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METHOD:PUBLISH
X-WR-CALNAME:JaxLive
X-ORIGINAL-URL:https://jaxlive.com
X-WR-CALDESC:Events for JaxLive
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191114T200000
DTEND;TZID=America/New_York:20191114T235900
DTSTAMP:20191114T195221
CREATED:20190710T155550Z
LAST-MODIFIED:20191018T155824Z
UID:3162-1573761600-1573775940@jaxlive.com
SUMMARY:CURSIVE / CLOUD NOTHINGS
DESCRIPTION:CURSIVE\n\n\nOver the past two decades\, Cursive has become known for writing smart\, tightly woven concept albums where frontman Tim Kasher turns his unflinching gaze on specific\, oftentimes challenging themes\, and examines them with an incisively brutal honesty. 2000’s Domestica dealt with divorce; 2003’s The Ugly Organ tackled art\, sex\, and relationships; 2006’s Happy Hollow skewered organized religion; 2009’s Mama\, I’m Swollen grappled with the human condition and social morality; and 2012’s I Am Geminiexplored the battle between good and evil. But the band’s remarkable eighth full-length\, Vitriola\, required a different approach — one less rigidly themed and more responsive as the band struggles with existentialism veering towards nihilism and despair; the ways in which society\, much like a writer\, creates and destroys; and an oncoming dystopia that feels eerily near at hand. \nCursive has naturally developed a pattern of releasing new music every three years\, creating records not out of obligation\, but need\, with the mindset that each record could potentially be their last. 2015 came and went\, however\, and the band remained silent for their longest period to date. But the members of Cursive have remained busy with solo records\, a movie (the Kasher-penned and directed No Resolution)\, and running businesses (the band collectively owns and operates hometown Omaha’s mainstay bar/venue\, O’Leaver’s). The band even launched their own label\, 15 Passenger\, through which they’re steadily reissuing their remastered back catalogue\, as well as new albums by Kasher\, Campdogzz\, and David Bazan and Sean Lane. And like many others\, the band members have been caught up in the inescapable state of confusion and instability that plagues their home country\, and seems to grow more chaotic with each passing day. \nWhich brings us to 2018 and Vitriola. For the first time since Happy Hollow\, the album reunites Kasher\, guitarist/singer Ted Stevens and bassist Matt Maginn with founding drummer Clint Schnase\, as well as co-producer Mike Mogis (Bright Eyes\, M. Ward\, Jenny Lewis) at ARC Studios in Omaha. They’re joined by Patrick Newbery on keys (who’s been a full-time member for years) and touring mainstay Megan Siebe on cello. Schnase and Maginn are in rare form\, picking up right where they left off with a rhythmic lockstep of viscera-vibrating bass and toms\, providing a foundation for Kasher and Stevens’ intertwining guitars and Newbery and Siebe’s cinematic flourishes. The album runs the sonic gamut between rich\, resonant melodicism\, Hitchcockian anxiety\, and explosive catharsis — and no Cursive album would be complete without scream-along melodies and lyrics that\, upon reflection\, make for unlikely anthems. \nThere’s a palpable unease that wells beneath Vitriola’s simmering requiems and fist-shakers. Fiery opener “Free To Be or Not To Be You and Me” reflects the album’s core: a search for meaning that keeps coming up empty\, and finding the will to keep going despite the fear of a dark future. The album directs frustration and anger at not only modern society and the universe at large\, but also inward towards ourselves. On “Under the Rainbow\,” disquiet boils into rage that indicts the complacency of the privileged classes; “Ghost Writer” has a catchy pulse that belies Kasher chastising himself for writing about writing; and “Noble Soldier/Dystopian Lament” is a haunting look at potential societal collapse that provides little in the way of hope but balances beauty and horror on the head of a pin. \nVitriola raises a stark question: is this it? Is everything simply broken\, leaving us hopeless and nihilistic? Maybe not. There can be reassurance in commiseration\, and the album is deeply relatable: Cursive may not be offering the answers\, but there is hope in knowing you’re not alone in the chaos. \nCLOUD NOTHINGS: \nFor a band that sticks to its impulses instead of trends\, Cloud Nothings accumulates critical praise and loyal fans with the type of ease modern rock bands can only dream of. That’s because the Cleveland four-piece is the byproduct of Dylan Baldi\, a frontman whose melodic intuition and musical fervor are as innate as they are impressive. Baldi’s early indie rock songs welcome pop warmly without sounding trite. His later alt-rock hooks are too busy criss-crossing guitar lines to overthink things. The urgency he writes with comes across in the vividness of his guitar. Since expanding his solo project into a proper band\, Baldi has positioned Cloud Nothings as the torchbearers of the frenetic\, visceral\, and thundering rock of bands like The Wipers and Drive Like Jehu. It’s all alternating resolves and anticipated breakdowns. And live\, it’s near impossible to dispute talent that palpable. Looking back\, it makes sense how Cloud Nothings got here. At the age of 18\, Baldi gained attention after a string of lo-fi songs he recorded in the comfort of his basement began circulating online. It landed him a spot on a buzzed-about show in Brooklyn where\, in turn\, he caught the eyes of Carpark. His music began its upward ascent immediately. In 2010\, Carpark released Turning On\, a retrospective combo of the band’s debut EP and various 7” singles. Cloud Nothings unveiled their self-titled LP the following year\, a record that showcased how crisp Baldi’s hooks sound when given proper studio time. But what followed in 2012\, their breakthrough LP Attack on Memory\, paved a new path for the band. The album saw Baldi throw himself into his guitar while collaborating with the rest of his touring band—drummer Jayson Gerycz\, bassist TJ Duke\, and guitarist Joe Boyer—to create an aggressive\, unrelenting\, and throat-scratching album that captured not just their sound\, but their collective raw energy. Cloud Nothings fleshed out that sound further on 2014’s Here and Nowhere Else\, this time as a trio after Boyer’s departure. Even when Baldi\, in a decision to feed his quiet fondness for pop\, used 2017’s Life Without Sound to showcase his melodic inclinations\, he showed a continued growth in his songwriting skills. Cloud Nothings fold all of that forward momentum into their newest record\, Last Building Burning. Just over half an hour in length\, the album is a singular listen designed to mirror the experience of their live shows. Gerycz and Duke propel the rhythm section with their fastest speed to date. Baldi and guitarist Chris Brown reshape converging guitar parts into double-edged swords\, reaching beyond power chords for instantly pleasing riffs that are urgent in delivery. Though the record touches on various sounds of the band’s past—“Another Way Of Life” digs its toes into the harmonies of Life Without Sound and “On An Edge” recalls the blistering peaks of Here and Nowhere Else—it showcases how untouchable the band has become. Cloud Nothings are a permanent staple of what rock music should sound like: gritty\, caustic\, and tireless. In that\, almost a decade into their career\, Cloud Nothings have become a reference point for budding rock acts while perpetually looking to outdo themselves as they go. \n\n\n
URL:https://jaxlive.com/event/cursive-cloud-nothings-2/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Alternative/Indie
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/07/CURSIVE-FOTO-IG-SQ-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191114T200000
DTEND;TZID=America/New_York:20191114T235900
DTSTAMP:20191114T195221
CREATED:20190814T140019Z
LAST-MODIFIED:20191018T160041Z
UID:3221-1573761600-1573775940@jaxlive.com
SUMMARY:RUNAWAY GIN
DESCRIPTION: \nRUNAWAY GIN\nWith over 290 shows performed since their inception in 2014\, Runaway Gin is the World’s Most Active Phish Tribute Band. On July 4th\, 2015\, after the second show of the Grateful Dead GD50 run\, Runaway Gin sold out the Hard Rock Cafe in Chicago and catapulting them from a Southeastern regional act onto the National scene. \nThe members of Runaway Gin are long time Phish fans who have united with the goal of creating musical moments inspired by Phish. The band’s song list is constantly growing and their improvisational and communication skills are constantly developing independently and together. Like Phish\, Runaway Gin will never play the same show or jam the same way twice making every show a unique experience and every moment pure artistic creation. \n
