1985)\, and IV (1987)\, where they would become a major headliner during the alternative music explosion of Generation X. Morris and Hetson remain the only consistent members since the band’s creation\, withstanding several lineup changes\, including Flea and Chuck Biscuits. Bassist Zander Schloss (The Weirdos\, Joe Strummer) has been a member since the 1980’s. During hiatuses\, Morris fronted bands like OFF! and FLAG\, while Hetson played guitar in Bad Religion. \nThe long list of those influenced by the legacy of the Circle Jerks ranges from Butthole Surfers to Red Hot Chili Peppers – with notable fans being Dogtown skateboarders\, Chuck Berry\, Alice Cooper\, Elton John\, Johnny Depp\, Guns N’ Roses\, and Philip K. Dick. Decades later\, their music continues to make an imprint on generations of diverse music fans and those who challenge the status quo. \nIn celebration of the band’s 40th anniversary and the commemorative reissue of their celebrated landmark record Group Sex\, Circle Jerks return to the stage for the first time in over a decade. \n
URL:https://jaxlive.com/event/circle-jerks-2/
LOCATION:UNDERBELLY
CATEGORIES:Punk
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/07/Photo-Credit-Atiba-Jefferson.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220108T200000
DTEND;TZID=America/New_York:20220108T235900
DTSTAMP:20211022T094814
CREATED:20211007T141259Z
LAST-MODIFIED:20211007T141259Z
UID:4357-1641672000-1641686340@jaxlive.com
SUMMARY:THE AMERICAN IDIOTS - GREEN DAY TRIBUTE
DESCRIPTION:The Idiots are raging! We bring the same energy and drive as Green Day when they hit the MTV scene. “We give the people what they want”  The Idiot Show is the closest to the real band you will ever see or hear. It is truely a Blast from the Past!\nThe idiots\, A Tribute to Green Day\, was founded on three basic ideas: The need to rock\, our love for Green Day\, and most importantly\, so many others love of Green Day too! With this in mind\, The idiots have created a high energy live Green Day Tribute show with the songs\, look\, harmonies\, and hooks that Green Day fans deserve.\nOn stage\, the members of The idiots genuinely project an appreciation and enthusiasm for Green Day that is contagious and will surely infect all who are in attendance. With a span of over 20 years of hit music from Green Day\, generations of fans will appreciate the sounds and experiences that come alive as presented by The idiots for those who are about to rock for a refreshing Green Day Experience! \n
URL:https://jaxlive.com/event/the-american-idiots-green-day-tribute/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Pop,Punk
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/10/AMERICANIDIOTSART.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220126T190000
DTEND;TZID=America/New_York:20220126T235900
DTSTAMP:20211022T094814
CREATED:20210623T130031Z
LAST-MODIFIED:20210924T152659Z
UID:4169-1643223600-1643241540@jaxlive.com
SUMMARY:AUTHORITY ZERO
DESCRIPTION: \nAuthority Zero has never been called “negative.” Even during a pandemic\, they kept their collective chin up\, put their heads down and wrote what could be called their career album. \nSet for release in June\, Authority Zero’s album “Ollie Ollie Oxen Free” takes a line from hide and seek to encourage fans to leave the COVID-19 depression behind and celebrate life. During the pandemic\, singer Jason DeVore saw families torn apart by political views and COVID-19. Now that the divide has somewhat subsided\, it’s time to come out and be yourself again. \n“The phrasing in the title track stems from the idea of ‘come out\, come out\, wherever you are\,’” says DeVore\, who co-writes with bassist Michael Spero. \n“It encourages a focus on the positive side of 2020\, while still maintaining awareness of the hardships and detriment of it all. People have been trapped within themselves\, depressed inside of their houses and otherwise. We’ve been separated both politically and mentally between the left and right\, which is very apparent. It’s a focus of come out\, feel free and feel a sense of confidence to live with an unheavy heart and mind again.” \nThe title track rattles those cages with DeVore’s encouraging lyrics\, the frenetic blur of Christopher Dalley’s urgent drumming and Spero’s bass\, coupled with muscular guitar licks true to the playing style of new guitarist Eric Walsh. Authority Zero brought along a few friends for the ride—Iagri Shuhei from Japan’s HEY-SMITH on “Ear to Ear\,” while Pennywise’s Jim Lindberg guests on “Don’t Tear Me Down.” \nFor “Ollie Ollie Oxen Free\,” Authority Zero broke from tradition and returned to producer Cameron Webb (Sum 41\, Pennywise\, A Day to Remember\, Motörhead\, Megadeth). Webb last worked with Authority Zero on 2013’s “The Tipping Point.” \n“Working with a guy like Cameron is great because he’s just as invested in the writing process and the music in general as you are\, the artist\,” Spero says. “He was writing in there with us. It felt like having a fifth member for a little while.” \nThat “fifth member” enhanced the music and lyrics of Spero and DeVore\, who hunkered down for three months during the pandemic’s grip to hash out the songs for “Ollie Ollie Oxen Free.” The two were committed to the lyrics\, melodies and music — until Webb came along. That’s not a bad thing\, Spero