URL:https://jaxlive.com/event/runaway-gin-newpic/
LOCATION:1904 Music Hall\, 19 Ocean St\, Jacksonville\, FL\, 32202\, United States
GEO:30.3263732;-81.6564137
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CATEGORIES:Jam
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/08/runaway-gin-foto.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191115T200000
DTEND;TZID=America/New_York:20191115T235900
DTSTAMP:20191114T195221
CREATED:20190909T140024Z
LAST-MODIFIED:20191018T155340Z
UID:3289-1573848000-1573862340@jaxlive.com
SUMMARY:SUSTO
DESCRIPTION:Mobility has always helped define America. Don’t settle for where you start. Find a new town\, new coast\, or new state of mind — then make it yours. “We export this idea of getting in your car and going somewhere\, trying to find something new\, bouncing around\,” says Justin Osborne. “We live in some strange\, crazy times. There is a sense of darkness. But I’m crisscrossing the country\, and people are good and fun. There is a lot of beauty everywhere. I think not forgetting that is important.” \nOsborne is home in Charleston\, South Carolina\, reflecting on the personal journey and cultural climate that have led to Ever Since I Lost My Mind\, the third record and label debut for his acclaimed project SUSTO. The album is a resounding triumph: a mix of new partnerships and collaborations with old friends\, all anchored by Osborne’s perceptive songs that explore connection\, loss\, and transience — and the pain and joy each brings. \n“Ever Since I Lost My Mind is very personal. This collection of songs came together over the course of a couple of years\, and they all represent different moments\,” he says. “It felt cathartic writing all of them\, and they were also all fun in different ways.” \nWith a rock-rooted sound that doesn’t shy away from radio-ready hooks\, SUSTO keeps listeners engaged by refusing to occupy an easily defined space. Produced by Ian Fitchuck (Kacey Musgraves\, Ruston Kelly) and featuring key input from Osborne’s longtime creative sounding board Wolfgang Zimmerman\, Ever Since I Lost My Mind defiantly experiments with synth embellishments\, Latin heart\, guileless folk\, and more. Osborne’s mellow vocals comfort without losing the ability to surprise — delicate croons\, growls\, and occasional screams take turns. \nOsborne wrote his first songs as a 14-year-old in small town South Carolina\, sneaking time with his late grandfather’s parlor guitar that his parents had actually forbidden him and his three rowdy brothers to touch. “So I’d go steal it out of my dad’s closet whenever they were out of the house\,” he recalls. “It only had like three strings on it. I remember figuring out how to do barre chords\, and I wrote a three-chord song about a girl I liked.” Drawn to music and supported by parents who just hadn’t wanted their boys to break a family heirloom\, Osborne played in bands throughout high school\, military school\, and college. \nBut SUSTO didn’t begin until Osborne thought he was walking away from music for good. Burned out after years of self-booking\, self-management\, and a relentless grind\, he had played a farewell show with his then-band and was prepping for a move to Cuba. He set up an online home for SUSTO as a holding tank for demos he couldn’t quite bear to toss. \nWhen Osborne moved to Havana as part of a study abroad opportunity\, he thought he was abandoning music for anthropology. But the Cuban musicians and artists he befriended had other ideas. They were among the first to see that SUSTO — and the music that would ultimately fuel it — captured him too well to remain an afterthought. Re-energized\, he returned to the States half a year later and recorded SUSTO’s first album. Just after the release of the band’s self-titled debut album\, Osborne faced a clear choice. “It was a weird moment. I just had to finally quit keeping one foot out of music and dive in. So\, I got knuckle tattoos and haven’t stopped trying to make this work since then\,” he says with a laugh. SUSTO’s acclaimed sophomore album & I’m Fine Today made it even more clear that music and Osborne were meant to be. \nIn Latin American cultures\, the word susto describes an intense fear understood as a condition of the soul — an ongoing\, spiritual panic attack. All of the letters of susto also appear in Osborne’s full name. “SUSTO was this combination of phonetics and meaning — it felt like me\, like a name for myself\,” he says. “I chose the name SUSTO for the project because the meaning behind the word — that deep fright — was something I was experiencing\, and songwriting felt like it was helping me cure it by helping me to process what was happening. Personally\, it was a time of so many powerful transitions: abandoning my religion\, losing touch with my family\, and just having a general sense of being lost\, without direction.” \nThat nod to transition reverberates loudly throughout Ever Since I Lost My Mind. While SUSTO began as a band and still benefits from collaboration with peers\, the new record also positions the project finally and firmly as what it’s really always been: Osborne’s vision. “I come from a background of being in bands\, so it’s hard for me to be comfortable taking complete control\,” he says. “Even being the only person in a promo photo was a hard thing for me to get used to. It’s taken years for me to realize what SUSTO should be — what it really is.” \n“Homeboy” kicks off the album. Osborne contemplates friends moving on from Charleston over jaunty acoustic guitar that evokes exploratory rambling before heavier electric guitar adds gravity to all the leaving. He didn’t want loved ones to go\, but then realized that in many ways — even though Charleston remains home base — he’d already left. “The whole album deals with these pulling-apart decisions — not in a negative or a positive way\, but in a reflective way\,” he says. \nSauntering “If I Was” is a lighthearted stroll through different identities and aspirations\, followed by the optimistic yearning of “Weather Balloons\,” buoyed by punchy percussion and keys. Driving “Last Century” revels in timeless bonds revealed by details: “I can see you in the driveway\, smiling\, licking your left front tooth\,” he sings. \n“Livin’ in America” extols beloved U.S. cities and finding the right people in them. It’s a self- aware ode\, both gently sarcastic and totally sincere — a timely love letter to a country whose defining quality today is often turmoil. Stripped down “Cocaine” skulks through dark corners\, while “No Way Out” lounges in captivity that Osborne has no urge to escape. Gorgeous album closer “Off You” is bright and honest\, an intimate moment of clarity mid-transition. \nOne of Osborne’s favorite tracks\, “Manual Transmission\,” was written on a cold day on tour in Norway when he was hounded by homesickness. He plays lead guitar on the track and relished the opportunity to express himself via aching strings in addition to words. “Esta Bien” soars sweetly and entirely in Spanish. “House of the Blue Green Buddha” is a love song that lands because of its whimsical specificity — details from the home and closeness Osborne and his wife share. \nThe title track is a stunner: sad but hopeful\, content but restless\, nostalgic but progressive — a beautiful encapsulation of the push and pull that shapes the entire record. Osborne’s experiences with psychedelics also play a role\, both in “Ever Since I Lost My Mind” and the album as a whole. Warned as a child that drugs would make him lose his mind\, he now believes in the freedom and self-discovery that can come with letting go in various ways. He is also convinced that some people from his past think he’s insane. “They think I’m a crazy hippie\, and really\, in a lot of ways\, I guess I am\,” he says with a smile. “I feel more loving and more understanding.” \nThat acceptance of himself and others may be SUSTO’s defining trait. “I can lose my mind on stage sometimes — I will break down and cry or have to keep myself from doing it\,” Osborne says. “I think about my grandad’s guitar\, all the bands I’ve been in\, and just seeing these people responding to and connecting with the songs…” He trails off before grinning again and adding\, “I just feel so incredibly lucky.” \n
URL:https://jaxlive.com/event/susto/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Alternative/Indie,Americana
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/09/SUSTO-10-2019.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191116T200000
DTEND;TZID=America/New_York:20191116T235900
DTSTAMP:20191114T195221
CREATED:20190808T203340Z
LAST-MODIFIED:20191014T154717Z
UID:3233-1573934400-1573948740@jaxlive.com
SUMMARY:SETH WINTERS
DESCRIPTION:In the last two years\, Seth Winters has opened for and jammed with numerous well known acts and performers in Atlanta and Athens\, including Tab Benoit multiple times\, Flow Tribe\, Marcus King\, Jeff Austin\, AJ Ghent\, Oz Noy\, Chris Duarte\, Bill Kirchen\, Blueground Undergrass\,The Last Waltz Ensemble\, Walter Trout\,The Revivalists\, Andy McKee\,and many others.\n \n
URL:https://jaxlive.com/event/seth-winters/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Pop,Rock n Roll
ATTACH;FMTTYPE=image/png:https://jaxlive.com/wp-content/uploads/2019/08/seth-winters.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191117T180000
DTEND;TZID=America/New_York:20191117T235900
DTSTAMP:20191114T195221
CREATED:20190701T135632Z
LAST-MODIFIED:20191004T141037Z
UID:3145-1574013600-1574035140@jaxlive.com
SUMMARY:MICHALE GRAVES (of the MISFITS)
DESCRIPTION:For nearly two decades Michale Graves has been entertaining\, influencing and informing a growing audience world-wide. His journey as an artist has ignited a passion. A passion that motivates his desire to reach out\, create a dialogue\, and build a platform to discuss and interact on pop-culture\, people\, and the world around us.\nDriven by the pursuit of quality and harmony in everything that he is involved in\, Michale travels the world and looks into the eyes and hearts of tens of thousands of fans. While entertainment is at the heart of who he is as a performer\, Graves is also a social and pop-culture media thought leader who has hosted\, as well as appeared\, on numerous broadcast and print properties worldwide while continuing to develop his own.\nThis year in 2019 Michale has already performed on almost 60 international dates. He has announced his joining the cast of the feature film “13 Fanboy” and plans on releasing news of several other exciting projects for the new year.\n2018 marked his solo return to Europe with his highly acclaimed “Beginning of the End Tour.” At the conclusion of 2018 he toured in 23 countries and played over 150 shows.\nSince 2016\, Michale Graves has toured and recorded relentlessly with his band in support of projects and albums When Worlds Collide and The World Turned Upside Down. He also continues touring as a solo acoustic production in support of the albums Bedlam (2016) and Backroads (2017).\nMichale attributes his vocal capabilities and strength that sets him apart from all others in the business to his time studying under Don Lawrence in New York City.\nIn 2012\, Michale joined forces with Mark Allen Stuart and as President & Managing Director of the Music Group of Hydraulic Entertainment. During this time Michale begins to compose music expressing his deep faith in God. Over 20 album releases have occurred since that time building an enormous catalogue of sound and sights. Michale filmed and edited short films and videos for songs “Zombie”\, “I Can Feel Heavan” Michale collaborated with Russian band ‘Night of Samhain” with two releases that saw Graves sing the bands songs in English. The two camps produced a video together\, too.\nMichale Graves kicked in the door of the music scene in 1995 as the lead singer and songwriter of one of the most legendary punk rock bands of all time\, The Misfits. The videos produced for his song “Dig Up Her Bones” and “Scream”\, which was directed by George A. Romero have been viewed over 30 million times. Michale appeared in Romero’s film Bruiser performing “Fiend Without a Face” which was also penned by Graves specifically for Romero’s film.\nMichale has been the Senior Producer and Program Manager with Arkansas’ first 24/7 internet television station AR1.TV project where he also hosted his own show dubbed “The Michale Graves Show” which blended pop culture\, political discussion and music into one stream of consciousness as he began with his groundbreaking radio show “Radio Deadly”. Michale created a short film entitled The Blackness and The Forest that told the story of his “Almost Home Campaign” and the advocacy work he did for The West Memphis Three. A video created by Graves for his song “Butchershop” would be the first of many more to come. Partnering with SOS Records in 2007\, he released Illusions featuring five songs he wrote along with Damien Echols\, who at the time was being held in solitary confinement on Arkansas death row. A national acoustic tour soon followed to rave reviews. Michale solidfied his unique ability to command an audience with only his voice\, guitar\, stories and songs. Damien Echols has since been released from prison.\nExpanding upon his acting career\, Michale appeared in the feature film Perkins 14 as Eric Ross directed by Craig Singer as part of Horrorfest’s 8 Films To Die For. Michale also recorded new songs and a video\, written and inspired by his filming experience on location in Romania including a collaboration with one of the film’s stars Patrick O’Kane. Those songs\, along with live tracks from the acoustic Illusions tour\, were released in October\, 2008.\nGraves and Singer would later collaborate again and team up with ‘The 45 King’ and create a music video for a unique version of the song “No Rain” by Blind Melon. The project was produced by David Lotwin and Tony Coluccio\,\nAfter heading home from Romania\, Michale teamed up with Marky Ramone of The Ramones and played together in a band called Blitzkrieg. They toured the world playing all the best classic songs that led up to the induction of The Ramones into the Rock and Roll Hall of Fame. The lineup also garnered a spot at Rock In Rio. Michale penned two singles for the project\, “When We Were Angels” and “If and When”. An animated video was produced for “Angels” with all proceeds going to The Wounded Warrior Fund.\nHe continues to expand his brand to include products that reflect his lifestyle and activities. Always seeking ways to innovate the industry\, promote well being and uplift the individual through art and entertainment Michale Graves leads an innovative charge forward.\n
URL:https://jaxlive.com/event/michale-graves-of-the-misfits/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Alternative/Indie,Metal,Punk,Rock n Roll
ATTACH;FMTTYPE=image/png:https://jaxlive.com/wp-content/uploads/2019/07/michale-graves-solo.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191118T180000
DTEND;TZID=America/New_York:20191118T235900
DTSTAMP:20191114T195221
CREATED:20191001T170029Z
LAST-MODIFIED:20191030T154749Z
UID:3322-1574100000-1574121540@jaxlive.com
SUMMARY:FALSIFIER
DESCRIPTION:Falsifier is a 5 piece heavy outfit from Windsor\, Ontario Canada. Formed in 2014\, they quickly became a force to be reckoned within their local scene with their debut self titled EP. Shortly after\, the band began expanding further beyond their local area\, leading up to a full Canada tour in the summer of 2015. In the fall of that year\, they released their second EP “Life In Death”\, which helped the band to start touring internationally in 2016 with their first US tour. Since then\, Falsifier has toured Canada and the United States extensively\, and in the fall of 2017\, they released their first full length album “World Demise”. Armed with an arsenal of relentless\, bone-crushing riffs and a healthy dose of misanthropic nihilism\, Falsifier aims to prove that the end comes for us all\, and humanity has overstayed it’s welcome. \n
URL:https://jaxlive.com/event/falsifier/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Metal
ATTACH;FMTTYPE=image/png:https://jaxlive.com/wp-content/uploads/2019/10/received_411007142862368.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191121T190000
DTEND;TZID=America/New_York:20191121T235900
DTSTAMP:20191114T195221
CREATED:20191007T141125Z
LAST-MODIFIED:20191018T160230Z
UID:3360-1574362800-1574380740@jaxlive.com
SUMMARY:RANDALL BRAMBLETT (full band show)
DESCRIPTION:Multi-instrumentalist Randall Bramblett may be known as a Southern Rock Legend for playing on stage with rock heroes like Bonnie Raitt\, The Allman Brothers Band\, Steve Winwood (16 years) and Widespread Panic.  And respected for his songwriting – he penned the title track for the Grammy nominated Blind Boys of Alabama’s last album\, adding to a long catalog of songs covered by Raitt\, Gregg Allman\, Bonnie Bramlett\, Hot Tuna\, Delbert McClinton and more.  But it’s Bramblett’s own career as frontman\, creating 11 albums\, where his artistry is in full display. \n  \nDeep into his self-described second act of his storied solo career\, Bramblett aims to recreate the literature of the blues with music about nowhere people in nowhere lands.  His talents are repeatedly acclaimed by musicians\, critics and fans. With a commitment to the necessary mutation of music\, Bramblett has kept his career as fresh as the day it began.  Reason #528 he is Georgia’s Musical Treasure. \n  \n“You can’t do better than Randall Bramblett.” Bonnie Raitt \n  \n“One of the South’s most lyrical and literate songwriters.”  Rolling Stone \n  \n“See this guy? He’s only one of the most original and profoundly satisfying artists around today.” Mike Greenblatt\, Goldmine Magazine \n  \n “Randall Bramblett is the William Faulkner of Southern Music.”  Hittin’ the Note Magazine \n  \n “This is a cool album that combines the vibe of a real-as-hell vintage soulman with modern musical ideas.”  Jambands.com \n  \n