says. \n“We ended up with different lyrical content than we had originally decided\,” Spero says. “Jason sends a type of message that he’s always looking at the positive side of things and challenges his listeners to grow in that way. Cameron was able to go in there and push it further.” \nWebb brought the best out of Dalley\, too\, by letting him unleash his inner Keith Moon\, who\, ironically\, is one of his heroes. The song “Ollie Ollie Oxen Free” was written around one of Dalley’s drum ideas. Spero was so inspired that he penned the music overnight. \n“I had been told by other producers to simply — keep it simple\, stupid\,” says Dalley\, whose son is named after Moon. “He told me to play the weirdest stuff I could think of. He told me to go off where necessary. That was something I never experienced as a drummer before.” \nFormerly of Pour Habit\, Walsh is the latest addition to Authority Zero\, having come into the band’s fold in February 2021. He’s never been far\, however. Authority Zero took Walsh’s first band out on its first national tour. At age 18\, he hung out in his van while Authority Zero hit the stage inside of legendary venues like Club Rio in Tempe\, Arizona. \nDeVore\, Spero and Dalley knew Walsh was the one — right then and there — during auditions. \nWith its updated sound\, “Ollie Ollie Oxen Free” fits in with Authority Zero’s catalog\, DeVore says. \n“It’s more of the times of 2020\,” he says. “We really tried to focus more on the positive side of things that came from the pandemic\, rather than the negative that came out of it. \n“We inflect lyrics and music in an uplifting manner. We wanted to shine a light at the end of the tunnel.” \n \n
URL:https://jaxlive.com/event/authority-zero-3/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie,Punk,reggae,ska/punk
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/06/AuthorityZero-20210310-JimLouvau-125.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220311T200000
DTEND;TZID=America/New_York:20220311T235900
DTSTAMP:20211022T094814
CREATED:20211011T201456Z
LAST-MODIFIED:20211011T201456Z
UID:4360-1647028800-1647043140@jaxlive.com
SUMMARY:TASTY VIBRATIONS
DESCRIPTION:Tasty Vibrations is an Alternative band that has a unique island sound with a jammy touch \n
URL:https://jaxlive.com/event/tasty-vibrations/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:reggae
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/10/tastyvibrationsfbpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220322T180000
DTEND;TZID=America/New_York:20220322T235900
DTSTAMP:20211022T094814
CREATED:20211018T203816Z
LAST-MODIFIED:20211018T203816Z
UID:4366-1647972000-1647993540@jaxlive.com
SUMMARY:THE MAINE
DESCRIPTION: \nDespite sharing their name with a northeastern state\, the Maine formed in 2007 in Tempe\, Arizona\, a collegiate suburb of Phoenix. Most of the band members — singer John O’Callaghan\, guitarists Kennedy Brock and Jared Monaco\, bassist Garrett Nickelsen\, and drummer Pat Kirch — were in high school at the time\, and the guys quickly turned their ’90s radio rock band influences into a familiar\, infectious pop-punk sound. The Maine signed to Fearless Records and released a five-song concept EP\, The Way We Talk\, in 2007. After performing on the Vans Warped Tour one year later\, the group issued a full-length debut album\, Can’t Stop Won’t Stop\, which was produced by emo-pop veteran Matt Squire (Simple Plan\, Sum 41). The record peaked at number 40 on the Billboard charts and caught the ear of Warner Bros.\, which signed the Maine to a major-label contract in 2009. \nThe Maine released their full-length album Pioneer in December 2011\, their first after parting ways with Warner. The album was reissued a year later\, packaged along with the six-track EP Good Love. \n  \nTheir fourth effort\, Forever Halloween\, arrived in June 2013\, debuting in the Billboard Top 40. Produced by Brendan Benson of the Raconteurs\, the album was the second to be released without major-label support. By 2015\, the band began to sound more like the 1975 than the rest of the bands on the Warped Tour\, as evidenced by their fifth album\, American Candy. Featuring the hit “English Girls\,” the album debuted in the Top Ten of the Billboard independent\, alternative\, and rock charts. The band further endeared themselves to their devoted fans by making every date on the album’s promotional tour completely free of charge\, as well as playing some intimate shows where they performed the album in its entirety. \n  \nThe Maine announced the completion of their seventh album\, You Are OK\, which was released in March 2019. Two years later\, in March 2021\, the Maine returned with “Sticky\,” the first single from their eighth album\, XOXO: From Love and Anxiety in Real Time\, which is out now. \n \n
URL:https://jaxlive.com/event/the-maine/
LOCATION:Ponte Vedra Concert Hall\, 1050 A1A North\, Ponte Vedra Beach\, FL\, 32082\, United States
GEO:30.2300738;-81.3854257
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ponte Vedra Concert Hall 1050 A1A North Ponte Vedra Beach FL 32082 United States;X-APPLE-RADIUS=500;X-TITLE=1050 A1A North:geo:-81.3854257,30.2300738
CATEGORIES:Alternative/Indie,Pop,Punk
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2021/10/themaine_eventimage.jpg
END:VEVENT
END:VCALENDAR