URL:https://jaxlive.com/event/randall-bramblett-full-band-show/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Americana,Blues,Jam,Jazz,Prog Rock,Rock n Roll,singer/songwriter,Soul
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/10/randall-bramblett-foto.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191122T200000
DTEND;TZID=America/New_York:20191122T235900
DTSTAMP:20191114T195221
CREATED:20190928T165300Z
LAST-MODIFIED:20191004T150726Z
UID:3314-1574452800-1574467140@jaxlive.com
SUMMARY:HOME & THE HAUNTS / ADULT LIFE
DESCRIPTION:
URL:https://jaxlive.com/event/adult-life/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Alternative/Indie,Pop,Punk
ATTACH;FMTTYPE=image/png:https://jaxlive.com/wp-content/uploads/2019/07/HOME-AND-THE-HAUNTS-IG-SQ.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191123T200000
DTEND;TZID=America/New_York:20191123T235900
DTSTAMP:20191114T195221
CREATED:20191021T172533Z
LAST-MODIFIED:20191028T110711Z
UID:3410-1574539200-1574553540@jaxlive.com
SUMMARY:RIVER CITY SOUND SYSTEM RECORD RELEASE SHOW
DESCRIPTION:
URL:https://jaxlive.com/event/river-city-sound-system-record-release-show/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/10/Rivercitysoundsystemfbcoverpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191124T190000
DTEND;TZID=America/New_York:20191124T235900
DTSTAMP:20191114T195221
CREATED:20191009T145039Z
LAST-MODIFIED:20191009T145039Z
UID:3369-1574622000-1574639940@jaxlive.com
SUMMARY:INANIMATE EXISTENCE
DESCRIPTION:
URL:https://jaxlive.com/event/inanimate-existence-2/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Metal
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/10/Inanimateexistencefbprofileart.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191125T190000
DTEND;TZID=America/New_York:20191125T235900
DTSTAMP:20191114T195221
CREATED:20190920T223833Z
LAST-MODIFIED:20190920T223833Z
UID:3306-1574708400-1574726340@jaxlive.com
SUMMARY:mc chris
DESCRIPTION:mc chris is rapper from the Libertyville\, Illinois\, a suburb of Chicago. He was one of the first rappers to focus solely on nerd life\, rapping about Star Wars\, Harry Potter\, ninjas and unrequited love. And he’s the only rapper that was ever an animator for Cartoon Network for five years.\nmc was one of the pioneers of Adult Swim. He was writer\, actor\, songwriter and animator for shows like Sealab 2021\, The Brak Show\, Space Ghost Coast to Coast and Aqua Teen Hunger Force. He has voiced characters on several Adult Swim pilots such as Welcome to Eltingville\, Cheyenne Cinnamon\, Your Pretty Face is Going to Hell and Tight Bros. He was also a producer of on air content for over a year before leaving Williams Street in Atlanta to pursue a career in music.\nmc has since released 18 albums and has crossed America countless times\, touring as a headliner as well as opening for bands like Pinback\, Reggie and the Full Effect and Ninja Sex Party. He’s collaborated with Talib Kweli\, Andrew WK\, Cee-Lo and Childish Gambino. He’s performed at SXSW\, PAX\, Fun Fun Fest\, Bamboozle\, Warped Tour\, GwarBQ\, The Gathering\, Comicon\, Dragoncon and countless others conventions. His music has been featured in Kevin Smith’s “Zak and Miri Make a Porno\,” “Jay and Silent Bob’s Super Groovy Cartoon Movie” and he has composed several themes for Smith’s Smodcast podcast network. mc’s song “Hoodie Ninja” was featured in both a national Honda commercial and America’s Funniest Home Videos. Other songs have been featured in Comedy Central’s “Broad City” and Fox’s “So You Think You Can Dance?”\nmc raises money to fight Cystic Fibrosis. Inspired by his nephew who has CF\, mc chris and his fans have raised over $150\,000 for the Cystic Fibrosis Foundation through eBay sales and donations collected at live shows.\nmc kickstarted “The mc chris Cartoon” an animated extension of the skit universe featured on his records. Thanks to donations from his fans\, he raised over $60\,000 and produced a six minute pilot presentation with the animation company Titmouse Inc. His ultimate goal is to make the cartoon and has moved to LA with his wife and four year old son to make it a reality.\nHis last album\, “mc chris is good music” charted on Billboard\, debuting at #2 in the comedy genre. A Marvel Album is expected in 2019 followed by a Middle Earth themed album in 2020.\n
URL:https://jaxlive.com/event/mc-chris-2/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie,Hip-Hop/Rap
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/09/mcchrisfbprofilepic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191126T200000
DTEND;TZID=America/New_York:20191126T235900
DTSTAMP:20191114T195221
CREATED:20191017T010254Z
LAST-MODIFIED:20191021T173943Z
UID:3390-1574798400-1574812740@jaxlive.com
SUMMARY:MY FRIENDS CONCERT
DESCRIPTION:
URL:https://jaxlive.com/event/cpu-food/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie,Hip-Hop/Rap
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/10/my-friends-concert.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191127T190000
DTEND;TZID=America/New_York:20191127T235900
DTSTAMP:20191114T195221
CREATED:20190906T072028Z
LAST-MODIFIED:20190906T072028Z
UID:3285-1574881200-1574899140@jaxlive.com
SUMMARY:WAX
DESCRIPTION:“It’s a lot of shit I done been through/But all that I can do is continue.” – Wax\, “Continue”\nContinue… is more than just a name for the new album from L.A.-based emcee Wax. It’s a declaration — one that lets everybody know that after a few detours he is excited to move forward to the next phase of his career.\nAbout those detours… After five years fronting and playing guitar for touring act MacGregor from 2000 to 2005\, Wax and his twin brother\, Herbal T\, started posting videos to You Tube. Utilizing Wax’s humor\, penchant for infectious hooks and skill at writing\, rapping\, producing and arranging\, the videos made him a rising star on the site. The 30 million plus views on You Tube earned him the dream of every aspiring rapper\, a contract with Def Jam in 2011.\nIt was the culmination of a decade’s worth of work\, a decade that had earned him a solid reputation and a devoted fan base. “I feel like I’ve developed a friendship with my fans\,” he says of his loyal followers who tune in regularly to hear his weekly podcast\, where he opens up about himself about all subjects.\n“I think people appreciate I let them in\,” he says of why his admirers are so devoted.\nIt was a seemingly perfect scenario for both Wax and the label\, he got to work with industry greats and be home to hip-hop royalty. They brought in an artist that had a built-in following of millions. Unfortunately the relationship didn’t work out.\n“Generally as a person I used to be really happy\, especially once I didn’t have to work a regular job and I could just do music and be creative\,” he says. “Then you just get locked into this box\, I started to get depressed and I didn’t really know why and then I started to realize what makes me happy is making the music. Not because it makes money and not because it makes me some kind of superstar\, I just like doing it.”\nDropped by Def Jam\, it turned out to be the best thing for the artist\, who got to continue using the relationships he established there while making the album he wanted to make. With a mix of long-time friends like EOM and people he met through Def Jam like Supa Dups (Eminem)\, Wax has crafted an eclectic\, impressive collection that displays his full range.\nThe Spanish-tinged viral smash “Rosana” is an engaging hybrid of pop and Mariachi\, while the humorously venomous “She Used To Be Mine” features a fast-paced punkish energy. He goes the opposite route with the soulful rhythms of the slow jam “Stupified\,” one of four tracks produced by Greg Wells.\nIronically\, one of Def Jam’s concerns was the lack of a radio single. But Continue… is laced with them\, starting with “Rosana\,” whose video has drawn over four million views for its blend of humor\, a catchy chorus and a gorgeous woman.\n“I wouldn’t have put it on the album but I think just because of people that were attracted from that song we’re gonna put it on there\,” he says of the song. “Rosana” is hardly the only radio ready joint on the album though. The exuberant dance energy of “Outta My Mind” screams to be blasted at full volume from headphones\, car speakers and stores. Again showing his versatility though\, Wax then goes for a down and dirty riff on the intro to the slightly bluesy “Get It In” and on the confessional “Tomorrow” he turns his past partying into a fun sing-along ditty.\nThe key to the song’s success is the way he can poke fun at himself. “I’ll probably end up living like Rick James in the ‘80s\,” he sings at one point. And all of this partying happened. “I take stuff that really happened and I’ll exaggerate it for comic purposes\, but it’s all based on stuff that really happened. Funny shit happens to me\,” he says.\nWax draws heavily on his love of comedy. “I kind of write from the same way a comedian writes\,” he says. “I’m definitely influenced by comedy\, even more so now than I was when I was a kid. As far as old-school comedians probably my favorites are Eddie Murphy\, I like Chris Rock\, I really like Bill Burr\, he’s kind of newer\, but he’s one of my favorites now.”\nThere’s no question a great part of Wax’s internet appeal is his ability to infuse humor into everything he does. But this is no novelty act. A gifted musician who started playing guitar at age ten\, he found the right people to bring out his musicality on Continue… Among those lending their talents to the album are EOM\, Supa Dups (Eminem)\, King David and Greg Wells (Adele\, Katy Perry\, Ozzy Osbourne\, Aerosmith). The multiple Grammy nominated Wells is one of the producers Wax met through Def Jam\, for which Wax is very grateful to his former label.\n“They introduced me to some very talented producers\, people I wouldn’t have been able to work with without them\,” he says. “I give Def Jam credit forever for introducing me to so many people.”\nThat’s particularly true of Wells\, of whom Wax points out\, “As far as I know he’s never made a song with any other rapper ever.” Working with the veteran producer Wax learned a great deal.\n“When I first started working with Greg Wells me and my manager came to the studio as we always do and the first thing he did is like\, ‘Yo\, you can’t be here to my manager\,’” Wax recalls. “The only people allowed in the room are him\, people who are working on the song technically\, his engineer obviously has got to be there. Greg is older than me and it comes from experience. One thing I learned from him is if there’s a way that you’re comfortable\, fuck everybody else\, get into that way.”\nThere are a lot of lessons that went into Continue… If it’s taken a year longer than expected to get here that’s alright\, because Wax isn’t looking for a quick fix or to capitalize on a bit of momentum. As someone who’s wanted to make music since he saw MTV at the age of three\, he’s looking at this as something he’ll be doing all his life.\n“I don’t want to be somebody who just does one big thing and that’s it\,” he says. “Longevity is important because I love what I do. And I will express myself honestly for as long as people will listen.” With Continue… Wax proves unquestionably he has the skills to be around for a very long time. \n\n\n\n
URL:https://jaxlive.com/event/wax/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Hip-Hop/Rap
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/09/WAXfbart.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191129T200000
DTEND;TZID=America/New_York:20191129T235900
DTSTAMP:20191114T195221
CREATED:20190928T135322Z
LAST-MODIFIED:20191007T131705Z
UID:3313-1575057600-1575071940@jaxlive.com
SUMMARY:THE QUEERS
DESCRIPTION:Bring on the beers\n‘Cause we are The Queers! \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
URL:https://jaxlive.com/event/the-queers/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Punk
ATTACH;FMTTYPE=image/png:https://jaxlive.com/wp-content/uploads/2019/09/the-queers-solo.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191130T200000
DTEND;TZID=America/New_York:20191130T235900
DTSTAMP:20191114T195221
CREATED:20190827T165318Z
LAST-MODIFIED:20190827T165318Z
UID:3272-1575144000-1575158340@jaxlive.com
SUMMARY:REHAB
DESCRIPTION: \n
URL:https://jaxlive.com/event/rehab/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Americana,Country,Rock n Roll
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/08/Rehabfbprofilepic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191203T200000
DTEND;TZID=America/New_York:20191203T235900
DTSTAMP:20191114T195221
CREATED:20191017T013026Z
LAST-MODIFIED:20191017T013026Z
UID:3391-1575403200-1575417540@jaxlive.com
SUMMARY:GENITORTURERS
DESCRIPTION:\n\n\n \nRenowned for their status as agents provocateur of the underground hard rock and industrial metal scenes\, the latex defining and pop-culture defying Genitorturers return with the Nov. 3\, 2009 release of Blackheart Revolution [G-Force/MVD Entertainment]. \nThe outfit’s fifth studio release\, Blackheart Revolution is a mesmerizing blend of infectious riffs and riotous overtures that lay the sexually-charged foundation for frontwoman Gen\, the master of turbo-charged ceremonies and erotic rituals. The Genitorturers live spectacle returns to the road fall 2009 with dates in the U.S and 2010 will include stops in Australia\, Europe\, UK and South America! \n“We wanted to make a big rock record that translates the same excitement I felt when I heard AC/DC’s Highway to Hell for the first time\, combined with the dark intrigue of Alice Cooper’s Welcome to My Nightmare\,” says Gen of the new release. “We wanted something that shakes the walls\, grabs you by the balls\, and scares you a bit in the process!” \nMission accomplished\, as Blackheart Revolution combines the band’s signature\, genre-bending style of aggressive rock\, seductive metal and underground electric pop. Co-Produced by David “Evil D” Vincent [Morbid Angel] and Scott Humphrey [Motley Crue\, Rob Zombie\, Ozzy Osbourne]\, the album is a roller coaster ride of musical twists\, sonic turns and reckless abandon. \n\n\n\n\n\n\nA product of Orlando\, Florida’s musical underbelly\, what Genitorturers lack in wholesome family fun\, they make up for in their celebration of the unspeakable\, embracing and exploring our conservative culture’s taboos. They caught the ear (and eye) of legendary music industry magnate Miles Copeland\, who signed the band to their first deal on his I.R.S. label\, where they joined the ranks of fellow Copeland signings Gary Numan\, The Go-Gos and R.E.M. \nThe lead single from Blackheart Revolution\, “Cum Junkie\,” is currently available via digital release\, as well as in limited-edition\, 7-inch vinyl. The collectible physical release will be the first in a series of vinyl singles to be released from the album\, each complete with expansive packaging and uncensored artistic detail. \nFrom their beginnings as upstart mavericks\, to their current status as veteran iconoclasts\, the only boundaries the Genitorturers know are the boundaries that they shatter. \n\n\n\n
URL:https://jaxlive.com/event/genitorturers-2/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie,Industrial,Metal
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/10/GENIcredit-Jeremy-Saffer-705x553notext.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191204T200000
DTEND;TZID=America/New_York:20191204T235900
DTSTAMP:20191114T195221
CREATED:20191003T050036Z
LAST-MODIFIED:20191003T214822Z
UID:3330-1575489600-1575503940@jaxlive.com
SUMMARY:ZETA / HURRICANE PARTY
DESCRIPTION:
URL:https://jaxlive.com/event/the-zeta-hurricane-party/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie,Hip-Hop/Rap
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/10/zeta-foto.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191205T200000
DTEND;TZID=America/New_York:20191205T235900
DTSTAMP:20191114T195221
CREATED:20191009T145220Z
LAST-MODIFIED:20191009T145220Z
UID:3371-1575576000-1575590340@jaxlive.com
SUMMARY:THE KENNY HILL GROUP
DESCRIPTION:PEACE\, LOVE & TUBE AMPS: KHG ANNOUNCES DEBUT ALBUM with NORTH AMERICAN TOUR starting SPRING 2019\nAny and all searching for a new voice in the world of electric guitar and Rock\, Americana and Blues music in general\, have found it in the Kenny Hill Group. As eclectic as they are well rounded\, KHG promises not to disappoint; Kenny’s style being compared to that of legendary players such as Jeff Beck\, Eric Johnson and Steve Vai\, their songs being compared to the likes of Pink Floyd\, Tool\, System Of A Down and Queensryche.\nThe Kenny Hill Group aka KHG\, features lead guitarist/vocalist Kenny Hill up front\, Alex Karasinski on bass/backing vocals and PaulE “Smash” Cobb on drums/backing vocals.\nAs an upcoming fixture on the international music scene\, Detroit natives The Kenny Hill Group are poised to bring their full length debut “Peace\, Love & Tube Amps” to the world. The recording\, already promising to be “one of the most significant electric guitar albums of the last decade” is being released by TM Records/Sony Red WORLDWIDE spring 2019 with a full tour to follow\, expectedly into 2020\, including headlining stops throughout the U.S. in support of PEACE\, LOVE & TUBE AMPS.\n
URL:https://jaxlive.com/event/the-kenny-hill-group/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Rock n Roll
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/10/Kennyhillgroupfbprofilepic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191206T200000
DTEND;TZID=America/New_York:20191206T235900
DTSTAMP:20191114T195221
CREATED:20191007T155201Z
LAST-MODIFIED:20191007T155201Z
UID:3364-1575662400-1575676740@jaxlive.com
SUMMARY:SHADOW THE EARTH
DESCRIPTION:
URL:https://jaxlive.com/event/shadow-the-earth/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Rock n Roll
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191207T190000
DTEND;TZID=America/New_York:20191207T235900
DTSTAMP:20191114T195221
CREATED:20190729T170023Z
LAST-MODIFIED:20190731T155354Z
UID:3198-1575745200-1575763140@jaxlive.com
SUMMARY:AGNOSTIC FRONT
DESCRIPTION:These rarely confronted and always respected leaders of hardcore were established as one of the meanest-sounding bands in the emerging punk genre\, helping to initiate the term “hardcore\,” and placing an entire uproar on the New York map by association. From the start\, AGNOSTIC FRONT released a catalogue of fast and violent punk tunes consisting of distinctive and aggressive drumming\, bass work\, and a non-stop barrage of chaotic shouting. AGNOSTIC FRONT’s uncontrollable drumming and fuming guitars fill every minute like an onrushing storm of flailing limbs and incinerating transistors. The heavier paced balance between the energy and discipline of their earlier punk roots strikes a taut and vivid rock barrage that moshes in close formation. “It’s social politics\,” Roger states. “The day-to-day reality of waking up\, reading the newspaper\, and walking around the neighborhood. It’s a hard stare on why the world is still one fucked-up place\, and we tackle the very real shit that’s going down: gentrification’s running rampant\, street justice\, world destruction\, working wages\, and backs are still being stabbed.”\nLong outliving their now-legendary contemporaries like Minor Threat\, SSD\, Dead Kennedys and Black Flag\, AGNOSTIC FRONT could easily live off their laurels\, but their fight is yet over! Throughout their storied history\, AGNOSTIC FRONT have been anything but a ravishing group of individuals living prosperously and content. In fact\, the band is more akin to have experienced growing up in adverse streets\, undergoing arduous times\, serving time in prison\, become inflicted with murdered friends\, the list would go on perpetually. But while there are definite vestiges of the past affecting them\, they manage to continue and expose the conflicts they had to undergo in a compellingly evocative approach by relating it to their views of the world today.\nAGNOSTIC FRONT continues to be living embodiment that “hardcore for life” isn’t an empty slogan or a musical dead end. No one is born with tattoos. No one’s born hardcore. But when the ink or the music sets in\, you’re changed. Their latest offering reaffirms that AGNOSTIC FRONT as a band\, still operates like a musical razor blade. Regardless of their history\, the proof is simple: AGNOSTIC FRONT’s anthems are hard\, cutting\, and the remarkable music continues to broaden with every release. “We support UNITY! We despise ignorance and hatred within our scene. The only people we should be at war with is those who oppress us\, not with each other. Unite! Fight the system! Not ourselves! Believe – Hardcore!” \n
URL:https://jaxlive.com/event/agnostic-front/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Metal,Punk
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/07/Agnosticfrontfbprofilepicnotext.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191208T190000
DTEND;TZID=America/New_York:20191208T235900
DTSTAMP:20191114T195221
CREATED:20191017T190724Z
LAST-MODIFIED:20191114T073406Z
UID:3394-1575831600-1575849540@jaxlive.com
SUMMARY:AFTON MUSIC SHOWCASE
DESCRIPTION:
URL:https://jaxlive.com/event/afton-music-showcase-2/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Rabbits 1528 Hendricks Avenue Jacksonville FL 32207 United States;X-APPLE-RADIUS=500;X-TITLE=1528 Hendricks Avenue:geo:-81.6549032,30.3098509
CATEGORIES:Alternative/Indie,funk,Hip-Hop/Rap,Rock n Roll,singer/songwriter,Soul
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/10/JackRabbitsLive-Dec8-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191209T190000
DTEND;TZID=America/New_York:20191209T235900
DTSTAMP:20191114T195221
CREATED:20191015T110008Z
LAST-MODIFIED:20191018T160529Z
UID:3379-1575918000-1575935940@jaxlive.com
SUMMARY:YACHT
DESCRIPTION: \n“We wanted to find a way to interrogate technology more deeply\,” explains Claire L. Evans\, one-third of the Los Angeles-based pop group YACHT. “From the ground up\,” adds her partner and YACHT founder Jona Bechtolt. \nThe group—rounded out by longtime collaborator Rob Kieswetter—would know: their seventeen-year career has been marked by a series of conceptual stunts\, experiments\, and attempts to use technology “sideways\,” from rock-and-roll PowerPoint presentations to their Webby-award-nominated campaign for I Thought the Future Would Be Cooler (2015)\, which featured\, among other things\, a music video that played only during Los Angeles’ rush hour and an album cover that could only be seen via fax. Even the band’s name speaks to this: YACHT is an acronym for Young Americans Challenging High Technology. \nCHAIN TRIPPING is the band’s seventh album and third with DFA Records. Recorded between the band’s home in Los Angeles and Marfa\, TX\, the ten-song collection marks a shift in the group’s relationship with technology and their art. Rather than trying to comment on existing platforms from within their own filter bubble\, the band stripped their process down and rebuilt it using a technology entirely new to them—Artificial Intelligence\, and more specifically\, machine learning. The result is an album that merges invention and intimacy\, “challenging” technology from code to content. \nIn order to compose CHAIN TRIPPING\, YACHT needed to invent their own AI songwriting process. It was a journey of nearly three years. They first tried to discover any existing YACHT formulas by collaborating with engineers and creative technologists to explore their own back catalogue of 82 songs using machine learning tools. “We listened to raw audio samples of a neural network trying to sing in Claire’s voice\,” says Bechtolt. “We reduced our entire compositional output to MIDI data. We flattened our lyrics into text files\, into words among millions that would be fed to a weird custom algorithm. We talked to pioneers of algorithmic composition\, and to startup founders who promised us they could reproduce our sound in two hours or less.” \nEventually they created their own working method\, an uncharacteristically low-tech approach to a high-tech possibility\, painstakingly stitching meaningful fragments of plausible nonsense together from extensive\, seemingly endless fields of machine-generated music and lyrics\, themselves emerging from models created with the help of generous experts in neural networks\, deep learning\, and AI. Armed with these custom and custom-tweaked machine learning models\, YACHT was able to generate massive volumes of lyrical and melodic information—much of which was “hiding in-between” melodies in their our own back catalogue—which they then approached as source material\, using a process more influenced by analog cut-up writing techniques than anything explicitly technological. \n“We’re a band that has always loved to operate within constraints\, so for this we created a strict set of rules. We were allowed to subtract and rearrange\, but never to add a note. Everything on the album is generated\, but the structure\, arrangement\, and performance is entirely ours\,” explains Kieswetter. \nYACHT have always been multifaceted\, willing to collaborate with thinkers far beyond the pop realms. In the past\, they’ve created perfumes\, apparel\, apps (the beloved Los Angeles calendar app 5 Every Day among them) and sculptures\, and Evans has a considerable career as a writer; her first book\, Broad Band: The Untold Story of the Women who Made the Internet\, was published by Penguin in 2018. This project was no different. The list of collaborators for Chain Trippingis a who’s who of the art and machine learning community\, from the senior research scientists at Google Brain’s Magenta group to the award-winning creative technologist and poet Ross Goodwin; artwork\, typography\, liner notes\, lyric videos and even YACHT’s band photo were all created using different visual machine learning models in collaboration with artists like Mario Klingemann\, Tom White\, Allison Parrish\, Barney McCann\, Tero Parviainen and Sam Diggins. \n“This process is not so much about collaborating with the machine as it is about collaborating with people through the medium of the machine\,”  Evans says. “Creating this kind of work requires that creative and technical people work together\, and that’s a good thing in our increasingly siloed culture.“ \nThe results surprised even the band. Although the process might sound opaque\, even impersonal\, it was deeply human. The band culled phrases\, melodic moments\, and unexpected patterns manually from a morass of generated material\, painstakingly assembling songs rich with lucid imagery and stuttering rhythms; they performed and recorded everything live\, wrestling the complicated machine melodies into their bodies and often breaking themselves out of highly embodied habits. Chain Tripping is full of phantom earworms and pop strangeness\, and yet it is unmistakably their own.  “We think the final result is more human than human\, more YACHT than YACHT\, “ says Bechtolt. “And easily the thing we’ve made that most reflects how we see ourselves.” \nThe band’s characteristically frenetic pop sound is toned down on songs like “(Downtown) Dancing\,” a scotch-tape disco track that marries an anxious\, funky bass groove with the lo-fi sound of the NSynth\, a neural synthesizer that uses a machine learning process called latent space interpolation to imagine new sounds in between traditional instrumentation. The NSynth appears all over Chain Tripping\, notably on the jewel-like “Blue on Blue\,” a euphoric love song wound with surprisingly omnidirectional melodies. The generative composition process “broke us out of a mold of concise\, formal\, four-bar patterns and let us accept longer\, meandering riffs\,” explains Kieswetter; like most of Chain Tripping’s standout tracks\, the song contains lyrical fragments that coalesce\, collapse\, and reform into new patterns with fluid ease. The process also surfaced a wealth of surreal idioms\, like “Loud Light’s” anthemic “I’m so in love / I can feel it in my car\,” or the lovely phrase “palm of your eye\,” which pins the lilting chorus of the driving “SCATTERHEAD” into place\, a song that splits the difference between postmodern rock and no-wave dance music with wiggly ease. “It’s vaseline on the dance floor\,” suggests Bechtolt. \n“We saw this album as an opportunity to teach the machine our values\, our history\, our community\, and our influences\,“ adds Evans. “This record is a product of a technological moment that is rapidly evolving. It’s wonky and sometimes dances at the edge of meaning. It taught us everything we wanted to know about ourselves: how we work\, what moves us\, and which ambiguities are worth leaning into. We didn’t set out to produce algorithmically-generated music that could ‘pass’ as human. And we didn’t want to use AI to write push-button pop songs\, either. We set out to make something meaningful. Something entirely our own.” \n \n
URL:https://jaxlive.com/event/yacht/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
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CATEGORIES:Alternative/Indie,Dance/Electronic
ATTACH;FMTTYPE=image/png:https://jaxlive.com/wp-content/uploads/2019/10/YaCHT.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191212T200000
DTEND;TZID=America/New_York:20191212T235900
DTSTAMP:20191114T195221
CREATED:20190703T040216Z
LAST-MODIFIED:20191004T144046Z
UID:3152-1576180800-1576195140@jaxlive.com
SUMMARY:CHARLIE FARLEY
DESCRIPTION:Biography\n\n\nHometown- DeQueen Arkansas \nI never dreamed I’d be making music for a living. I started out writing poetry and it turned into what it is now. Like anyone else who has walked a day in this crazy world\, I have been through a lot to get to where I am at. I won’t get into all that but what I will say is that God has blessed me with a gift to take everything I have been through\, bottle it up inside my mind and then put it on paper. I think anyone that actually listens to the lyrics of my songs will understand who I am\, what I’ve been through and what I am about. I can’t express how appreciative I am to have the family\, friends and fans that I do. Without yall I’m just another guy with a microphone. So\, Thanks! \n\n\n
URL:https://jaxlive.com/event/charlie-farley-3/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Country
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/07/IMG_7448.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191213T200000
DTEND;TZID=America/New_York:20191213T235900
DTSTAMP:20191114T195221
CREATED:20190927T170918Z
LAST-MODIFIED:20191002T141638Z
UID:3312-1576267200-1576281540@jaxlive.com
SUMMARY:DAYS GONE BY
DESCRIPTION:Days Gone By is an original 5-piece metalcore band hailing from Jacksonville\, FL\, that delivers an energetic and powerful punk-driven spin on metalcore \n
URL:https://jaxlive.com/event/blood-bath-beyond/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Metal,Prog Rock,Rock n Roll
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/09/Daysgonebyfbprofilepic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191214T180000
DTEND;TZID=America/New_York:20191214T235900
DTSTAMP:20191114T195221
CREATED:20191007T163734Z
LAST-MODIFIED:20191018T160913Z
UID:3365-1576346400-1576367940@jaxlive.com
SUMMARY:BLEEDING IN STEREO
DESCRIPTION:
URL:https://jaxlive.com/event/bleeding-in-stereo-2/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Rock n Roll
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/10/bleeding-stereo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191219T190000
DTEND;TZID=America/New_York:20191219T235900
DTSTAMP:20191114T195221
CREATED:20191023T193121Z
LAST-MODIFIED:20191027T143807Z
UID:3416-1576782000-1576799940@jaxlive.com
SUMMARY:HINTRLND
DESCRIPTION:
URL:https://jaxlive.com/event/hintrlnd/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Alternative/Indie
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/10/Hintrlndfbcoverpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191220T200000
DTEND;TZID=America/New_York:20191220T235900
DTSTAMP:20191114T195221
CREATED:20191029T172733Z
LAST-MODIFIED:20191030T010544Z
UID:3429-1576872000-1576886340@jaxlive.com
SUMMARY:SOLAFIDE
DESCRIPTION:
URL:https://jaxlive.com/event/solafide/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Alternative/Indie
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/10/Solafide-Fall-2019-Foto.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191221T200000
DTEND;TZID=America/New_York:20191221T235900
DTSTAMP:20191114T195221
CREATED:20191015T140301Z
LAST-MODIFIED:20191029T173009Z
UID:3386-1576958400-1576972740@jaxlive.com
SUMMARY:BLUE CACTUS / CHELSEY MICHELLE BAND
DESCRIPTION:Americana/Indie-Country duo Blue Cactus supplements their twang with soaring\, space-rock-inspired guitars\, while rich harmonies keep their tunes grounded in traditional American Roots. Based out of Chapel Hill\, NC\, Blue Cactus is led by long-time collaborators Steph Stewart and Mario Arnez\, who create songs that range from gritty Honky Tonk to tender\, heartbreaking balladry. \nTheir 2017 self-titled debut album has given life to the future of country music and received praise from critics across the nation for its poignant songwriting\, acute sensibility and expansive interpretation of alt-country. Seamlessly bridging the Bakersfield and Countrypolitan sounds with elements of modern Americana\, the record encompasses everything that made country music matter.   \n \nIn their eighth year of making music together\, Arnez and Stewart have become a nimble creative unit\, adept at exploring heartache and hope with time-tested Honky Tonk humor. They have toured throughout the US\, sharing the stage with with the likes of The War & Treaty\, Sarah Shook & the Disarmers\, Junior Brown and Town Mountain. Blue Cactus conjures a sound that will take you on a familiar journey into uncharted country\, expanding tropes and breathing hope into the genre’s limitless possibilities. \n  \n
URL:https://jaxlive.com/event/blue-cactus-chelsey-michelle-band/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Alternative/Indie,Americana,singer/songwriter
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/10/170216_AB_BlueCactus_0555.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191222T190000
DTEND;TZID=America/New_York:20191222T235900
DTSTAMP:20191114T195221
CREATED:20191029T174411Z
LAST-MODIFIED:20191029T174411Z
UID:3431-1577041200-1577059140@jaxlive.com
SUMMARY:MILES FROM LONDON
DESCRIPTION:A four-piece powerhouse band from Jacksonville\, Florida-Miles from London\, delivers a sound unique to them: “Bop Rock”. Formerly known as South Point\, founders and cousins Christian Pittman (vocals & rhythm guitar) and Ian Poland (bass & keys) decided they wanted to create something bigger. With the addition of two new members\, guitarist Luke Kobrin and drummer Daniel Po\, their unique sound was born and Miles from London was created. In September 2018\, Miles from London released their first EP as a band titled “Homebound” and shortly after released their first single “Blue”. However\, due to prior college commitments\, these were the last two projects under Miles From London that would feature Luke on guitar and in March 2019 the band introduced guitar player Mitch Fountain. \nMiles from London’s high-energy performances influenced by a blend of sounds similar to Hippo Campus\, Young the Giant and Death Cab For Cutie continues to attract enthusiastic fans and venue promoters. \n
URL:https://jaxlive.com/event/miles-from-london-3/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Alternative/Indie
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/09/milesfromlondon-foto.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191229T190000
DTEND;TZID=America/New_York:20191229T235900
DTSTAMP:20191114T195221
CREATED:20191104T173355Z
LAST-MODIFIED:20191105T135156Z
UID:3450-1577646000-1577663940@jaxlive.com
SUMMARY:LET'S GO SOLO TOUR w/CHRIS DEMAKES (of Less than Jake)
DESCRIPTION:**Chris DeMakes** \nChris DeMakes is a singer\, guitarist and songwriter from Gainesville\, Florida. For the last 21 years he has sang and played guitar for the punk/ska band Less Than Jake. He has toured the world many many times. In addition to playing in Less Than Jake\, Chris enjoys collaborating and writing songs with other musicians. Ska music has been a love of his for a long time and being able to play this music for people after all these years is still as fun as ever. Sandwiched in between 2 big LTJ tours (supporting their new release “See The Light” on Fat Wreck Chords) Chris will make his first venture into playing as a solo artist on the Ska Goes Solo tour. He is super excited to bring this stripped down version of himself to fans at these shows. \n**JT Turret** \nJ.T. Turret (formerly Jay Tea) began making his mark on the New York punk-ska scene in 1999 as a member of The Arrogant Sons of Bitches (A.S.O.B.). He played keyboard and sang on 4 albums including their final masterpiece “Three Cheers For Disappointment”. The record gained the band an international cult following.\nAfter A.S.O.B.\, Jay Tea concocted a solo act incorporating crowd interaction\, stand-up\, impressions\, and his own brand of edgy acoustic musical comedy. He’s known for playing on-the-spot requests for any song ever written. Jay Tea brought his act on the road as the only solo artist on the VANS WARPED TOUR 2006. He self released the album “Demo(n)” in 2009. He also fronted the bands Sprout (1997-2003)\, Hello Nurse (2010-2011)\, and the cover band cover band Me Next and the Gimme Mores (2011-present). He’s performed (musically and acrobatically) on keyboard with\nThe Fad\, High School Football Heroes\, I Voted For Kodos\, and The Nix 86.\nOn memorial day weekend 2012 Jay Tea reunited with A.S.O.B. for a run of shows that drew fans from all over the world. After years of solitary touring by plane\, train\, and car he created the Ska Goes Solo tour. Mr. Tea is beyond ecstatic about hitting the road with his brother in ska-punk. \n**Peter Michael*** \nPeter Michael Mosely (born June 6\, 1980) is an American rock musician. He is one of the two guitarists and vocalists and the pianist for the American punk rock band Inspection 12\, as well as the former bassist for the American pop punk band Yellowcard \nOn December 1995\, Mosely was added as the 5th member in Inspection 12 as second guitar and vocals. His first show with the band was at a friend’s backyard birthday party. Because he did not know any of their songs\, he only played the cover section consisting of songs by NOFX and Weezer.  The band went on to record six full length independent albums\, and although being a relatively successful local band\, Mosely recalls feeling like outcasts because of their preppy clothes and unorthodox style of punk rock\, explaining that “Whenever we’d play a show like Good Riddance\, or AFI\, it would always be a real tough crowd. I used to hear it all the time about us being rich kids.”[1] The band went on a hiatus in 1999 when singer Dan McLintock joined fellow musician Ryan Key to audition for the Tooth & Nail band Craig’s Brother.  Ryan soon returned home and joined local band Yellowcard\, and a year later Dan also returned\, with a proposal from Fat Wreckords record label owner Fat Mike to record some new material for consideration for Fat Wreck Chords subsidiary Honest Don’s Records. Guitarist James Trimble was by then studying in Tennessee to become an Doctor\, so Ryan was asked to help with the recording of their Home EP. Yellowcards violinist Sean Mackin\, was also featured on strings. After the recording their record label debut album “In Recovery” in December 2000\, drummer Scott Shad died after going into Diabetic Shock while driving his car\, but the band persevered and drafted lifelong friend of the band Tim Grisnik as a drummer. They went on a U.S. tour and later returned to the studio to record their second album for Honest Don’s\, Get Rad. However\, after eight months of recording songs\, Honest Don’s president reportedly told them\, “My label doesn’t put out this kind of music. And I don’t even know what to call it.“[3] They were dropped from the record label and bought their recorded material back to finish the album themselves. The band would go on to release its newest album in 11 years\, Redefine\, in December 2014. The album features the return of original lead vocalist\, Rob Reid\, to the band. \nMosely joined Yellowcard on July 20\, 2002\, after their first bassist Warren Cooke left the band due to personal reasons. \nMosely was simultaneously assisting Yellowcard with writing and recording bass guitar for their Capitol Records debut “Ocean Avenue”\, but announced that he left on February 15\, 2003. Unwilling to join the band\, Yellowcard recruited the bassist Alex Lewis instead. Shortly after the completion of “Get Rad” Mosely changed his mind and asked if he could join the band as their permanent bassist. Because Mosely had been an integral part of the writing for Ocean Avenue and had been friends with most of the band’s members since high school\, Lewis was asked to leave and Mosely became a full-time band member again on March 1\, 2004. His first appearance since his return to the band was on The Tonight show with Jay Leno on March 3\, 2004. \nIn 2005\, the band members went on their separate ways for a while to create new material for their next album\, Mosely moved to New York City with Key while the others moved to Los Angeles. The band reregrouped in LA in the spring 2005 to begin pre-production of their new album. \nIn April\, lead guitarist Ben Harper stated in an interview with MTV News that he was finished with writing the guitar tracks for the album and that he was leaving the band. He was replaced by Ryan Mendez from the band Staring Back. The album “Lights and Sounds” was released in January 2006\, the album’s theme centers around the band’s negative feelings towards Los Angeles and time of production made the broke away from its pop punk sound to a more alternative rock album. The album peaked at number five on the U.S. Billboard Top 100\, The title track\, “Lights and Sounds”\, was the first single\, released a week before the album. It peaked at number four on the Billboard Hot Modern Rock Tracks. \nOctober 16\, 2006\, the band re-entered the studio to begin pre-production on their next album. Paper Walls was released in the U.S. on July 17\, 2007\, the album debuted at number 13 on the U.S. Billboard 200 selling about 40\,000 copies in its first week. The band spent the rest of the year promoting their new album nonstop from the point of its release while touring with Linkin Park and Blue October \nOn October 17\, 2007\, Mosely announced that he had decided to leave the band “to pursue other endeavors” and noted that he “will continue to support Yellowcard.” He returned to his home in Jacksonville to pursue academia and take a hiatus from performing music. \n
URL:https://jaxlive.com/event/lets-go-solo-tour-w-chris-demakes-of-less-than-jake/
LOCATION:Jack Rabbits\, 1528 Hendricks Avenue\, Jacksonville\, FL\, 32207\, United States
GEO:30.3098509;-81.6549032
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CATEGORIES:Alternative/Indie,Punk,singer/songwriter,ska/punk
ATTACH;FMTTYPE=image/jpeg:https://jaxlive.com/wp-content/uploads/2019/11/ChrisDemakesapprovedpic.jpg
END:VEVENT
END:VCALENDAR